Amazon.com Customer Reviews
The diva is back - Review written on May 12, 2008
Rating: 4 out of 5
1 customer found this review helpful, 2 did not.
Considering that Annie Lennox released her first solo album Diva shortly after the Eurythmics disbanded, you would think that she wouldn't take so long with subsequent releases. True, the three-year gap before Medusa came out wasn't a HUGE break, but Bare didn't appear until 2003. Now, Annie comes at us with her fourth album, Songs of Mass Destruction.
Although some of the songs on here are a little dark, they aren't as blatant as what was found on much of Bare (which isn't a bad album, by the way). Such songs include "Through the Glass Darkly", "Lost" and "Dark Road". And Annie's activism also has a presence on here, as evidenced by the feministic tracks "Sing" and "Womankind".
Another good selection is the final track, "Fingernail Moon". Speaking of which, as was the case with most of her post-Eurythmics albums, there are mainly ballads on here, and when she shoots for funky tracks, she hits ("Ghosts in My Machine") and misses ("Love is Blind"). Her vocals go a little off-key from time to time too. Oh, well; while Diva remains her best solo album, Songs of Mass Destruction proves that Annie's talent is still going strong.
Anthony Rupert
It's O.K. - Review written on November 28, 2007
Rating: 2 out of 5
5 customers found this review helpful, 7 did not.
So far, I've been a bit disapointed in this album. The first track and maybe one or two others are quite charming. Other than that, I find the lyrics to be very, very, Annie. Her lyric writing feels to similar between these songs, and other Annie songs on other Annie albums.
I really, really, really, hate and detest the AIDS awareness song! Really. It's good that she's commited to a cause, but I don't think doing a BAD song about the cause is a good way for her to make any gains in the area.
I must admit I kind of hate cheesey "cause" songs, so...I may not be the most impartial here. But, as cheesey "cause" songs go...this one is poor, even for the genre. Lyrically, it reminds me of "Sisters Are Doin' It For Themselves". That's what I was talking about before, the lyrics here sound like a rehash of every other Annie song.
Oddly, I find the lyrical content of this particular song way too direct and preachy and intelectually boring. Annie usually buries the meanings of her songs in layers of deep metaphor. The gimick of all the other famous females doesn't really come accross. The track doesn't really highlight anyone elses performance. The melody is poor, trite, and uninspiring and the goofy intro just comes off as another gimick.
I loved Diva and Bare, this album just isn't there. I will admit though, I might have quite a different opinion in six months. Annie has been one of those artists who's new music usually has to grow and grow and grow on me.
Songs of Mastery & Devotion - Review written on November 16, 2007
Rating: 5 out of 5
6 customers found this review helpful.
Annie Lennox's gorgeous voice is a paradoxical blend of sadness and joy, frailty and strength, woe and wonderment. Songs of Mass Destruction is a masterpiece that reflects Annie's talents as a vocalist, back-up singer, composer, and lyricist. These songs will get under your skin and into your soul.
The album begins gently, with "Dark Road." Simple musical accompaniment lets Annie's passionate lead vocal stand out, as she weaves a wistful, pessimistic yet hopeful message to a loved one. The song builds in intensity, peaks, and ends calmly. The next cut, "Love Is Blind," is remarkably intense, with a rock vibe, superb back-up echoing harmonies, and an incredible conclusion with Annie repeating the words "so screwed up" six times. "Smithereens," a beautiful ballad that builds to a dramatic crescendo, is followed by "Ghosts in the Machine," another driving rock song which is a blast to sing along with.
"Womankind" features Annie harmonizing and singing back-up for herself, which is always a joy, and a rap from Nadirah X. "Through the Glass Darkly" is my favorite cut on the album, with a vocal that soars. "Lost" begins simply and builds into a layered, rich drama. "Coloured Bedspread" is a paean to a blanket. Why? Why not! This sounds very much like a Eurythmics track.
"Sing," the song to raise awareness for a treatment that prevents pregnant HIV positive women from passing on the disease to their children, has been discussed a fair bit by others here; it is fun to try to pick out voices of some of the other singers who offered their voices. "Big Sky" is another vehicle for Annie to demonstrate the range, clarity, and power of her voice, and the poignant final song, "Fingernail Moon," is a bit of musical harmonic heaven.
I would urge those who did not get hooked on first listen to give the album a chance. I've been playing it non-stop for days, and with each listen I discover new pleasures and new beauty.
And finally, if you have the chance to see Annie perform live, you'll be amazed. I saw her last weekend, and the performance was just incredible. She has so much energy, and her joy in performing is clear. And oh, that voice...