Amazon.com Customer Reviews
Muuuuuuch better. - Review written on June 19, 2008
Rating: 4 out of 5
1 customer found this review helpful, 1 did not.
When I found out that there was a sequel to House of 1000 Corpses, I groaned considering how disturbing and almost pointless the first movie was. I decided to give The Devil's Rejects a second chance (mainly because I was intrigued... and because I have a "thing" for Sheri Moon Zombie who plays Baby Firefly). Turns out, it's muuuuuuuuch better than the first movie.
So what's the movie about? The movie begins with a group of cops attempting to raid the Firefly home. A few members of the Firefly family escape and take four people hostage at a motel. The rest of the movie has the family torturing others and having some fun along the way.
Let's talk about the positives. Like House of 1000 Corpses, The Devil's Rejects is chaotic and just plain crazy. You'll be guaranteed to be on the edge of your seat throughout the entire movie. There certainly is never a dull moment. Acting-wise, aside from a few actors here and there, the cast is perfect. The bottom line is this-If you like scary movies and enjoy or don't mind a ton of gruesome gore, you'll really like this movie.
And now for the negatives. Yeah, it's gory as heck. Especially the last scene. If you don't like the gore, stay far, far away. And yeah, I guess you can say that most of it is over the top. Had Zombie taken it down a notch, I'm not so sure it would have been as good though.
I'm definitely glad I gave this film a chance. If you've seen House of 1000 Corpses and felt that there was something missing, I'd give this movie a chance. If you like horror movies with meaning, I'd skip it. Overall, I really liked The Devil's Rejects.
Ooh Sheri Baby - Review written on June 12, 2008
Rating: 4 out of 5
3 customers found this review helpful.
If I had known this was the sequel to _House of 1000 Corpses_, I would have rented that movie instead of this one. Oh well.
This is one of the sicker films I have ever seen; it however does have some redeeming qualities which serve to counteract the vein of mindless sadistic violence that runs through the film.
One thing I like about the movie is the casting. Any movie with Ken Foree (_From Beyond_, which is one of my absolute favorites, comes to mind) in it can't be all bad. Bill Moseley does well as Otis Driftwood, while Sid Haig's performance as Captain Spaulding is memorable. William Forsythe does a marvelous job as Sheriff Wydell, also. But Sheri Moon Zombie stole my heart: I haven't gotten a crush on a film star like this since I saw Barbara Crampton in _From Beyond_ and _Reanimator_. Never mind that the first time you meet Baby is probably the last, as well: she's basically so cute I can't stand it. I think I'm going to see _House of 1000 Corpses_ just to see her in another film.
SPOILER SPOILER SPOILER SPOILER
In a more serious and constructive vein, I would classify this film as a revenge movie, as well as horror/action/etc. It has a certain something in common with films such as _Oldboy_, or _The Black Cat_. In the case of this movie, I paid attention to my feelings as the story unfolded and wound down to its (in retrospect) inevitable end. At the beginning, my basic emotion was simply revulsion for the whole Firefly clan, and found myself wishing for their violent extermination. But as Sheriff Wydell got closer to his goal of vengeance, I began to feel a certain sympathy for them, and then after that, when Tiny came back into the film and did in the sheriff, disappointment that they were going to get away after all.
The final scene, though, has got to be one of the classics of film. To see Baby (Sheri Moon Zombie) silently screaming *expletive deleted*, with that huge revolver in her hand, with "Free Bird" by Lynyrd Skynyrd filling the soundtrack, is worth the price of the film in itself. This is a beautiful portrayal of an essential part of the American soul, and may it never die.
Finally -- a criticism: the movie takes place in 1978, as I found out watching the bonus material, and something kept bugging me about it. A couple of days later, it finally hit me what the problem was. This film takes place at a time when the anti-smoking campaign was barely starting, and about half the people in this country were still smoking cigarettes, while I can't recall even one character in the film so much as flicking a butt out through the wing vent on his car. Everything in the film looked as smoke-free as a government office building of 2005...
