Amazon.com Customer Reviews
ONE CHANCE? - Review written on October 04, 2008
Rating: 3 out of 5
1 customer found this review helpful, 1 did not.
Like millions of other people (apparently), I'm a sucker for a good "ugly duckling" story. And Paul Potts' story is certainly that--forget the fact that that very story was rather cynically played upon by Simon Cowell and the producers of BRITAIN'S GOT TALENT. Turns out that Paul did have more training and stage experience than we might have first been led to believe. He had major roles in amateur productions and had even studied in Italy for a time where he had occasion to sing before Pavarotti.
The core of the tale WAS true, however. He had certainly had a few moments of (amateur level) glory before he autioned for Cowell and Co., but he still wound up back at Carphone Warehouse. And even if the programs judges knew how well Potts could sing in advance (and pretty much feigned astonishment for the camera), one thing that clearly was NOT faked was Paul's awkwardness and timidity onstage. Until he opened his mouth to sing, that is.
Great story. Great television. I watched that danged YouTube clip for weeks on end, with my eyes welling up each time . So why do I find myself so disappointed in the CD? Well, as almost everyone has acknowledged, it was something of a rush job. It's no secret that he was recording it within a week of winning the prize. And it shipped in little more than a month after the contest. How much thought could have really gone into such a project? And how much care?
There is absolutely nothing surprising or inspired about the song selection. Of course, it was understood that "Nessun Dorma" and "Time To Say Goodbye," the two numbers performed on the show and seen around the world on YouTube, would have to be included on the CD. They're both stirring, although those who were quick to point out that his version of "Dorma" proved that he was no Pavarotti seem to have a point. Here and elsewhere his vocal does seem a bit pinched at points. And is it just me, or is there a hint of an echo effect here and there (throughout the album, I mean)?
Of course, Paul Potts' appeal is not solely due to his mastery of technique (and realistically, at his age, no matter how much training he gets now, he will almost certainly never reach Pavarotti level). However brilliantly he pulled off his televised performances, though, it seems clear that he will have to face the fact that the recording studio is a completely different--and much less forgiving--environment. That's not to say it can't be done, but he will probably need different, and more sensitive handlers than the Cowell crew.
And fresh material wouldn't be a bad idea at all.
I'm by no means a musical snob, so when I talk about Potts' limitations, I do so with a lot of hope that such an engaging performer can find a way to transcend them. I'm often amazed at how precisely certain critics and scholars can analyze the strengths and weaknesses in a given singer's voice, and I can't pretend to even begin to do that. But I do notice some here, some which you might expect (stuggling a bit with the high notes) and some I don't understand at all (why are his most awkward moments in the English language songs, for instance).
I'm not sure that Paul Potts will ever be able to carve out a career in the classical/operatic world. That would likely require a lot of catch up training, and time's a-wasting on that front. On the other hand, it would be disappointing to see him stick to the "classical-lite" of a Bocelli or Brightman. How many versions of "Time To Say Goodbye" does anyone need to hear anyway?
So I wish Paul Potts a lot of luck in his future endeavors. I don't begrudge him his talent show entree into the big time. (How else was it going to happen?) But I do hope the industry doesn't just chew him up and spit him out. There's music in this man's soul, and it'd be nice to see him have a chance to make it.
Paul Potts - Review written on August 02, 2008
Rating: 5 out of 5
I'm ordering Paul Potts' CD for my daughter and myself without even hearing the soundbytes.
Robert Byrd, you wrote beautifully what I've had difficulty putting into words even to myself. I too was overcome with tears and emotion, as was my daughter, when we first saw Paul Potts' performance on youtube the night the world discovered him. I'm still at a loss to know exactly why he touches us so. Is it because this humble, unassuming shy man had courage and because of it, will stand on the great opera stages of the world, entertain maybe even inspire the bored elite, but most importantly, represent us, the common man who dreams of better things. Is it that he gives us, the little people, hope for a better day?
I pray Potts' fame and fortune bring him and his family joy and happiness.
Engineer should be fired - Review written on July 13, 2008
Rating: 1 out of 5
1 customer found this review helpful, 1 did not.
Paul Potts has a great voice and with more training and practice, he could be an even better performer. I like Paul--he has potential.
Unfortunately, the engineers who are in charge of the sound on this CD put together what sounds like a compressed, flat dud of a CD. Sure, it has the clarity from the wonders of modern recording, but they managed to suck the life right out of this recording.
Instead of capturing the softness, the loudness, the intensity of the musicians and voices, where we should have a *dynamic* sounding CD, that can naturally inspire the listeners, we have one big, flat sound with a couple of pathetic *artificial* adjustments in volume. When people sing, or play instruments, they naturally go from a soft sound, to a loud sound when their inner being tells them to. We don't need some hack in the studio taking that artistry from the artists. If I wanted a flat recording, I would have gone with MP3s. If I wanted compression, I would have gone with MP3s.
It's garbage like this that's made me given up on modern music CDs. It has nothing to do with Paul Potts, but the engineers who no longer have a clue what good sound is all about, and the non-music loving executives who in many cases are making them do this.
The record companies say they're losing money. Good. They've lost major music buyers like myself, and I would be ecstatic if they went out of business. Let the music and sound lovers be in charge again.
And Paul, smile on your next CD.