Amazon.com Customer Reviews
If they let me give ten stars......... - Review written on July 30, 2007
Rating: 5 out of 5
1 customer found this review helpful.
....this one would get them. I've written a couple of other five star reviews of Diana's records, and talked about the great material, and beautifully seductive voice. I even discussed the [limited] commercial value of sexy album jackets. It's all true.....
....but this trumps it. Diana in the studio is fabulous, but Diana live, connecting with the audience and her band, goes way beyond that. You can feel the magic. Some singers live don't measure up [no names]. Others, like our dear Carly Simon, have to overcome massive stage fright. [Carly has only one live album, great as it is]... I have no idea how much stage fright Diana has [and stage fright is real; been there, done that. I'm lucky that I actually enjoy the feeling]. Some fortunate singers are actually improved by a real audience. Whatever Diana's feelings, she gives the audience [and us] her all. I've not heard Diana in person, but on this recording we can get the electricity of a special experience.
Diana Krall is a treasure in earthen vessel....a beautiful girl, with a voice for the ages. If you're not familiar with her music, I'm sorry. If you only know her studio recordings, you've GOT to hear this.
Warning: A review by a non-jazz fan - Review written on September 01, 2006
Rating: 5 out of 5
10 customers found this review helpful, 1 did not.
I should start this review by saying that I am not a jazz fan. I like a little bit every now and then, but I could never build a huge jazz collection. I listen to rock and other popular music-- everything from the Beatles to the Clash to the Red Hot Chili Peppers to Tori Amos. However, I came across this Diana Krall CD when I became interested in jazz music thanks to Joni Mitchell. Joni's albums of the '70s are heavily influenced by jazz. I loved them all, so I began looking for other female vocal jazz performers. It was in this way that I stumbled upon Diana Krall's "Live in Paris."
I love this album. For a long time, I only listened to it occasionally and as background music (as other reviewers have described it.) However, one evening I sat down to really listen to the album and discovered that it is a veritable treasure trove of excellent music. I was captured by Diana's unique vocal style. It was beautiful, plaintive and very different from many other female vocalists I have come across. Her band was absolutely wonderful--full of energy during songs like "I Love Being Here with You" and slinking with sexuality and grit during songs like "I've Got You Under My Skin." I'm not typically a fan of "standards" such as these, but this album has enchanted me. I listen to it often in a wide variety of moods. It has become something of a security blanket for me. I encourage everyone, from jazz purists to rock fans like myself, to pick up a copy and listen to it as MUSIC and not as background noise. You will not be disappointed.
I've Got Her Under My Skin - Review written on August 30, 2006
Rating: 5 out of 5
3 customers found this review helpful, 1 did not.
I'm not sure whether to love Diana Krall for her singing or her piano playing, so I guess it'll just have to be both. Her piano playing is smooth as silk, yet very much alive, both when it's out front, as on "'Deed I Do" and "Devil May Care," and when it's subtely woven into the background, as on "The Look of Love." And her voice? Appropriately sultry and tempting on the slower songs, full of life and mischief on the more upbeat songs.
Note that the selections on this album are definitely on the classic pop side of the jazz spectrum, but then you know that if you looked at the song list at all. Thus, if you're a jazz snob -- and I say that not as an insult, but because you wear the title as a badge of honor -- this may not be the album for you. But if you enjoy Gershwin, Cole Porter, Harold Arlen, and some Burt Bacharach tunes performed by a masterful singer and pianist, you'll dig this album in a big way. My favorite song here, as if the review's title wasn't enough of a hint, is "I've Got You Under My Skin."
I should also note that while this is a live album, I was pleased to find that neither the audience nor Krall's brief interactions with it ever interfere with the music. I only mention this because live album producers sometimes put such emphasis on the "live" part that it's hard to enjoy the songs you love. Such is not the case here -- the atmosphere and audience add a richness that complements Krall's performance nicely.
Overall, I highly recommend this charming, engaging, and quietly fun album.
Mediocre Jazz - Review written on June 25, 2006
Rating: 3 out of 5
3 customers found this review helpful, 6 did not.
A big international hit, this cd works that boring crossover magic for audiences that usually don't listen to jazz. Don't get me wrong, this is not bad music (for instance, it's much better than Norah Jones' country-pop-jazz), but it's not satisfactory for jazz purists. It's good background music.
As a reviewer in an Italian jazz magazine inteligently observed -if you like girls singing while playing piano, you'll probably like this album. Ofcourse, Ms Krall is quite tallented and it shows at some of the songs. But she came along at time when female jazz performers can make some money by making some consessions to popular taste...