I'd recommend the film for those who like tacky b-movies, not least because the wretched serial killers are shown as human beings, and not just as some force of nature to be combatted. If you're squeamish, or have pretentious taste, avoid it, because you'll hate it. I give it 4 stars.
Sick movie for even sicker minds - Review written on April 01, 2008
Rating: 1 out of 5
3 customers found this review helpful, 11 did not.
I picked this movie from the very limited list of freebies that came with my Sony blu-ray player. I'm glad I didn't pay for it.
No redeeming qualities whatsoever, I, with a taste for horror, sci-fi, zombie movies and the like found this revolting. No wonder our society is "f"'d up. I shut if off half way through, and felt violated for the rest of the evening. Another mistake. It's going in the trash, where "Saw III" went. I guess this new generation of movie makers are all cut from the same no talent loser cloth.
It's nothing more than sick freaks murdering and torturing hapless people who are in the wrong place at the wrong time.
I can only hope that "live by the sword, die by the sword" might apply to the director of this piece of trash. If he thinks this is entertainment, maybe he should try experiencing some of this junk in real life.
Don't waste your time or money.
American Psychos: House of 1000 corpses revisited - Review written on March 23, 2008
Rating: 5 out of 5
I passed up House of 1,000 Corpses, many times, when I worked in a movie store, because the cover was freaky and the special packaging was gruesome. I never rented it. However, I watched The Devil's Rejects (Unrated Widescreen Edition), and loved the movie. A coworker explained that this was a "part two" of House of 1,000 Corpses, so I gave it a chance.
I not only enjoyed the movies, but I must admit that thess are now some of my faves. I also purchased the following items related to this flick; House of 1000 Corpses (Soundtrack, Explicit Lyrics), House of 1,000 Corpses, and [[ASIN:B0009SCUXIThe Devil's Rejects (DUALDISC, EXPLICIT LYRICS, SOUNDTRACK))].
After seeing the Rob Zombie films, the soundtracks have a life of their own. I've become a big Rob Zombie fan over the past few years, and I recommend his stage performances, as well as ALL of his CDs and DVDs.
The Closest Zombie's Come To A Horror Masterpiece...So Far - Review written on March 09, 2008
Rating: 3 out of 5
Jeez, where do I begin on this one?
Okay, this movie fell through my cracks, mainly due to my
personal views on the original "House Of 1000 Corpses" &
the fact it's played exclusively on Showtime (I'm an HBO/
Cinemax man myself). But every so often I wanted to see
this, having high hopes that this would take the unfortunate
hokeyness of Corpses and put it in the right direction. I mean,
the characters of the Firefly family all have great potential
that to me didn't reach it effectively the first time. Would
Zombie correct his mistakes being allowed a second time around?
Taking place shortly after the Corpses, Devil's Rejects pretty
much begins at the Family's downfall by Sheriff Wydell, this time
as the brother of the originally slain Wydell from the first film,
played by character actor favorite William Forsythe. Forsythe
plays the revengeful Sheriff typically over-the-top, and by the
time he loses it, you're already well aware it's gonna happen.
Escaping the raid is four principal characters: Captain Spaulding,
Otis Driftwood, Baby Firefly, and captured Mother Firefly (this
time played by Police Academy's Lesile Easterbrook). So when your an on-the-run psychopathic family, what do you do? Go killin' of course! And in typical family psycho tradition they find another group to go torture & humilate in the likes of the Banjo & Sullivan family, a traveling country group who, of course, just happened to be in the wrong place at the wrong time.
Without spoiling too much more, you get the principal idea. Look, Rob Zombie is my age, so the guy grew up with the exact horror sexploitation films that I did. There's no doubt this movie is more of a homage to past films like "House On The Edge Of The Park" or "I Spit On Your Grave", just without any victim retaliation. Each character is played still so over the top, you just cannot figure out if Zombie's intent for the film is either parody, straight forward horror, or just plain comedy, and that's my main problem. While some characters grip the right feel (Haig and Moseley do add some true Horror credibility here), other characters like the Mother and especially Sheri Moon's Baby just comes off as annoying. REAL annoying actually, almost making me want to shut off the flix right then and there. But then again, the overall feel is better presented here than in Corpses, but getting to third base instead of first still isn't a homerun to me.
