Amazon.com Customer Reviews
Fantastic! - Review written on August 05, 2008
Rating: 5 out of 5
2 customers found this review helpful.
I bought this version of "Persuasion" because of A. Casalino's glowing review and am very glad I did. I also have the Masterpiece Theatre version as well and like it too, but this film is a must for anyone who loves Jane Austen, her novels, and her unforgettable, vibrant characters. Amanda Root epitomizes Anne Elliot in every way: appearance, way of speaking, facial expressions, humility, even in her walk. Buying this DVD just for Root's Anne Elliot is well worth the money; however, Ciaran Hinds' performance as Wentworth is right up there too. Kudos to the actress who portrays his sister, Mrs. Sophy Crofts, and to the actor who plays husband, Admiral Croft. It is as though Austen's characters have stepped right out of the novel and onto the screen. For example, Colin Redgrave's turn as Sir Walter Elliot is priceless! His flagrant self-absorption, narcissism, and puffed-up ego are most amusing at first and inevitably direct the viewer's thoughts to the origins and continuation of Anne's self-effacement.
And the final scenes between Anne and Wentworth - magnificently done!
Even Jane herself would approve of this production - Review written on June 22, 2008
Rating: 5 out of 5
2 customers found this review helpful.
The producers of this film took their jobs seriously. By that, I mean that I think they actually read the book before producing the film. And the production is so much better for it.
The story is classic and familiar: Boy and girl fall in love. The girl (who is young and easily manipulated) is convinced to drop the boy since he is not "acceptable" -- not of her caste. Later, after many changes in fortune, they meet again, but this time it is the man who is initially reluctant to form any kind of alliance with her, though she still cares deeply for him. It takes some shared experiences, a change of scenery, and some realization on both of their parts of their mutual responsibilities before they are happily joined together.
Sounds like the making of a soap opera, doesn't it? But in the hands of Jane Austin's incomparable skill at story telling coupled with excellent casting of the film, a fine adaptation of the story, and just a smidge of Aristotle's "willing suspension of disbelief," this film is a wonderful fresh surprise.
By the way, if you saw the recent PBS Masterpiece Classics adaptation of this same book, you may find as I did that it suffered greatly when compared to this earlier production. Take a look at this film and once more escape into Jane's world of Regency England and the rise of the middle class.
How could you not love this movie? - Review written on June 12, 2008
Rating: 5 out of 5
3 customers found this review helpful.
You have Anne, poor little Anne she is looked over mistreated and ignored by her own family, even though she gave up the man that she loved for them. This movie has rich and lush visuals, to me this it the best of all the Jane Austen, in my mind I could never decide who I love most, Captain Wentworth, Colonel Brandon or Mr. Darcy. Oh, I have tried to pick but its impossible. Captain Wentworth's letter to Anne the first time I read it, I just cried, when I see it in this film, I remember very well being that fourteen year old who was awkward and shy and identified so closely with Anne. Oh, if you have a romantic bone in your body, you will adore it.
wonderful, wonderful, wonderful - Review written on April 24, 2008
Rating: 5 out of 5
6 customers found this review helpful.
In my opinion this is THE best film adaptation of any Jane Austen novel. That is high praise given the fact that Persuasion is not, in my opinion, Jane Austen's best novel. Everything about it is perfect: the actors, the dialogue, the cinematography, the production design, the costumes . . . It is true to the novel in respect to plot, characters, and dialogue but there is a sweetness that touches the heart and uplifts the spirit that is somewhat missing in the book.
I am persuaded... - Review written on March 16, 2008
Rating: 5 out of 5
2 customers found this review helpful.
Let me state up front that I have never read Jane Austen's novels but I've watched almost every version of her novels put to film. I was confused in places when I watched for the first time this 1995 version of Persuasion with Ciaran Hinds and Amanda Root, but a second viewing clarified -- and I've watched and loved it many times since (however, I've mused that this version would have been even better had Andrew Davies written the screenplay). I love to watch the subtle play of emotions on the characters' faces, which reveal the thoughts and feelings people of that era would never utter aloud. I was so looking forward to watching Rupert Penry Jones' Captain Wentworth in the new rendition of Persuasion because I loved him in his small but memorable role in the excellent film, Charlotte Gray. But I was disappointed in the entire production, especially in the casting of plain Sally Hawkins. I would never for a moment believe that Penry Jones would be attracted to, never mind pine for, her. I was also disappointed in Penry Jones' rather wooden performance (though I think he had the deck stacked against him by the screenplay and the way that film was shot). I found the final scene of Hawkins running through the streets ridiculous and her way-too-long-lead-up-to-a-kiss with Wentworth contrived. What most disturbed me about the new film and the other new film versions of the Austen novels released this season (Mansfield Park and Northanger Abbey, although I thought Northanger Abbey the best of the three; I haven't seen Sense and Sensibility or Emma yet) is that everything feels forced -- the action is too fast and "choppy." Sally Hawkins is plopped onto the back of the carriage like a sack of potatoes, versus the subtle caress of Ciaran Hinds' hands on Amanda Root's waist as he helps her into the carriage, followed by the embarrassed expression on her face as she looks back at him and as he turns away to hide the caring his action revealed. Time and time again in this 1995 version, you can see the subtle emotions on the characters' faces because the camera lingers appropriately. This is only one of countless moments of genuine feeling that is totally lacking in the new version. Is it that we're losing in our increasingly fast-paced results-oriented world -- reflected in many current films -- the ability to let life and feeling unfold according to its own natural rhythms? I was not persuaded that the characters in the new version were real at all. Thank goodness I have my wonderful 1995 version to watch again and again.