Amazon.com Customer Reviews
Indie Rock Right-Side-Up - Review written on February 15, 2007
Rating: 5 out of 5
4 customers found this review helpful.
Debuting in the summer of 2001, this album propped the bar up higher for craftsmen (and coattail-happy riders) of indie rock everywhere. From their deceptively simple structuralism to their mind-bending, almost mythical lyrics, The Shins gave lovers of the genre everywhere a good reason to let out a sigh of relief.
Like all great artists (The Beatles, Pink Floyd, the Brians Wilson and Eno, to name just a few), there are hints of other influences in this record (in fact, the last two in my parenthetical above are arguably in that list). These influences come in the form of hints and hums, though, and don't overshadow the delicate beauty of the rest of the record. They give it shape and shadow, but the warm, tender heart of the album belongs exclusively to Mr. Mercer, et. al.
Emotional ("Caring is Creepy"), skippingly-playful ("Know Your Onion!"), tender and evocative ("The Past and Pending"), and unabashedly poppy ("Girl Inform Me"), this album spans the spectrum of creativity, and does it with a talent and panache that seems rarer and rarer these days. The Shins mix simple (but gorgeous) chord progressions with airy brass, unobtrusive tambourine and harmonica, and well-blended electronica into something that is almost achingly fun to experience. It would be wrong to say they've turned the world of indie rock upside down, but it's true they've shone light on a new and darker part of it, a part that's worth visiting for a long, long time.
The Shins: An Indie Rock group thats going places! - Review written on July 08, 2006
Rating: 4 out of 5
12 customers found this review helpful, 3 did not.
I've never been one to jump all over "Indie Rock". In fact, until a couple years ago I had never really paid attention to that genre, I figured it was probably underground alternative rock (it is) that I probably would not enjoy or find sounding to much like a lot of the new crap that plugs up my FM dial (I was wrong, so wrong). After opening my mind and checking out some Indie Rock albums, I settled on purchasing this album by "The Shins". I couldn't believe the strength they had with their light approach to guitars and yet still belt out some fun, sometimes enlightening, and sometimes haunting music. The first description I found of this band was that they did their music in the "tradition of the beach boys". I figured that can't be all bad, and it's not. Some 60's sounds do emit from this eleven-track debut, but coupled with the other fresh and often eclipsing sounds from this band (I'm also hearing some folk presence if ever so lightly) I don't think we are dealing with any rehash here. It's genuine. For some reason this band that came out of New Mexico as a sort of revamped project from some of the members previous band, isn't coming up on the radar much. Just as well, sometimes the best-kept secrets are worth keeping.
This music is great to listen to on any number of occasions, but I almost think its best when your just kicking it in your crib, or house, or flat, shack, shanty, apartment, suburban sprawl or cave. Regardless of the setting, its the soothing vibes and tranquil melodies that have just enough of a twinge of pop, punk, and beach boys snare that seem to take any bad mood you had at the start of the day and throw it out the window.
I won't review every track on the album, but give an overview of several of the tracks, which I am currently listening to in, my...den.
Track one is one of the most captivating, more serious tracks on the album that is really one of the only "sad" sounding tracks on the album. I'm not talking sad as in bawling Axl Rose on a ballad, or Eddie Vedder mumbling about a homeless man he fed bread but who still starved to death. No, it's got more of a feel of "we're in trouble, heres the message" as opposed to "we're mired in quicksand and we're on fire...oh please feel sad now". The track is called "Caring is Creepy". The song has some very uplifting vibes despite the overall shadowed message, it's really a lot of small crescendo's that climb and drop. The structures of the sounds that come at us during the chorus are probably the most captivating.
The other thing I have to say is that this singer (James Mercer) is extremely convincing. To sing with conviction without coming off as either overbearing or a complete fake is important...to me as a listener anyways. A perfect example is a band that had some similar indie/pop fame called Oasis. The singers in that instance put to much emotion into their vocals and by the time we had seen their mugs on TV 400 times we were sick of the video AND the audio. In "The Shins" case, they simply PLAY. They SING. And it's recorded beautifully. Sometimes with music like this you can spend to little time in the production and mixing phase. In these guys' case you can tell that with every instrument and vocal part, it's laid out well. The beats echo when they should, the voices fade off when they must, and in the end we're left with what I think is a very tight album.
Track 2 is called "One by one all day" and by the time I was halfway through this song, I was seeing Hueys flying over the Jungles of Vietnam. Why you ask? It's that 60's sound, from the beach boys chords to even a little eccentric organ sound that reminds me of the "Doors". At this point I'm thinking "okay, be careful, don't do this to much or we'll be seeing Charlie Sheen jumping through the bushes running from Sgt. Barnes next". Fortunately for my vivid imagination, the end of this song actually had some really cool psychedelic sounds that came in before some more of that "Beach Sound" so I'll have to watch the rest of "Platoon" in order to get back to that 60's feeling.