I should note that ALL of Zombie's films look great. There is no doubt he is a great director. The look of sets, camera angles, music pieces, and such always hit the mark every time. It's just his writing. Too hokey at times, too much like a cheap copy of the films we grew up. Instead of a better way of telling this genre, he gives you an alternative one, not the same but not better either. That's the same feel I got from his 2007 Halloween too, Looks great, less filling! Also, his casting is always a treat for a Horror fan like myself. Always a group of "Oh, I know that guy/girl from..." list. For instance Priscilla Barnes, of Three's Company fame, plays one of the victims here, and in her big scene it's as if because she was availible to Zombie, he would recreate her humilation from 1979's Delta Fox strip-or-die section. To younger fans it's different, but to me and Zombie's generation it's more like "Yeah, yeah...I remember...". I mean it was cool then Rob, but now........
Anyway, I'm glad I got it out of the way, and while I didn't hate the film, I consider it to be Zombie's best picture, even as far as saying it's miles ahead of Corpses and Halloween, it just doesn't hit classic territory still. Maybe if Zombie was born fifteen years earlier and made this in 1978 it would be a classic, but then again if that were the case he wouldn't have all those original films to be "inspired" by now, would he?
Worth a rent, but still Zombie needs to put down the pen and
concentrate on just the directing.
Just... bloody brilliant, Zombie... - Review written on February 29, 2008
Rating: 4 out of 5
by dane youssef
Rob Zombie is without a doubt one of the most versatile and true to his genre artists out there. "The Devil's Rejects" is the kind of movie uptight censors and worried parents always warned you was gonna get made some day.
A movie where the leads are psychopathic murderers, the violence is excess and the gore is so voluminous, that you have to ask: "Does this movie satirize this kind of sadism... or celebrate it? Is it a fun campy parody... or a sign that we may have gone too far with our ultra-violent-based entertainment?"
This movie actually defines the term "overkill." Three of the more interesting deranged killers from "House Of 1000 Corpses" get their own spin-off in the "Frasier" or "Jeffersons" tradition.
The three, who are a family, actually (a father and his son and daughter) go on a mass killing spree and are racing out of the country to legal freedom on the other side of the border. They seem to echo the Manson Family.
Their sense of humor is the kind of acquired taste like the movie itself has. It stems from the experience you'd get from... watching slasher movies throughout a lot of your life. Like lime green Jell-O, anchovies, fish eggs and black licorice, this is not for all tastes.
The movie is actually a lot smarter and more complex than you might imagine, if you're unfamiliar with what Zombie's movies are about. It's akin to films like "From Dusk 'Til Dawn," "Vulgar," "Desperado" and "Freaked."
If you like these types of "Texas Chainsaw Massacre" and "Friday the 13th" re-vamping in the video-geek traditions, here is a movie you may hold up as one for the history books. The dialogue is written a twisted brilliant way and the direction has a real retro-'70's homey-quality to it. In a way that doesn't feel contrived.
Sid Haig, Bill Moseley and Sheri Moon are all so perfectly demented in their roles, you have to wonder what they're like in real life. You pray they're nothing like they are here... and hope you never come across anyone remotely like this either.
Sheri Moon, wife of director Zombie, looks more like a typical American model-actress than the degenerate rank-skank she plays here. Moseley is real-life, was actually a columnist and Heig often played scuzzy thugs, but also took a big turn in a bit part as the judge at the end of Tarantino's "Jackie Brown."
I find it incredibly strange that some people seem to be COMPLAINING that the pursuing cop character (the sheriff, John Quincy Wydell) is as sadistic and mentally unbalanced as the family killers themselves. Why?
Yes, he is. But... why?
Why is that a bad thing? In any way at all?
Look, if there's anything history and government have taught us, it's that it takes one to catch one. Not just in the movies, but in life. And not just in real life, but in movies as well. You see, it's not just an opinion. It's a fact. It's the way of the world.
