Amazon.com Customer Reviews
Jason and Maggie ain't got nothing on this - Review written on August 11, 2008
Rating: 4 out of 5
Mary J. Blige - Growing Pains (Geffen, 2007)
Whenever you release a big album (be it classic, certified platinum or both), expectations are always gonna be high for your follow-up. How do you exactly follow an album like Mary J. Blige's 2005 hit, The Breakthrough? Well, she must not have worried about it, as Growing Pains is another great album.
Although her first single, "Just Fine", wasn't exactly the smash that "Be Without You" was, it showed her on a more fun and upbeat track than usual. But for everyone who says that she sounds best on tracks about drama, "Hurt Again" and "Talk to Me" are right up your alley. The only problem is that after 16 years of albums, some of these topics can start to sound redundant. That's why that tracks like the NE-YO/StarGate-produced "Fade Away" and "Come to Me (Peace)" are a nice change of pace. Even the duet with Usher, "Shake Down", while only a fair song, adds a little bit of love into the mix.
You can still rely on Mary J. Blige to deliver that great R&B in a time where R&B is losing the battle with hip-hop and country music as the leading genres. The only question is how Mary will follow up this album. -EJR
A Fine Addition To The Musical Catalog... - Review written on July 30, 2008
Rating: 4 out of 5
Mary J. Blige took me to another place on her last album, The Breakthrough. I saw her, both musically and image-wise, in the bloom of her womanhood. She returned after releasing the greatest hits package, "Reflections...", with the unexpected bass-driven "Just Fine". That track was a jewel, in my opinion eclipsing her feel good songs of earlier because she had a lot of fun singing the song. However, it is not a full representation of the album "Growing Pains".
"Growing Pains" is what the title says, a buffet of different emotions, and whether or purpose or not, the sequence of the songs feels a bit spontaneous. Never the less, Mary croons, screams, cries and does all of the things a woman does. Really taking this into account will help people understand the unconventional feel of the album flow.
The album opens with a womanly pride anthem, "Work That" making it alright for every woman to love her body and essence regardless of what society says. For the most part, the winners on the disc helps you to forgive the small missteps made here. It is in the middle of the disc that the jewels exist. "Hurt Again" is a beautiful plee with falling in love after heart break; "If You Love Me?" proves that actions speak louder than words; "Fade Away" calls to the need we all have to want to run away from problems; "Roses" is a firey demand for understanding playing to the tough time in love(almost scary how serious Mary sounds on this song); "Till The Morning" is fun and sassy and "Work In Progress" is one of the greatest and most sincere songs Mary has ever recorded, stripping her of celebrity and going to her human vulnerabilities. "Work In Progress" clearly should have been the last song to close this album out. However, most listeners will have gripes about the sequence of songs.
There aren't any terrible songs on the collection, but there are a couple of guest appearances that should have been shelved. "Shake Down" feat Usher is a misnomer, full of almost laughable analogies ("We gonna work this out like fitness") and the chemistry for that track just isn't there. Also, the Ludacris donned opening of "Grown Woman" and his overall presence on the track is unecessary and is evidence that this track should have been reworked or just been pulled altogether.
At the close of the album after several songs that flowed in mood, the muscial landscape of the album completely shifts to a rather odd alternative style with "Come To Me (Peace)" and "Smoke" At this point in the album, neither of these songs was necessary. Now while "Come to Me" is a decent song, it belonged somewhere earlier in the album and "Smoke" truthfully doesn't fit at all.
Aside from the odd sequence and pointless guest apperances, "Growing Pains" is an album worthy of sitting aside the works that we love Mary for to this day.
My favorite songs in order:
1. Just Fine
2. Work In Progress
3. Hurt Again
4. Fade Away
5. If You Love Me?
6. Till The Morning
7. Work That
8. Roses
9. What Love Is
10. Stay Down
the break what! - Review written on April 28, 2008
Rating: 4 out of 5
if music is about the collaboration of the soul and the beat, mary j. blige's " Growing Pains" is a prime example. on her eighth album, mary blends the rawness of hip hop, smooth r and b, and even ventures to soft rock to emphasize different emotions. for example, "smoke" a song about the insecurities one has in a relationship, is midtempo soft rock ballad that compliments her hesistant but strong voice. " just fine", the lead single from the album, is a one on one therapy session with a life coach that makes you feel good because she's good...fine. with a micheal jaxckson's off the wall feel, you cant help but to get up and celebrate life for what it is. on the other hand, when mary is pissed, we know to run for the boarder with tracks like "roses". however, the track that stands out is " till the morning" which i personally think should be the next single with its tribe called quest inspired beat. overall, " Growing Pains" is the standard for r and b albums for 2008 because it blends , expresses every emotion of love, tries different genres of music and is the truth. beyonce take note!
Growing painful to listen to - Review written on April 26, 2008
Rating: 3 out of 5
20 customers found this review helpful, 7 did not.
I'm a huge fan of Mary J. Blige. I've been a fan more or less from the moment What's the 411? dropped back in '92. I've bought every single album she released since, including the live and remix albums but excluding 2003's Love & Life, right up to The Breakthrough. I didn't get Reflections - A Retrospective but that was because I just didn't see the point (I had practically everything on it already) and not because I didn't like it.