If Ella, Billie, Sarah or Satchmo recorded so much commercial junk, if even Gillespie's big band attempted to record rock and roll, why shouldn't Ms Krall record songs by some of the Billy Joels of the pop-world?
Let's Fall In Love (with this CD) - Review written on February 15, 2005
Rating: 5 out of 5
3 customers found this review helpful, 1 did not.
I saw Diana Krall on the same European tour at London's Royal Albert Hall, so was looking forward to listening to this. I purchased this CD a few weeks ago and yesterday put it away on the CD rack for the first time. However, unlike a lot of other recent purchases, I know this CD will be coming off the shelve many many times in the future.
Put simply, Diana Krall is a highly effective song interpreter, both in her singing and her playing. I was a little concerned when looking at the song list and the number of pop songs on it - five of the 12 songs here. I needn't have been. It takes guts to take really well known pop songs and give them jazz arrangements. It takes musical brilliance to do so this successfully. Her interpretation of Bacharach's "The Look Of Love" is stunning. When she sings "I can hardly wait to hold you..." the longing in her voice is passionate without a hint of melodrama. I have never heard this song performed this beautifully. Joni Mitchell's original version of "A Case Of You" was brilliant, one of the best songs on Blue, an acknowledged classic. Yet fellow Canadian Krall reinterprets the song with great success offering a moving tribute to her native land. I'm not a big fan of Billy Joel's "Just The Way You Are", possibly because it's just been overplayed, but Krall's version (the only studio track) is upbeat and magnificent.
The CD gets off to a great start with the jumping "I Love Being Here With You" which showcases Diana and her band in top form and obviously loving every minute of what they're doing. There is that feeling of a band just being "on" that's rarely captured in studio recordings. Most of the songs have extended instrumental breaks and Ms. Krall really gets the opportunity to show off her chops, as does guitarist John Pisano whose playing is excellent throughout.
Let's be real, if you're preferred style of jazz is avant garde or free jazz, this isn't for you. However vocal jazz is a legitimate genre and there are few albums in the genre that offer such an irresistable listening experience from start to finish.
DIANA KRALL TAKES PARIS!!! - Review written on January 13, 2005
Rating: 5 out of 5
2 customers found this review helpful, 1 did not.
One of music's most-gifted vocalists/pianists, the beautiful Diana Krall shows more than just her pretty face in everything she performs. Sharp delivery on the 88's, and velvet vocals, are the trademark of the Canadian-born songstress, and to hear her is to reach a higher plane in music appreciation. I have all her CD's, and each one tops the previous. She reminds you of Peggy Lee, Jeri Southern, Julie London, and others, but mostly she sounds like Diana Krall, and that's some sound. If you've heard her before, you know what I mean. If you've never heard her, welcome to the planet Earth. Buy her CD's. You'll never be sorry.
A poor effort from a once-promising pianist. - Review written on October 04, 2004
Rating: 1 out of 5
7 customers found this review helpful, 10 did not.
With the right band, arrangements, and producer, Krall could have been an excellent jazz singer, and on her earlier discs, she made strides in that direction. Apparently, however, Tommy Lipuma, her producer, has convinced her that success is more important than musical worth, and this disc is an illustration of what happens when a musician strives to be a pop star. Stock covers of "Just the way you are" and "The Look of Love" just don't fit with the other songs on the record, and were likely put there just for airplay or to pander to a boomer audience without any jazz knowledge. In addition, her band has little jazz feel or swing on this record. Example: The guitar solos by Anthony Wilson - he runs out of ideas after a couple of bars and ends up noodling meaninglessly for the rest of his solos - or the brush work by Jeff Hamilton, which really doesn't swing.
A jazz singer doesn't have to take a song at face value and cover it like a prom band - listen and watch Carmen McRae sing "Evergreen" and "With One More Look at You" on her live DVD (available on Amazon) at age 64 with a trio behind her and you'll see what I mean.
Pure Krall - Review written on August 04, 2004
Rating: 5 out of 5
3 customers found this review helpful, 2 did not.
Unlike some of the other reviewers I loved the "new" sultry, Diana and her offerings. This, however, is probably much closer to the "true" Diana Krall than some of those offerings. Unlike the current crop of rap "stars" (making millions with their celebration of poverty), artists like Diana Krall,Jane Monheit, Tierney Sutton and Cheryl Bentyne actually KNOW the music - both theory and performance.
Krall, in addition to being a fine pianist and a top-of-the-line vocalist is also actively involved in arrangment and composition (as are the others mentioned above). This performance is one of the best, carrying that atmosphere and sense of presence that only a live outing can do. Once again, the melding of her voice and piano with the band says it all- arrangements are crips and never "wandering", her rather odd intonation is near perfect.
The album improves on repeated listenings as all good recordings do.