Amazon.com Customer Reviews
4-1/2 stars -- THIS CLOSE to being another flawless album... - Review written on December 11, 2007
Rating: 4 out of 5
I first heard of Amos Lee when he was on tour with Norah Jones about two or so years ago. After that I picked up his self-titled album, and I couldn't find a single thing wrong with it. And his second album Supply and Demand just keeps things moving in the right direction.
This album is a little more soulful than Amos' first album, but I'm not sure if I can call him a blue-eyed soul artist just quite yet. But it doesn't matter because there are plenty more great selections, one of which is the organ-driven "Skipping Stone". Also good are "Long Line of Pain", "Shout Out Loud" and the title track. The necessary political song "Freedom" also impresses.
Amos also has a clever way with lyrics, as shown by "Careless" and the interesting story, "Night Train". And if you're lucky enough to get your hands on the version of the album that includes "Lullabye" and "Truth", you should know that THOSE songs are great as well. Speaking of "Truth", though, the only reason I knocked half a star off my rating is because the song ends with a very off-key piano chord (sorry; I tried my best to overlook that).
But Supply and Demand is still an excellent album. I wish there really WAS more demand for Amos Lee, but it's not too late to discover him, so go pick it up.
Anthony Rupert
He Really IS the Male Norah Jones! - Review written on November 21, 2007
Rating: 4 out of 5
I read several reviews before I picked this one up - primarily my interest peaked due to the Norah Jones comparisons, and of course the record label is Blue Note, which to date has not released a bad album (much like Peter Gabriel's Real World).
Guess what - this is EXACTLY like Norah Jones' music, but with a huskier Norah at the vocal end of things! Amos Lee is a great voice - like Norah he has that southern twang down pat, plus, like her, he is multiracial (Norah is Bengali-Indian/Texan). All these elements work on the music - this is folk-country but with a lullaby-ish quality to it - and that should remind you of Norah too.
This is Amos' second full-scale release, and I will be checking out his debut as well. This album reminded me immediately of Norah's third CD "Not too Late". In fact, many of the songs here, such as "Sympathize", "Freedom" and "Sweetpea" are very reminiscent of that CD.
Amos however has one thing that Norah does not, and that is versatility. I like how his songs tend to be very different from each other, and they don't blend into one another unrecognizably ("Southern Girl" for instance is toward the end of the CD, which is where the album actually outdoes itself). Norah tends to be a bit samey towards the end of her albums where one track is virtually indistinguishable from the next, but Amos side-steps this curse, which is why I think that despite being on the same record label, he is actually far more listenable than Norah Jones.
Obviously, this is a vastly underrated record. More people should know Amos Lee as track-for-track, this is a solid album from start to finish with not a weak melody to be found. If you like Norah, then yes, you will love this. But also check this out if you enjoy Cassandra Wilson and some early Dolly Parton. This albums' melodies reminds me a lot of the tunes that Dolly had on her 1976 album "All I Can Do".
A very good follow-up, just not a better one - Review written on May 18, 2007
Rating: 4 out of 5
6 customers found this review helpful.
I have to be honest: I enjoyed his debut album so much I was half hoping Amos Lee would 'do a Norah Jones' and give us Amos Lee Part 2, or, in other words, more of the same.
But he hasn't. He's gone for a different producer this time around, leaving Lee Alexander for Barrie Maguire and thus, for a different sound.
He's turned it up in musical terms; his voice is bolder and whereas I always felt that he could've climbed on stage and performed the majority of the songs on "Amos Lee" armed with just his guitar, here he relies more on a full band. There are more background vocals here was well, though all performed by Lee himself.
Where I think he's turned things down a notch is on the angst, melancholy, the overall raw emotion he gave me on "Amos Lee". On that CD I felt a sense of identity and intimacy with the singer that I don't feel on this one. In fact where the first CD made me feel a range of emotions, this one makes me feel nothing. (Well, there was slight alarm at the totally unexpected mention of cocaine use on "Night Train" and one significant highlight was Lizz Wright popping up on background vocals on the anti-war song "Freedom" but that was about it).
That said, upon reflection I guess I have to hand it to the man for trying to progress and expand his sound. Most of what I've grown to like about Amos Lee (his voice, his songs) are all here and his personality still comes across pretty well. There's still good music here and it all makes for very pleasant, reflective listening. I'm still a fan. I just prefer his former CD to this one.