After Manny Singer's wife's death, he and his young daughter Molly are left alone to cope with their loss. After interviewing a number of unsuitable and eccentric applicant's as for the job of nanny, he chooses Corrina Washington. Corrina is far too qualified for the job. She is a college graduate with dreams of writing liner notes for jazz albums. But she is born too early, for she is an African-American woman, and it is 1950s America.
Being an optimist with a strong faith, Corrina becomes Molly's nanny. In the process, she changes the lives of both Manny and Molly. Love blooms effortlessly between the three. Molly sees Corrina as a new mother. Corrina and Manny see beyond one ano-
ther's skin color. They listen to one another. Their tastes in music and their outlook are similar. They fall in love to Molly's glee. But their families and 1950s America is not ready for their romance.
All of the actors in this movie were attractive. Whoopi Goldberg never looked better. Ray Liotta's looks and whole demeanor took my breath away. I think it was very courageous to cast Goldberg and Liotta together as love interests. Seeing them together in the film, made me wish that they were a couple in real life. Tina Majorina was precious, and one of the best child actors I have ever seem. I have been waiting to see her in more films ever since I first saw her in Corrina, Corrina.
Corrina, Corrina is a nearly flawless film for the whole family.
Corrina, Corrina is a heartwarming film that's heartbreaking romantic, and all around a joy to watch. Whoopi Goldberg plays a nanny who is hired by an Athiest (Ray Liotta) to look after his 7 year old girl, Molly. It takes some time getting used to Corrina and her religous beliefs (because she'd tell Molly that her mother, who had recently passed away, was in Heaven and the father told Corrina not to be telling Molly such things because he and his deceased wife were Athiest), but in the end, the father comes to accept Corrina's intentions and find what's best for his daughter. There are some heartbreaking moments in the film that will have tears running down your cheeks, but there are also moments where you'll be laughing your sorrow away. This movie is pretty much perfect. When Molly's mother died, she became miserable and wouldn't talk to anyone. She wouldn't say one word. But, when Corrina came into her life, Molly slowly became her fun old self and she began glowing once again. This is a great film to watch over and over again and you'll never grow tired of it.
The only thing I didn't agree with was the pairing of Ray Liotta and Whoopi because it didn't make sense. The two were going along like friends, trying to help Molly cope with her mother's death. All of a sudden the two are kissing one another on the father's lawn. Whoopi and Ray had better chemistry before the romance factor. Then again no movie is perfect.
That aside this is still a wonderful film. I have it on DVD and I still watch it when it comes on regular television. This is one movie that explores racism and death positively and negatively and how kids handle the attitudes of the adults around them. I found it fascinating that Molly grew so attached to Corrina she began to think of herself as black and Corrina became the mother she longed for.
It's a beautiful movie without sex, violence and profanity. Many movies can't hold your interest without these elements, but Corrina, Corrina will. See it at least once.
About half way through the film I was thinking, wait a second, this is 1959 Los Angeles. We're talking pre-civil rights movement. Corrina was being treated as an equal and I felt like the past was being whitewashed like looking through rose colored glasses from current viewpoints. Then all of a sudden they started playing the race card in the latter part of the film and it became evident once Ray Liotta's character became romantically interested in Corrina. I can understand on a dramatic pacing reason why it works well that way, but from a realism point of view it seems like some foreshadowing might have been in order to remind us that it's not a modern tale.
The film pulls the heart strings in the right places and the initial focus on the mother who has passed is a real emotional hook. Carrina opening Molly back up after her retreat from life shows the kind of person Carrina is and her zest for life helps bring Molly back out of her shell.
Whoopi Goldberg is perfectly casted as Corrina, a black (well, duh) nanny who is employed by a white Jew (very well played by Ray Liotta), to take care of his daughter Molly (again excellently played by Tina Majorino).