Track 6 is a fun little folk sounding tune that starts out with some jingles that set the beat for a Beatles sounding "ooh ooh ooooh" before jumping into the heart of the tune. At first sound I'm thinking I hear those Huey's again. with "New Slang" has a beautiful acoustic guitar strum-along that the vocals carry along well with. Okay I have to say it; it reminds me of a cross between say, Bob Dylan and John Denver. Is there anything wrong with that? Of course not. Fact is this style of music hasn't been done WELL by many bands for some time, so it's nice to hear. This is what "Alternative Rock" or "Indie Rock" is supposed to be! Again, some great background vocals on here, just an overall simple, sweet tune.
Track 8 speeds things up a bit with an adrenaline pumping, choppy resonation of a tune called "Girl on the wing". The drums are hit heavier but still stay way back to let the little guitar we get set the tone with some cool riffs.
Track 9? Weird. That's not a bad thing of course, the song "Your Algebra" just shows that these guys are diverse, and this thing for me really brought to mind (no not NAM helicopters sorry) some of the EARLY Pink Floyd stuff, you know, with Syd Barret. Stuff that is so magical, strange, and gray that it stands the test of time, and surely can't be dated as much as say, the Beach Boys.
Track 11 is "The Past and pending" and is a very tight, slow tune where the main focus is on the vocals. Again, not really uplifting, but not a downer either. I mentioned the color "Gray" earlier, and if there could be such a color attributed to this band, that would probably suffice. Don't worry, I'll throw some tie die in around the edges, because in the end of this album, I've realized that its got just a little drop of everything in it, and even better, its something I'm going to listen to again and again.
That in itself is surprising coming from me, the guy who used to avoid "Indie Rock" like the plague. Indie rock didn't kill rock and roll, if anything; it may be bands in the near future that are like "The Shins" that keep it alive. Atmospheric, folk like Dylan, Psychedelic like Floyd, and some guitars right off the beach. Don't mind the copters, or the people who are harshly critical of this album. Give it a chance like I did, and hopefully, like me, you won't be disappointed.
"A Luscious Mix of Words and Tricks" - Review written on June 28, 2006
Rating: 5 out of 5
4 customers found this review helpful.
Two full-length CDs (and just over an hour) into their recording career, The Shins have proven themselves to be the best new band of the 2000s. Not the coolest, not the best-dressed, not the sexiest, not the most trendy, not the most well-groomed, just the best. With a sound that is both fresh and retro, James Mercer and company have brought heartstring-tugging tunes in pop, folk, and psychedelic flavors to hundreds of thousands of twenty-somethings. With 11 songs and a running time of 33:11, their debut Oh Inverted World is the perfect length, even though each song isn't exactly 3:01 long: two songs are just under 2 minutes, and another is over 5. While the latter song may be a bit long, the shorter ones sound as complete as an equally short William Carlos Williams poem does.
Lyrically, I do believe that it is apt to compare James Mercer to Morrissey and Stuart Murdoch, even if he isn't as strong of a vocalist as either of them. Alas, this can result in some pretty obscure lines, "New Slang when you notice the stripes/The dirt in your fries" just to mention one of the more obvious ones. (And I hope that the irony of the fact that this song was used in a McDonald's commercial isn't lost on too many people.) The sublime "The Celibate Life" seems to be about a guy who catches his girlfriend cheating, but what the lyric "No skirt while chemicals danced on you head" means is anyone's guess. Meanwhile, lyrics like "I never got cold wearing nothing in the snow" reveal a guy who has tried to immunize himself from from feeling anything at all, though "my head's to the wall and I'm lonely" reveals the futility of his effort to do so. Mercer's adolescent-sounding voice lends itself perfectly to such cries for help.
Anyone who has the Garden State soundtrack and therefore thinks that they don't need this CD is sorely mistaken. Granted, "Caring Is Creepy" and "New Slang" are brilliant and deserve to be classics, but the same can be said of "One By One All Day", "Know Your Opinion!", "The Celibate Life", and "Girl On the Wing". Smaller gems include the disembodied "Your Algebra", which adds a haunted house-like quality to the latter half of the disc, and Beach Boys lilt of "The Weird Divide", which seems to be the only sign of a happy sentiment on the whole record ("shut out, pimpled and angry" is more representative of how Mercer recalls his life thus far).
