Amazon.com Customer Reviews
Caveat Emptor - Review written on September 10, 2007
Rating: 1 out of 5
Good old Columbia does it again. Looking at the cover, and the list of songs on the back, you could be forgiven if you assumed these were all the original charted renditions, as there is absolutely nothing to indicate that some of the biggest hits included were re-recorded years later. Only when you open the package and check out the booklet do you realize you have been bamboozled. And now it's too late to take it back!
For the record, the following are NOT the originals: Brooklyn Roads; Red, Red Wine; I'm A Believer; Sweet Caroline; Soolaimon; Cracklin' Rosie; Song Sung Blue; Play Me; Holly Holy; Morningside; Crunchy Granola Suite; Brother Love's Traveling Salvation Show; and I Am ... I Said.
Combined with Heartbreak Hotel [a previously unreleased duet with Kim Carnes] and All I Really Need Is You - which was NOT a hit by any stretch of the definition - that's 40% of the contents, folks. Beautiful Noise was a # 8 on the Adult Contemporary charts in late 1976/early 1977, but failed to dent the Pop Hot 100.
The best thing about this is the 47-page booklet which contains two pages of background notes written by Neil, the lyrics to all selections, and five pages of recording credits. But that does not make up for the misinformation on the outside of the package. Compilation Coordinator Sam Cole, and Columbia, should be taken to task by the industry. Caveat emptor, indeed.
Not the versions you remember - Review written on September 22, 2005
Rating: 3 out of 5
7 customers found this review helpful.
Given the bevy of Neil Diamond compilations to hit the shelves over the past several years, it's surprising to find this title still in print. Nevertheless, this was the first attempt to compile a comprehensive retrospective of Neil Diamond's varied career.
There are essentially four distinct stages of Diamond's output - the early rock `n' roller of the mid sixties (the Bang material from '66 and '67), the blossoming singer/songwriter of the late sixties and early seventies (the Uni/MCA material from '68 through '72), the artsy recordings of the early seventies (the few Columbia albums from '73 through '76), and, for lack of a better term, the schmaltzy era, which includes virtually everything that followed Love at the Greek from `77.
The eight Bang recordings that begin the set are the original mono mixes, not the stereo remixes found on Columbia's otherwise excellent Bang sampler, Classics - The Early Years. These are some of Diamond's most famous and greatest songs. Solitary Man, Kentucky Woman, Girl, You'll Be a Woman Soon and Cherry, Cherry are veritable classics. My only complaint with the presentation of the Bang material is its brevity, particularly in light of the fact that two additional Bang era songs, I'm a Believer and Red, Red Wine, are presented here in vastly inferior live versions. And since these live versions are significantly lengthier than the original singles, the compilers of this set could have included both of the original singles instead and still had room for another Bang era nugget like The Boat that I Row.
This unfortunate trend continues for the remainder of the first disc and a small portion of the second disc. Live recordings from the late eighties and early nineties supplant all of the Uni/MCA recordings because Columbia was unable (or willing) to license the original studio recordings from MCA. As a result, a disastrously large number of classics like Sweet Caroline, Cracklin' Rosie, I Am...I Said, and Holly Holy (to name a few) make their requisite appearance on this set, but these are not the versions you remember. While live Neil Diamond recordings are not necessarily a bad thing (Hot August Night might very well be his single greatest album), these live versions recorded two decades after the fact are downright abysmal. Even more painful are the two newly recorded studio versions of Song Sung Blue and Play Me. Why bother?
The remainder of the second disc covers the next twenty years worth of recording for Columbia with the three top ten hits from The Jazz Singer (a Capitol Records recording) thrown in for good measure. The song selections here are pretty much exactly what you'd expect. In fact, tracks 3 through 14 on the second disc are the exact same songs that appear on Columbia's first Neil Diamond compilation album, 12 Greatest Hits Volume II. Rounding out the disc are two more eighties singles, Heartlight (a top 5 hit in '82) and Headed for the Future (which didn't even break the top 40 in '86), along with two new recordings, an unnecessary cover of Heartbreak Hotel with Kim Carnes and a live version of All I Ever Need is You, one of the better album tracks from the late eighties album, The Best Years of Our Lives. Heartlight was Neil's last big single and, as such, I personally would have opted to close the set with this track. By excising the last three numbers, room could have been made for some more of his seventies gems like I've Been This Way Before (from Serenade) and Dry Your Eyes (from Beautiful Noise).
