Amazon.com Customer Reviews
Ben does it again - Review written on May 29, 2006
Rating: 5 out of 5
2 customers found this review helpful.
It should come to no suprise to fans of Folds that the piano rocker has made another beautiful CD with his sophomore solo effort, Songs for Silverman. If you aren't diehard fan, this is still something you should check out.
With "You to Thank," Ben's fingers grace the piano with a pretty, high register ballad. The sound may not be the rockin' beat that people heard in Army or other older tunes, but in the lyrics Ben maintains his use of simple but original images ("standing out on the sidewalk with our tatoos that looked like rings in the hot Nevada sun) that anyone can picture but may not have imagined before.
The following track, "Jesusland," will keep its audience entertained with its moving appregios and dynamic violins.
"Landed" is the uncontested gem of the album, giving people who have never heard of Ben Folds before just one reason to buy it. Once again he employs the simple image, describing a man when he calls a friend for a ride from an airport. The gentleman has just left his obsessive girlfriend, "treaded the sea of a troubled mind", returned to his friends, and as the story goes, he has "landed".
"Gracie" is another one of the highlights of the album. The song is dedicated to his eponymous daughter, and its cute melody makes it sound like the song that any father would want to write for his young one.
In short, buy this album for Landed. You'll get to hear Folds beat the crap out of his piano once again, and chances are you might enjoy some of his other tunes as well. If you really like Folds, it would be a good idea to get the Silverman package deal, which includes "Songs for GoldFish" and a nice DVD.
Who is this Silverman person and what has he done with Ben Folds?!?!? - Review written on May 28, 2006
Rating: 1 out of 5
2 customers found this review helpful, 4 did not.
With *Songs for Silverman*--once it actually loaded to my PC, the only place it would play--I feel that it is I who should demand my money back you. . . .
The lyrics demonstrated the insight and emotional depth of a tenth grader's diary. (What kid doesn't feel a deep emotional and spiritual connection with Dad once she hears that he watched her "come out"? P.S. The pairing of the photo with the little girl in the storm drain . . . yuck. This image paints the childbirth picture with the metaphoric sophistication of a *Beavis and Butthead* "thingees" joke.) These nuggets of semantic wisdom were jammed into potentially-OK songs, but with such weird (i.e., unpleasant) vocal phrasing, I sometimes wondered whether he was singing, talking, or if he had forgotten that he was on the stick for delivering both the vocal AND the piano. (I've gotten this sense from him before, but in a way that was so much more evocative. One example that springs to mind is the way that "Narcolepsy" builds towards its climax. Unfortunately, for this batch of songs, the application of the technique just sounded lazy and uninspired.) On the other hand, I do have to admit that part of the fun of listening to the CD was reading the lyrics along with the music and wondering, "How in the hell is he gonna fit that entire next line of thirteen words into the song at this point?!? Perhaps he auctioneers on the side?"
I think that's why this CD doesn't have universal appeal. There are absolutely zero hooks. While the purist in me likes to believe that this isn't a problem--after all, there is certainly a glut of "catchy" bubble gummery out there--the truth of it is that I don't want to spend $20 and an hour of my life listening to songs that are so clunky and forgettable. The songs bear the white hot intensity of a bowl of cold, coagulated oatmeal.
Hate to say it, but I can't help but wonder whether Ben Folds really just wrote these songs over the weekend because he bet his neighbor--some guy named Silverman--that he could do it all by Monday morning, or else he'd cut both of their lawns for the next month.
A Decent New One - Review written on March 23, 2006
Rating: 4 out of 5
1 customer found this review not to be helpful.
This has got some of his best songs, but is generally more inconsistent, especially compared to Rockin' the Suburbs which really only had 2 semi bad songs
1) Bastard-liking the lyrics, but just can't feel the backing instrumentals with it...6/10
2) You to Thank-eh, and that's really all there is to this song...5/10
3) Jesusland-again, similar problems to the first 2 tracks but the lyrics here are decent at least...6/10
4) Landed-love the song but the chorus when he sings "and it's bye bye, good bye" his voice raises in pitch kind of randomly and annoyingly...7/10
5) Gracie-the beat's pretty boring, but the lyrics are good...6/10
6) Trusted-this is a great song, music and lyrics successfully work together to give the necessary feeling for a break up song...10/10
7) Give Judy My Notice-powerful lyrics that really hit home with me although it also starts kind of suddenly and loudly...10/10
8) Late-tribute to the late great Elliott Smith i assume, and it's a fitting one, catchy and moving...9/10
9) Sentimental Guy-again, an amazing break up song and the piano part is one of the best...10/10
10) Time-he's on a row here with these type of songs, but this misses that extra amazingness cuz it gets kind of repetative (the song i mean, not the fact that he's had numerous types of this song)...8/10
11) Prison Food-weak way to close the album, a big disappointment after that string of great songs, lyrically simple and harmonically mediocre...5/10
An excellent follow-up to Rockin' the Suburbs - Review written on December 30, 2005
Rating: 4 out of 5
1 customer found this review helpful.
He is often compared to, and in many ways, similar to Billy Joel. Much like Joel his songs tell stories, his songs are rather open for different interpretation based on the feelings and mindset of the listener. However, their lyrical styles are nearly polar opposites. Ben Folds writes the songs Billy Joel would have written had he come of age in the 80s and 90s instead of the 70s. There's a certain Generation X detachment in Folds songs that sets him apart from predecessors and makes him unique.