The plot. Manny Singer's (Ray) wife has just died leaving him and his 7 year old daughter (Tina) behind. Molly is a little lost after this and she doesn't speak a word to her father or anyone else. After employing a plethora of disastrous nannys Manny finally comes to Corrina, who is perfect. One problem: She's black, he's white, and this is 1959 segregated America.
After a little while Molly begins to talk again and is generally uplifted by Corrina, who seems to have this miraculous way of bringing people back to their feet, including Manny. Corrina and Manny fall in love against all odds, and what you get is a beautiful interracial romance that at that time is classed as wrong, even abnormal. No one approves apart from Molly and her Grandfather (Don Ameche).
One down side to this film, and I will add that it is the only down side, is the ending - you don't really know what happens. If I hadn't done a little research then I wouldn't have known that director Jessie Nelson had based this film on her true life story. She's black and her now husband of 40 odd years was white. This story is her story. They got married and lived happily ever after - but we have to guess. So the ending could have used a little bit more work. But that's it!! The movie is just wonderful. It's uplifting, heartbreaking, humorous and romantic.
Whoopi, Ray and Tina all do great jobs in the leading roles.
This movie is seperated into two distinct halves; one where Molly doesn't talk, and the other half where she does. The first half is very beautiful, artistic, and insightful; approaching masterpiece in my mind. The second half is wonderful as well, but it just doesn't have the same magical, dreamy feel as the first. The musical score fits the movie extraordinarily well. Thomas Newman's hand in the composing is evident. And the actors' characterizations are just as good as it gets. Ray Liotta has always been one of my favorite current actors; it's a shame he's made some very bad career decisions. I didn't know Whoopi Goldberg had it in her, but she's perfect in this movie. The chemistry between Manny and Corrina is also an unexpected surprise. Tina Majorino is wonderful as Molly in both halves (two rather different roles to play). The supporting actors are at their best, not to mention Don Ameche, who has, I think, one word in the whole film. But what a touching performance in this smaller role!
So, now we know, somebody CAN make 'em like they used to! I forgive you for THE STORY OF US, Jessie; just please give us another CORRINA, CORRINA!
I've watched this movie so many times, I've memorized dialogue and gestures. It's part of my own video library. Watching Corrina, Corrina always guarantees I'll be smiling and feeling lighthearted by the time the final credits roll. The music is superb (I bought the soundtrack) and always gets me singing and popping my fingers.
Some of my favorite moments are when Whoopi steps off the bus and grinds out her cigarette with her pointy-toed shoe; the scene at the drive-in diner with Patrica Darbo (love her accent); the magic stoplights; Lois and "Queen for a Day"; the beautiful scene where Corrina and Molly are listening to "Somewhere Over the Rainbow" and Manny is looking out over the city; when Corrina and Percy stick their tongues out at each other; when Corrina dangles a chandelier piece from her ear and tells Molly "No we can't; we simply can't"; when Manny mistakenly calls Corrina Molly's mother; when Manny wins the Bromide account but Jenny spoils the moment; when Molly calls Corrina and the dog is between Corrina and Anthony; when Manny puts his arm around Corrina while Molly's flying the kite; when Manny and Corrina kiss while dancing; when Manny kisses Corrina outside her sister's house.
Okay, so I liked ALL the moments! Anyway, one final tidbit. When TNN first showed the movie, they interviewed Jessie Nelson, the writer, director, and producer (I think). She said that the story was based on her life. Her widowed father hired a black housekeeper, and young Jessie wished they would get married and the housekeeper would be her new mom.
I wish the romantic storyline had been more developed; but what little was there was done beautifully and tenderly by Liotta and Goldberg. I read somewhere that Whoopi really wanted to play the love interest for Liotta and advised Nelson not to hire a Halle Berry-type (read beautiful black woman). Her reason was because she wanted to show that someone as handsome as Liotta could really fall for a woman who society may not think of as externally beautiful but who is exceptionally beautiful on the inside.