Amazon.com Customer Reviews
"Are You Listening? I need you now." - Review written on December 30, 2007
Rating: 5 out of 5
3 customers found this review helpful.
When I first heard that Emmy Rossum was releasing a record I rolled my eyes and thought, 'Great. Another actress turned "singer"'. However, I was still intrigued enough to buy INSIDE OUT based on the comparisons to Imogen Heap (a favorite artist of mine), and because of her impressive work on The Phantom of the Opera (Two-Disc Special Edition). Fortunately, while the comparisons are warranted, I found myself relieved to hear a mixture of different styles as well. I'd say the sound here is a wonderful blend of Frou Frou, Enya, and Sleepthief. And why would that be a bad thing?
Classically trained Emmy Rossum neither took the route of disposable pop or classical crossover but instead chose a rather relaxing and addictive medium. Her breathy, ethereal vocals are absolutely spellbinding, and the lushly driven beats are quite beautiful and hypnotic.
INSIDE OUT may not be perfect in its lack of originality but it's a lovely album from a promising young singer. I was not at all disappointed; just pleasantly surprised.
Great for Fans of the Genre - Review written on December 08, 2007
Rating: 5 out of 5
I am a casual fan of dream pop and a big fan of Emmy Rossum, so I was happy to purchase this CD. The songs all sound similar if you don't listen intently, but listening to the words reveals very different songs. Almost every one of the songs involves layering of her voice, which some people might not like, but I personally think it adds depth. My favorite songs on the CD are "Inside Out", which is about showing both the good and the bad of herself, "Lullaby", which is a comforting song that has helped me emotionally when I feel down, "Don't Stop Now", which involves her following an unfaithful boyfriend to convince herself that it's really over, and "Anymore", a defiant song about how she won't let her absent father define her life. I lot of people say she sounds too much like Imogen Heap, but I have no idea who that is so I wouldn't know. I personally like it, but use your own judgment with the sound samples.
Soothing, enchanting music - Review written on December 05, 2007
Rating: 4 out of 5
People keep bashing Emmy Rossum for sounding too much like Ms. Heap or other synthesizer-loving divas on her debut album, but the fact of the matter is that music is often an imitation of other styles and influences. If no one sounded similar then all genres - such as pop, rock and R&B - would be absolutely non-existent because nothing would be able to be compared to any other form of music. I believe that this album does have influence from other electronic-aided performers but stands on its own as well. It's definitely an admirable approach from this former opera singer. The pulsating music here sounds like a mix between Donna Lewis (1996's huge hit "I Love You Always Forever"), Frou Frou and aforementioned Heap. Enchanting as it sounds, though, the same problems that plague the artists mentioned above hurt Rossum's effort in that the songs all rely on electronic effects that they often sound like one strung-out song rather than individual pieces of music. Nonetheless, Emmy's unique vocals shine here, whether they stand in front of the background ("Divide") or intermixed with all sorts of studio magic ("A Million Pieces"). Other memorable moments include lead single "Slow Me Down" (a truly magical take on how fast-paced lives today are), the bittersweet ballad "Stay" and "Falling." Is it perfect? No. But admirable? Definitely.
Not at all what I expected! - Review written on November 25, 2007
Rating: 5 out of 5
4 customers found this review helpful, 2 did not.
When I first heard Emmy Rossum was making an album, I really expected the final product to be the earnest work of a baby Brightman: a few show tunes, a couple of classical pieces done in Celtic Women style, the ubiquitous "O Mio Babbino Caro," etc. I was unimpressed by her performance in Phantom-- her voice was too reedy and immature for her to be believable as an operatic diva.
However, when I saw her album on iTunes, I took the time to preview it, and I was so very pleasantly surprised.
On "Inside Out" Rossum doesn't fall victim to the "I have some high notes, so I must use them" syndrome or bombastic pretentiousness that would have slotted her firmly in the Popera genre. Instead of following in the footsteps of Brightman and Groban, she's crafted a very soothing mix of Imogene Heap's layering effects and Kate Bush's wailing vocals, and it all comes out sounding quite a bit how I'd imagine an Annie Lennox album to sound, if Annie Lennox took several Valium and hit the record button. The lyrics, though at times a bit too melodramatic and repetitive, are simple and honest, and all of the songs touch on universal themes that any listener can sympathize with.
The best part of this album, though, are Rossum's vocals, which are smooth and mature, light years beyond her strained chirping in Phantom. She has crafted her voice into a dark, breathy, legitimate Adult Contemporary sound. This album is above and beyond the bubble gum tracks other singers her age are producing, and it is definitely worth listening to.
Great voice, bad choice - Review written on November 16, 2007
Rating: 1 out of 5
5 customers found this review helpful, 2 did not.
I loved her in the Songcatcher and Phantom. She has a great voice, but unfortunately, either bad choice in music or bad producer, or both. It was like a bad, super " pop " version of Enya, who is alright by me. I think that she is still better than this. My only hope is that she can get some better help and try again. If they can take half talent people from American Idol and make some decent recordings, surely they can help her make something that can match the hope I had, ever since I heard her on Songcatcher.