People... do we all not remember Tommy Lee Jones in "The Fugitive"? His I Will Catch Him By Any Means Nessicary Law Enforcer way was one of the true milestones in the movie, and it got him an Oscar. Would we want any of the other major characters to be far less interesting than the leads?
When you eat a meal of any kind, you don't just want a rich main course and the side dishes to be as tasteless as styraphone. You want a whole meal you can taste.
And the stuff with the sheriff and the rest of the cops IS something to see. Why? Because he isn't any kind of undeveloped character. Zombie made him (and everything else) just as big, broad, colorful and energetic as the '70's genre that this one stems from.
There's some humor with the Kentucky-Fried Sheriff and the rest of his "Good Ol' Boys" in Blue. It goes without saying that in a small town, the cops are all red-necked. The way the stereotype of the small-town cop in a campy-slasher pic is handled with more laughs than usual.
And there's a great moment where they call in a specialist, a film historian (see: uber film geek) to help them with the investigation and this film critic.... well, suffice to say, he insults the name of God in the house of the Lord, to say the absolute least.
We all know Zombie is a neo-talent outside of the music biz. He did the LSD effect in "Beavis & Butthead Do America."
The end may justify the means, in this case. The hick cops and the colorful killers... in the end, it's an ending we all knew we deserved.
Speaking of Zombie, his film debut "House of 1000 Corpses," was a film I found to be embarrassingly bad. I'm a fan of those types of rock-horror camp movies in the "Texas Chainsaw Massacre" and "House Of Wax" vein. SEVERED vein, in this case.
But everything was played out so campy, so cheaply, so maudlin, so without suspense... that Zombie, I felt, made a movie that seems to be an insult, rather than a tribute to those horror-show camp classics.
But he's redeemed himself with this one. He's working without a net and it all could have gone horribly, pathetically wrong. So I give him props. BIG, BIG PROPS.
As I'm writing this now, he's currently re-making "Halloween." Though I wish he wouldn't, really. Why re-paint the Mona Lisa? Give it eyebrows, what? Will that REALLY be an improvement?
Brace yourself. Not for all tastes. Procceed with caution. Use extreme care.
NOT FOR THE FAINT-HEARTED, SQUEAMISH, PRUDISH... OR TOO MORAL.
One of the best Horror Films of recent years! - Review written on January 07, 2008
Rating: 5 out of 5
2 customers found this review helpful, 1 did not.
First off, to all of those trying to compare Rob Zombie to Tarantino...wake up! He's not trying to emulate him at all nor is he worried about doing so, I'm sure. And for the previous reviews that actually compared this movie to Hostel, it really shows how poor your movie tastes are. Hostel was not tasteful at all; the first half of the movie was all naked European women and sex scenes, and the second half was nothing but head on, non-stop gore. The plot was horrible and the only good thing about the movie was the cinematic quality due to Tarantino putting up money to produce the film.
Now, about this film. For recent years, this is definitely one of the best horror movies out there, especially for somebody putting out their 2nd attempt at a major title. This movie has great character development, the acting is amazing compared to most other horror movies, the special effects are realistic, the fear-factor is there, and the whole point of this movie is that it's actually believable. There's nothing in this movie that's too off the wall or too out there that people couldn't associate this with a real life experience in the lives of serial killers and psychopathic families.
Not bad, but not great. - Review written on December 20, 2007
Rating: 3 out of 5
3 customers found this review helpful.