In his latest outing, Songs For Silverman, Ben Folds waxes poetic about subjects as various as religion, relationships, parenthood, and the passing of friends/mentors.
Lyrically and musically this album is a departure from Rockin' the Suburbs, it lacks the wit but replaces it with a bit more of an emotional punch. At first listen, I was aching for the fun and the less dour tone of Folds previous works, but with each subsequent listen this album has tiptoed into my psyche with a gentle subtlety. Folds may not be telling any "new tales" in his songs, but he tells many of the tales of life we're all too familiar with in such a refreshingly deep and personal way that he makes his stories ours as well.
DualDisc - AVOID - Review written on December 10, 2005
Rating: 1 out of 5
4 customers found this review helpful.
While I love Ben Folds as a performer, I was unfortunately unable to get this album to work correctly in my computer. The non-DVD side refused to mount, making it impossible to transfer the songs to my iPod. After reading more about DualDisc, I found out that because of the way it is designed, it is A) impossible to predict whether or not a DualDisc will work in your CD player--even if one DualDisc works, another might not, and even brand new CD players can have trouble--and B) it may actually DAMAGE your CD player! Ridiculous! If they can't even guarantee that it will work, why bother selling it? If you want a product that is actually reliable, AVOID THIS RELEASE and purchase something that actually follows CD standards. I find it insulting that Sony only made the CD version available in its "special package" release, which costs much more.
A More Mature Folds - Review written on September 01, 2005
Rating: 4 out of 5
1 customer found this review helpful.
Songs for Silverman displays a more mature Ben Folds. We no longer have Ben whining about "what its like to be male, middle-class and white," or wanting his ex to "give him his money back." We know hear Folds putting more meaning into his lyrics and consequently more intelligence. There are certain tracks that really stand out lyrically, "Landed" "Gracie" and "Late" in particular. As a result, we get more emotion and less angst which is great. I always have had a knack for Folds's immature ranting, but it is refreshing to hear that he has the ability to produce music that is a little more insightful at the same time. If you were a fan of Folds's earlier music, you won't be disappointed however. Folds still has his tounge and cheek cleverness about him, just lacking the angst. In particular, "You to Thank" "Trusted" and "Give Judy My Notice" have that clever whim about them that act as Folds's musical John Hancock. You will be pleased to know that he has become more mature with his music without becoming an emotional teddybear.
Musically, the disc is for the most part very good. Folds displays grade A pop piano virtuosity on "Bastard" and "You to Thank" among others. "Landed" is probably my favorite tracks, reminding me of a modern "Tiny Dancer." It is a solid song, and his writing and vocal work display Folds at his best. "Gracie" is absolutely heart-warming as is "Late," his musical eulogy to songwriter Eliot Smith. "Sentimental Guy" has a great style to it, reminds me a little bit of Ray Charles's work. The other tracks are a little weaker, but still worth many listens. "Jesusland" is a little uninspired, sounding like a recycled version of "The Acscent of Stan." All in all this album is excellent work from today's King of pop piano. Folds's new band is also refreshing to hear. Unlike "Rockin the Suburbs" on which he was playing most of the instruments, he has accomplished musicians playing the other parts making for a more polished sound. This album is definately worth your money. The DVD side has some interesting features on it but its only worth watching once. Without the dualdisc, it would probably be a 4.5 star rating. The dualdisc gets a 4 star. Nevertheless, the album is great. A great addition to Ben's cannon of great music.
One of the best albums of the Year - Review written on August 27, 2005
Rating: 5 out of 5
1 customer found this review not to be helpful.
I actually became a "Ben-Head" when attending two "Odd-Men-Out" shows this summer. Originally just a Ben Lee fan (his album "Awake is the New Sleep" is also one of the best albums of the year) I am now a double "Ben-head", both Lee and Folds, and maybe perhaps Kweller if I got to know his music better.
While a part of me has an allegiance to Ben Lee that makes me sad to say this, but there are days I actually enjoy Ben Fold's music immensely more than anyone else's. Listening to Songs for Silverman, Rockin the Suburbs, and his 3 EPs all together is an amazing anthology of an incredibly talented and witty man who is not afraid to share his emotions and raw talent with the world.
The first songs that come to mind on this album as favorites are "Bastard" "Jesusland" the single "Landed", "Give Judy My Notice" and "Late"...and my very favorite of all: GRACIE!! what a wonderful track, I cried one of the first times I heard it!
So you are thinking, that is half the frickin album! But each of these songs are unique and so brilliantly Folds that I couldn't not mention. His piano skill is stunning, his voice one of my very favorites, and really, there is nothing to not like about Ben Folds! Buy this album, I can't imagine anyone not loving it.
Best album of 2005 - Review written on August 25, 2005
Rating: 5 out of 5
1 customer found this review helpful, 1 did not.
From the early days of teen-angst-fuled piano bashing in "Whatever and Ever Amen", to the soul-searching mid life crisis album "Rockin' The Suburbs", Ben Folds has had the determination and time to push his musical career further than most with begnnings such as his. If you are expecting the same old catchy Pop Rock tunes from one of the gods of geek chic, this is not your album. In Songs for Silverman, Ben takes a lot of chances: vocally, musically, and lyrically. In the first track "Bastard", he half-comically points the finger at all kids under the age of 25 who take life too seriously. Each continuing track contains a message Ben musically wraps up in his meloncholy compositions and hands to the listener. As a father/husband/rockstar, Ben has had to stop trying to be cool and has passed the wisdom and knowledge of age on to his audience. The result is something truly terrific: blissfully bittersweet, personal, meditative music.