2003's Chutes Too Narrow is a very different animal than Oh Inverted World. While the former is sparse, the latter abounds with the sort of decorative production that is so absent from its follow-up. Oh Inverted World is not overwhelmed by the echoey, atmospheric production, though, and the songs have plenty of room to fully form. The tracks themselves are very much individual entities, but they combine to form a brilliant organic whole, even if the record loses bit of steam with "The Past and the Pending". Moreover, the songs are punchier and more meaty than the ones on Chutes Too Narrow, but the fact that there are differences in the production and songwriting style is a moot point. Just as Chutes Too Narrow was the best CD of 2003, Oh Inverted World is -at the very least - a candidate for the best CD of 2001.
Enjoy your trip to Shins-land - Review written on December 10, 2005
Rating: 5 out of 5
2 customers found this review helpful.
I love this album down to every last quavering note. I think it has something to do with the happy go lucky nature, yet minor key of most of their songs. I'm never not in this mood for this band. They employ a vast array of different musical sounds - very much outside of the general mold you can tell they put a lot of imagination into everything. If you buy this album, you're in for a great trip.
I bought this album and Chutes Too Narrow a couple months ago.
Chutes Too Narrow is just as good, I've now found, though in a different style. Give it a few tries and you'll learn to love it. I also highly recommend downloading "New Slang" recorded on Jimmy Kimmel Live (which is even more beautiful than the album version), "Baby Boomerang" and also the one from the Spongebob Squarepants move, I forgot the name of it. They also have a fun Web site. :)
UPDATE - Their latest album, Wincing the night away, released Jan '07, has now become one of my all time favorites. If you like the Shins, you must buy it.
Sheer Joy - Review written on October 02, 2005
Rating: 5 out of 5
7 customers found this review helpful, 1 did not.
From the opening strains of 'Caring Is Creeping' you know you're into something special on the Shins' debut album. 'Oh, Inverted World' is gorgeous indie pop album, full of catchy hooks and clever witty lyrics. In fact the biggest surprise here is that it this album didn't break them big like their follow (and decidedly lesser) album 'Chutes Too Narrow' did.
While on the surface this would appear to be a delicate set of songs, a close listen will reveal that everything here is driven by wiry and tough rhythms. Its this toughness that sets the Shins apart from their more fey indie pop bretheren. Of course what really elevates 'Oh, Inverted World' to a level of greatness is the fantastic song writing abilities of the band. So many bands since the Beatles and Beach Boys have populate that land of left field pop rock/indie that you would think that nothing could now sound unique while not giving up those catchy pop tendencies. And thats the miracle of the Shins, they match bouncy hooks and charming melodies with just enough alien wierdness to make this a refreshing experience.
James Mercer's vocals have a distinct sound, floating somewhere between boy next door and an unearthly ghost, soft yet always demanding your attention, they're a perfect match for the music. And the music hear is perfectly in balance. While the traditional guitar/bass/drums is of course the foundation of theire sound, keyboards and sound effects twinkle all around complimenting the proceedings. While there is not one band song here, 'Caring is Creepy', the folkish 'New Slang' and 'Girl On The Wing' are surely among the best songs written is this decade, if not the past twenty years. Anyone who likes good music should check out 'Oh, Ineverted World' because it could well be a long long time before anything half as good will come out from this band, let alone another.
flickering rhythm - Review written on September 06, 2005
Rating: 5 out of 5
2 customers found this review not to be helpful.
most of the relevant things to say about this album have already been said, but one issue is yet to have been touched upon. one of the more stunning tracks on this album is the second, "One by One All Day". to a first time listener, the song may not sound like much (as was the case with me). the first verse tends to drone on and be a bit boring, with not much spacing between the notes. it could come off initially as something james mercer composed while trying to meet a deadline of some sort, with no immediately discernable catchy melody or hook. the rest of the song will strike the first timer as nothing special, however much passes over his head.
after listening to the song again and again over many months, i finally noticed one of the most devilish tricks i have ever heard a group play on its listeners. from the sputtering moped-like drone at the very beginning to the dying reverberative bass and snare drum beat at the end, the shins play on the theme of a flickering rhythm that is manifest on numerous occasions throughout the song. the rapidly strumming guitar matches the drums' repetitive rhythm beat for beat the whole way through, with the exception of a portion of the interlude about two thirds through the track.
in addition to these acoustic effects, the shins plant some electronic sounds into the interlude that flicker and skip (with, of course, the same rhythm as the drums and the guitar) into the distance until they are no more.
what the listener is left with is a totally intoxicating sensation of rapidly blinking sounds and lights and emotions unlike that left by any other song. deviously, in a final act of trickery, the shins hurl upon the listener a sound something like the strumming of a palatte of metal rods and needles, which, personally, makes my head go into a terminal spin.
oh shins, you devilish things.