The Devil's Reject's is a pretty decent horror flick compared to the crap that Hollywood is pumping out nowaday's, but that's not saying much. It seems to me like this is more of a disturbing thriller than an actual horror film, there is not really any on-screen gore or special effect's, just offensive dioluge and bad CGI. Overall it just seemed like it could almost be considered a remake of Texas Chainsaw Massacre, so loses point's for originality in my book. I respect Rob Zombie's effort's in pushing the envelope and he's got talent, but just it felt like he was trying to hard in all the wrong way's. The overuse of swear's for instance was ridiculous, I think there were over 100 F-bomb's in the first five minute's, which does'nt offend me but it was just way overdone, and that mean's a lot coming from me......I f****ng swear constantly. I like the fact that he made the movie using film rather than going digital but the shaky hand held camera, and fast editing got annoying real fast. It was cool in the first scene, but after ten minute's I was begging for it to stop. The movie star's off strong, but slowly loses momentum all the way up to the slow-motion end sequence. I liked the camoes from Sid Haig (the best character in the movie) and Ken Foree though, it just seem's like Hollywood's version of exploitation to me. Good for a rental. 3.5 Star's.
Stick to music Rob - Review written on December 11, 2007
Rating: 1 out of 5
4 customers found this review helpful, 17 did not.
First off, this is coming from a guy who loves a good slasher flick, or bloody caper, or a bloody slasher caper. Hell, I honestly enjoyed the first Hostel because I thought it was done very well. But "The Devil's Rejects" is easily one of the worst movies ever committed to film.
This movie falls completely flat and is devoid of any sort of redemptive qualities. Zombie seems more interested in proving that he's "shocking" than creating a quality film. All of the moments which were designed to scare or horrify only serve to solidify the poor editing and writing which may have otherwise simply been questionable.
The dramatic moments, particularly the ending, were laughable. It was like Oliver Stone got really high and instead of beating you over the head with the point he was making, decided to beat himself over the head until he was utterly retarded and decided to make a movie. But that may be giving too much credit to the director of this movie because even a beaten and bloody, semi-retarded Oliver Stone would have created at least one or two well crafted scenes amidst the chaos of mediocre cinematography and useless characters.
Dying is not an option... - Review written on October 26, 2007
Rating: 4 out of 5
I finally saw this newer horror movie (2005). My good Amazon bud, C. Blackshere suggested this one to me.
This movie is about a family that enjoys killing and are very sick and sadistic. This film is technically good and the acting is not bad---pretty good for recent horror. The opening scene is a shoot out with the cops and immediately grabbed my attention! This sick family goes on to kill after some members escape the gun battle. They run havoc on a little motel in the desert, hold hostages and torture them. The "big daddy" of the group, Captain Spaulding (a clown), comes to his kids rescue to help carry out more murders. A cop then seeks revenge on this group for killing his brother, the fun then begins.
Gore? This movie has it. But I wouldn't call it scarey. It is just a fun, entertaining movie about a very sick family. The clown, Sid Haig is excellent in this and actually makes the film. The plot was something less to be desired as it skips all over the place and doesn't always makes sense of what's happening.
But, I have to admit, with all its flaws, I did enjoy this movie and it's always nice to see a well photgraphed horror movie. Probably the better of recent horror.
A Solid Exploitation Effort - Review written on October 22, 2007
Rating: 4 out of 5
Perhaps too many people have come in to Rob Zombie movies thinking that they would be gratuitous gore-fests, and they have been sorely disappointed.
What Ho1000C and Devil's Rejects are, plain and simply, are exploitation movies without so much gore and violence. While I think the first outing in Corpses is not as strong as Rejects, they are at least honorable homages to earlier movies.
The plots seem generic and akin to the plots of older flicks, and that's almost the intention, it appears. Rob Zombie is working within the genre and imbuing the movies with his own brand of dirty, gritty, low-budget schlock. Originality is not a concern of his.
Neither is the mainstream. Horror movies, in recent years, have become slick works, meant for easy marketing and still trying to capture the Scream audience. Devil's Rejects does not. The dialogue is not stylized, and the look and feel of the movie is gritty and grainy and real, almost like The Texas Chain Saw Massacre, which makes it more frightening and foreboding.
More than violence is the threat of violence that looms in the movie. The opening shootout is one of the most entertaining in the last decade - probably my favorite since True Romance - and the scenes in the motel are so cringe-inducing that most people can't make it through them.
That's not to say that there aren't some weak points in the movie. It seems that Rob Zombie becomes a little too interested in his actors and leaves in material tha very well could have been cut out. If you're a fan of the actors in the movie - Ken Foree and Bill Moseley and Sid Haig - then you probably won't mind so much.