But I seem to be the only one on the planet who just can't get into this one. I simply don't get it. Mary has been selling millions of albums across the world for 16 years now and that could explain why, to these ears, she's beginning to sound a bit weary. She's been telling us all how she's incredibly happy now, how her life is exactly where she wants it to be and how, whilst going through all the pain in her recent past, one thing she's always strived to do is keep things real with her fans. This might all well be true but I'm yet to see Mary actually LOOKING happy in an interview or a video. (Jill Scott always looks happy for instance, even these days - and she's just been through a divorce!).
But maybe that's just Mary's way. Maybe it's the 'street' or 'ghetto fabulous' thing to; to never smile even if feeling blissful. Her continuous banging on about said bliss is starting to grate on the nerves a tad though. She's a strong woman, no doubt, and a trooper. She does "keep on going", as one reviewer said but at what cost? Like I said, the poor woman is probably just really tired.
When she burst onto the scene back in 1992 with songs like "Real Love", "Reminisce" and "Love No Limit", she showed energy, versatility and raw emotion that have long since dissipated. The bittersweet "Be Happy" and the poignant "I'm Goin' Down from her sophomore album My Life proved she was no one-hit wonder. And let's not forget her star turns on hip-hop classics like "Can't Knock The Hustle" with Jay-Z (1996) and "I'll Be There For You/You're All I Need To Get By" with Method Man (1995). I for one thought the title "Queen of Hip-Hop Soul" was absolutely well deserved.
But every subsequent album has been less satisfying, and more geared towards what was playing on the radio than the one that preceded it. By the time "The Breakthrough" came out, I was starting to lose interest. It was clear to any objective listener that Mary was just treading water and I've barely played the CD three times since I got it. This one I simply couldn't bear and had to take right back to the store and ask for something else.
As soon as I saw the video to her single "Just Fine", I had my doubts. The Michael Jackson homage-paying intro (and the video itself) was probably well intentioned but to me, they just fell flat. It just doesn't sound or look like she really means it. She's singing about being uplifted but she sounds (and looks) anything but. Jackson looked ecstatic in the video to "Don't Stop 'Til You Get Enough" but to me, Mary looks like she'd rather be somewhere else, doing something else. It's not so much in her moves, it's in her eyes and her facial expressions.
The female empowerment of "Grown Woman" and "Feel Like A Woman" sound like the kind of thing that would play well to Oprah's studio audience but this listener just couldn't find the groove - and I'm no chauvinist. It would take too long to list the female empowerment tunes I've grooved to in my time.
Pharrell's multi-tempoed "'Til The Morning" and Ne-Yo's interestingly winding "Smoke" are probably the only two songs on here that break away from the made-for-radio formula that dominates the album and Mary is probably singing the best she's ever sung - much more control, much less excess - but somehow for me, that just makes her less interesting to listen to. A perfect example of what I mean is the solemn "Fade Away". Forget all the almost spiritual wailing and chest beating of the good old days, Mary sounds like she's barely breaking a sweat.
Maybe that's how music is now in the 21st century and I need to either get with the program or leave it alone. Or maybe, just maybe, as listeners, we've allowed our standards to drop to basement level and as a result, anything even slightly passable is lauded as the next best thing. Mary is undoubtedly one of the legends of our time and I'll never even try to take that away from her but I do wonder if the way many of us fans are almost deifying the woman these days, is blinding us to the fact that her music is simply not as good as it used to be. I realise that we're living in an age where creativity and individuality are not rewarded and where studio executives and radio programmers are now telling artistes what kind of music to make so it's entirely possible that Mary's heart isn't really in the music she's putting out, despite all her talk of the contrary. Whatever. In the end, we'll only get the quality of music that we as consumers demand.
Maybe Mary's new life is indeed the happy and peaceful one she says it is. All I know is that while it must be a good thing (especially for her) that all the pain is behind her and all the angst gone, her supposedly newly-found joy is not coming through in the music quite yet. To me, singing songs of empowerment and bliss while looking and sounding utterly miserable just makes Mary painful to watch - and to listen to.
The album will probably still sell truckloads and earn her all kinds of awards, so I know my view is the minority one. I also know that my review is very likely to be unpopular here but I had to say my piece. I didn't want to post the review but a good Amazon buddy of mine (who will remain nameless) encouraged me to do so, so here it is. Let the hissing, booing and clicking on the "no" button begin.
MJB - Review written on April 07, 2008
Rating: 4 out of 5
1 customer found this review not to be helpful.
I must confess straight away, I love MJB, she is bar none the most fun to dance to and I think this CD flows with her fibe. I loved, Just Fine, by far the best song on here and the video is pure MJB, she dances her hot bod off. The rest of CD is good as well, but this song is her, Be Without You, on this CD. I look forward to seeing how it gets mixed at the clubs, I didnt think they could improve Be Without You, but the Blanco version would wake up the dead, so im hoping he does a mix of this as well. Ms. Blige puts so much of herself into her music, you feel her power and the feeling that yeah, I may be rich now, but i didnt forget where I came from, and im still a work in progress; I love that about her, she is no sale out. If you love MJB or you just like to groove then I cant imagine you not being jazzed by this album...Mary, you make this tan white boy soar on the dance floor.