_Alive in an Ultra World_ is a live album, but these aren't familiar Vai songs. These songs are all new, and all of them are based on a different country. Vai covers everything from Germany ("The Black Forest") to Slovenia (the title track). Expectedly, songs like "Blood and Glory" (Britain's song) and "Principessa" (for Italy) rely on common motifs ascribed to the appropriate nations. However, other songs are quite inventive. Portugal's song, "Brandos Costumes", is a beautiful little piece, amiable, sparkly, with a quiet, free-flowing energy. The song for Bulgaria, "Incantation", is an aggressively groovy rock piece with the requisite gypsy flavor -- not to mention a mad drum solo and guitar playing! "The Black Forest" is quaking and darkly celestial. The pop-flavored guitar rock with vocals (the title track and "Light of the Moon") are excellent, simple but loaded with hooks and more tasty musicianship. Japan's song, "Burning Rain", is intense at first, then renascent after a hazy slowdown.
"Devil's Food" is a delight, electrified with Vai's presence as a frontman and the band's spontaneous coolness. During a duet with acoustic guitar and piano, Vai breaks a string. While his assistant replaces it, Vai has the band perform all sorts of crazy things to pass the time. It has to be heard to be believed. The bass player's demonstration is just eerie! "Babushka" has a similar spirit. While trying to kick off into an energetic gypsy song, Vai finds that he is out of tune. As he corrects the problem, his band gets anxious and moves into a jazzy jam.
The variety is also amazing. Since Vai draws on so many different cultural influences (sometimes even ideas that don't seem to have much to do with the country), there's a great assortment of styles here. It's an album that will never get boring. It's like Amazing Guitar Songs World Tour.
Mike Mangini is a monster drummer. Of course, I knew this already but now I have an entirely new respect for the man, especially with his interplay with bassist Philip Bynoe. The rhythm section here is mighty!
The little things are nice too, like where Vai candidly points out all the edits to the live cuts in the liner notes, and his introduction to the album: "This is an indulgent compilation of music with many little guitar notes!" I like that kind of attitude.
Any fan of amazing musicianship with a good dose of plain ol' fun needs this disc.
we need u to come back again and strong.
With the exception of 'The Power of Bombos,' I thoroughly enjoy every track on here. I think this is the best thing Steve has done since "Passion and Warfare."
Net bottom line: if you buy Vai's music because you're not as concerned about "where he goes with it" as you are with "what he does with it", buy it. If you only listen because you're looking for earth-shattering, ground-breaking guitar licks or continuous fast fingering, don't buy it. Either way you've made the right decision.
Those of you that have been hammering this cd. Listen to it again, focus on the rhythm parts. Try to find the source of inspiration for the song by listening to it, close. Then, when you start hearing the complexities, remember that the songs were often written in sound checks and performed soon after. Vai shines, but more importantly his band is incredible. He knows it and gives them the proper credit.
First, Steve has given us 90 minutes of music on two CDs. Maybe he coulda left off one song and made it a single CD? Steve has historically given you your money's worth (70+ minutes on one CD is not uncommon). I feel ripped off. Sorry Steve.
Second, and more importantly, these songs have the feel of being thrown together in an hour or so... They are not the compositions that you expect from him like "For the Love of God", "Frank", "Windows to the Soul", "Here I Am", "Hand on Heart", and "Fire Garden Suite".
Buy Ultra Zone or Fire Garden if you are relatively new to Steve. This live set isn't a good intro into what a genius he really is.
I feel awful writing a bad review. Steve is my favorite player, and has been since his days with DLR. I've even met him a couple times and he's the nicest, most down-to-earth guy in the world. But this record just doesn't hit.
Sorry Steve.
(Standout Tracks: Giant Balls Of Gold, The Black Forest, Whispering A Prayer, The Power Of Bombos, Brandos Costumes)
Well, first of all I'll say that Vai is right, he does have an amazing band. All the musicians in his band play an incredible role and their sounds are incredibly loud in the mix, surprisingly for Vai, given his ego. The production is also great, and so is the engineering and mixing, resulting in one of the best sounding cd's I have heard in years!!! Is kinda amazing how warm digital sounds now!
Enough said, let's get to the playing. Vai is back!!! He is wearing the crown of guitardom once again!! His playing here is not nearly as impressive as it once was, but is a lot better than in his last efforts, plus his tone is back to being one of the best in world!! That said, having attended Vai's gig in Saint Louis, MO, I must say I think he used lots of tweaking here. I don't remember his tone being even close to this! I remember I left the venue pretty deceived, thinking Vai should be regretting playing through the carvins! However, here his sound is one of the warmest, sweetest, most liquid tones I've ever heard him play with. It's kinda like when he played with the Bogner ecstasy. I think his playing is sweeter too, with good use of legatto and arpeggios. I think he might not be using the evolutions for the most part, given how sweet and warm his tone is. I think he now has the breeds in most of his guitars. According to his website, "evo", his main guitar has the evolutions mounted, but these pickups cut pretty violently, and that is not the tone he has here.