People looking for an entertaining, easy-to-watch thrillride should not opt for Devil's Rejects. You almost have to work to watch and enjoy the movie, and much of it is rough around the edges. Rob Zombie, though, is building a brand as a neo-exploitation auteur, so if you're willing to give him a chance, perhaps you'll be surprised.
REJECTED OR NOT? - Review written on October 03, 2007
Rating: 3 out of 5
***spoilers ahead***
It wasn't all that long ago that rock star and horror fan Rob Zombie created a chilling new addition to the horror fan base of possible franchise hungry characters when he made HOUSE OF 1000 CORPSES. Creating a franchise was not his intent. Rather, it was to pay homage to the full bodied horror films of the seventies and early eighties, those grab you by the throat films that he remembered. The trials and tribulations that Zombie had to go through to simply get the film released and the success of the film when it happened are now legendary. So it was likely that a sequel would follow.
THE DEVIL'S REJECTS is completely unlike the first film. Where the first delved into the oddball Firefly family and its penchant for homicide mingled with preaching, this one is straight up human destruction. Picking up where the last film left off, or shortly thereafter, we are presented with a new adversary for the family in the form of Sheriff Wydell (William Forsyth) the brother of downed Lt.Wydell (Tom Towles) from the first film.
Wydell has nothing on his mind save for the extermination of this family that robbed not only him of his brother but so many families of their loved ones. The brutality and loss of loved ones is hit on here rather than the fun horror film gore of the first film. The true depth of depravity and pain that the Firefly family is seen as we turn from garish lights in the original to more realistic daylight here. And in that light we are witness to all they have done.
The Firefly family escapes the attack of Wydell and his men with the exception of Mother Firefly (this time played by Leslie Easterbrook). Taken into custody, Wydell does his best to interrogate her, showing her pictures that the family took of their victims. But this is a lady without remorse.
Meanwhile, Otis (Bill Moseley) and Baby (Shari Moon) contact Capt. Spaulding (Sid Haig) and then head for a preordained meeting place. When the pair arrives they take several guests hostage in their room and begin to play twisted games with them, showing how truly low they can go. These are not the somewhat sympathetic cartoon characters from the first film.
When Spaulding arrives the trio makes preparations to get out of harms way. But at the same time we witness a transformation of Wydell at the same time. The change is disruptive to the film as he goes from lawman to God's angel of vengeance. Tossed aside is the letter of the law and Wydell is reduced to little more than a member of the family in different clothing.
Wydell does finally capture the three and takes them back to their home. There he proceeds to torture them in much the same way they did their victims. Suddenly the villains of this piece aren't as bad as we thought. And this is perhaps the biggest weakness of the movie. We are to revile these characters and BAM they become almost heroes.
The final moments of the film almost cement this feeling as the tones of Lynyrd Skynyrd's "Free Bird" rise while we watch them driving. And the last thing we see is reminiscent of BONNIE AND CLYDE where other outlaws were hailed as mere victims.
In the end this movie is not near as satisfying as the first. The sudden change in structure at the end dissolves all feelings that we had something different than most films that make icons of their protagonists. Granted we won't be seeing a sequel after this film's end (never say never). And Zombie proves himself as a director with fine capabilities shown in two films now. While this film is more original than most released this summer and more entertaining than others, on the whole I expected more. The actors still rule and we can hope that Zombie is now given more to do having proven himself capable.
BETTER THAN THE FIRST!! A BUNCH OF PSYCHOS!! - Review written on August 31, 2007
Rating: 4 out of 5
this movie was a trip, a bunch of crazy, no good killers, who fortunatley get theres in the end. rob zombie, like they say practice makes perfect. better the second time around. if you don't like the sadistic crazy maniac killers who don't give a crap, well this isn't for you. cause these guys and girl are just to freakin evil, no remorse, no mercy. they make everyone pay, in the worst way possible. in general the whole storyline and craziness, i liked it and i give it a thumbs up.