In terms of strict guitar playing, as I said Vai is not playing as many alternate picked lines as he used to, plus, when he plays them, it reveals some lack of fluidity on this department. Let's face it, Vai can't play as he did when he was with Roth. However, he has better taste now, and is pleasant to hear now that he doesn't play all the paranoia he so normally plays. I guess, I like his playing more now. Tapping is as fluid and nice as always, only it keeps revealing some lack of imagination here, as he plays almost the same lines over and over, only in different keys. Legatto is better, more fluid and warm. More of a Brett Garsed thing.
As a whole, this Cd is a great record, and as somebody here said, it could have been better if all the really good songs were compiled in just one CD. However, it is nice to hear Vai investigating some different cultures and trying to mimic their music from an instrumental rock frame. Oh, by the way, cool that he onlye sings in two songs!! Good singing, though.
Steve has done it again. ALIVE IN AN ULTRA WORLD to me, is his most impressive piece of work to date. Why? Because he put 110% of himself into it--HIS HEART, MIND AND SOUL-- and it shows! Think of all the weeks (no make that months) of research he spent to learn each country enough for it to inspire him to write a song about it! Think about that! But even if the listener didn't know all the work Steve and his awesome band put into this, listening reveals it, truly.
MYSTIQUE AND COMMAND! That is this CD in a nutshell. The songs FLOW so beautifully from the first to the next--it is amazing to me how Steve always puts the songs in perfect order! From GIANT BALLS OF GOLD to IBERIAN JEWEL (Disk 1) and BABUSHKA to BRANDOS COSTUMES/GENTLE WAYS (Disk 2) oh it is unbelievable! I love EVERY SINGLE SONG but I must say my very favorites are "The Black Forest", "Alive in an Ultra World" and "Whispering a Prayer" from Disk 1 and "Light of the Moon" and "Gentle Ways" from Disk 2. I love the improvisations as well. (Check out "Devil's Food" and "Babushka!" They are really funny and refreshing! I enjoyed these little oddities! These songs give you an idea of how fun it is to watch Steve and the band play live!) Steve is a TRUE entertainer in the purest sense--the love he has for what he does and for his fans is his motivation. As a friend of mine says "He leaves a pint of blood on the stage after every show!" (Right, Zappa Appreciative?)
I could go on and on (you must read his notes on each song inside the pamplet!) Allow me to close with a quote from Steve at the end of CD pamplet (his thanks):
"These are all good people who unconditionally put out for this record and whom I am honored to have stood beside on the stage. Though many fine moments were had, the ones I will remember most fondly were the 3 minutes before each show when as a group of guys we huddled together and said a prayer before we took to the stage. Each night a different guy would speak his heart for the encouragement of the group. If you were a fly on the wall, among other things, you would hear sincere words of thanks and gratitude for the oportunity we had to actually travel the world, perform for people who in fact showed up to the concerts even though there were many other things they could do that night, and for having the opportunity to share God's most benevolent of gifts, music."
MY HIGHEST RATING! A MUST OWN! GET IT NOW!
Then "Alive in an Ultra World" shows you what they can do with nothing more than a couple of soundchecks.
I can't agree with those who wish this had been a live retrospective. This band plays the old material so well and so faithfully that a traditional live album would be like listening to the original recording while standing in a crowd. It would be a shame, to me, never to get a document of this incredible live band, and these new songs, born and raised in the wild, belong to the band in a way that older material couldn't. It is unbelievable how good these guys can make a new song sound after just a couple of rehearsals, and how much of Vai's trademark sound remains without a studio-crafted reference document. Many players spend days at a time composing and perfecting solos as enjoyable as those Vai plays off the cuff in one take, two at the most. If the songs were composed in any more or less time than his previous efforts, it doesn't show: the melodies are strong, the arrangements well-formed. As for the wish that this material had been recorded in the studio, there's nothing I could say to dissuade the audiophiles, but Vai produces a better sound live than many get in the studio. The guitar tone is sweet, the instruments are audible and distinct, and I don't hear the music suffering in any way. I reserve a fifth star for the intense focus that I haven't heard in anything except "Passion and Warfare"; but this is certainly as honorable an addition to Steve's body of work as the last two releases. Out of the studio, Vai is still Vai.
A live CD is a double-edged sword. On the one side, you get a disc that is recorded in an inferior fashion (live, instead of in the studio). However, on the other side, you get to hear the songs you love, in a different environment, and you usually get to hear the artist tweak these songs a bit, and jam out to them. However, with "Alive in an Ultra World", you get a bunch of news songs, that have been poorly recorded.
Considering that most of these songs had to be done in one take, because Steve had decided that they needed to be recorded live, in the city that inspired them, this live recording is worse than most. They didn't have 80 different recorded shows from which to pick the best verion of each song from (as most live CDs do). Additionally, on a number of songs, since they only have one take, and one night, to get it right, we get to hear Steve stauling, while his guitar tech restrings his guitar.
Why Steve didn't simply record his "Ultra Zone" tour, and put that out as a live CD, and then record this material in a studio, and release it as a new CD, is beyond me. This is truly a shame, because from what I can tell, there is some really good stuff on here.
I own, and love, everything Vai has ever recorded, but this CD is pure self-indulgence, and should be avoided.
Steve doesn't hog the spotlight, either. Steve's personality really shines and he allows his band to step out as well. Sure, Steve has a severe Zappa personality complex (as exhibited with a quick musical reference to FZ's "Lumpy Gravy"), but that's what makes Steve so great - talent and humor!