Columbia quickly redeemed itself upon the release of the vastly superior retrospective, In My Lifetime, a mere four years later. While that set sports a heftier price tag, the extra money is well spent. Not only does In My Lifetime improve upon the sound quality of this set by utilizing 20-bit SBM remastering technology, Columbia wisely licensed the original studio recordings of the Uni/MCA material in order to present Neil's classic catalog the way it was originally intended to be heard. Unless the inclusion of 12 late era live tracks and two 1992 re-recordings of the Uni/MCA material doesn't bother you, I recommend skipping this set in favor of In My Lifetime.
Fabulous "live" versions!! Excellent - Review written on February 22, 2005
Rating: 5 out of 5
1 customer found this review helpful, 2 did not.
For those of you who are whining because of the "live versions", please have an open mind and allow others to experience "a pleasurable difference." For one, listen to the music on a quality stereo set and turn it up! The live versions have that orchestral sound that is so reminiscent of Neil Diamond's concerts.
The live version of "Morningside" is absolutely mesmerizing. I will always prefer that version to the original. Another wonderful and very personal live version is the "Brooklyn Roads" That version, too, is far superior to the original.
The double CD is populated with a few other live versions and as I said, hearing those makes me feel like I am right smack in the concert again as some of the songs are done in that rousing style his audiences love. Neil sings a few of the tunes that others make famous, like "I'm A Believer" and "Red Red Wine".
This collection is marvelous and I highly recommend one of the best Diamond concerts Neil Diamond: Love at the Greek, not sure if it is in DVD, but is it suberb! ......MzRizz
neil diamond in my life time - Review written on February 17, 2005
Rating: 5 out of 5
2 customers found this review not to be helpful.
he just might be the best song writer of all time 'the best singer and concert player. i've been listen too neil from age 6 too my age now , which is 31 and ,I LOVE THAT MAN! I could name 10 of his songs that deal with my life. hes my man . just to let evry one know"I've been this way before"
mikey ryan
I really wish I had read the reviews here first. - Review written on February 14, 2005
Rating: 1 out of 5
5 customers found this review helpful.
Ditto, ditto, a thousand times ditto about what everyone has said. I'm really a fool, I didn't even see the sticker on the CD case that said 13 live versions were on these CDs. I thought I hit the jackpot with this, since it seems like with all his other collections Neil (or whoever puts his collections together for him) intentionally leaves at least one or two of everyone's faves off so you'll have to buy more than one CD. The live versions of songs like Cracklin' Rosie, I'm a Believer, Red, Red Wine, etc. are abyssmal. So colossally disappointing, a waste of $30.
Be warned... this consists mostly of LIVE VERSIONS of hits! - Review written on January 02, 2005
Rating: 2 out of 5
6 customers found this review helpful, 1 did not.
Neil Diamond - The Greatest Hits 1966-1992.
Neil Diamond is one of America's finest singer-songwriters, and he has been consistantly popular for several decades. It's not surprising that his work still sells very well, and his concerts often fill up. Over the years, he has released many excellent songs, and there have been many compilations that have covered his work. Read on for my review of this compilation - Greatest Hits 1966-1992.
I was pretty ecstatic when I found this CD in my local library - it was a dual-disc collection of Neil Diamond's biggest hits. But once I got home and popped it in my player, I was in shock - and I don't mean the good kind! The collection consisted of live versions of many of the hits! I wanted to get a collection that would usurp the old Classics compilations, but even that single-disc collection, which doesn't even fill the disc to the limit, is much better than this compilation! NOWHERE ON THE PACKAGING DOES IT SAY THAT THESE TRACKS ARE LIVE VERSIONS! I LOVE Neil Diamond, but I think that this dual-disc set is a disgrace to his legacy.
I don't really have to say much about the different editions of this album since only one edition currently exists - and even that is too many editions for this crappy compilation.
Want to get into Neil Diamond? GET A BETTER COLLECTION! I'm glad I just borrowed this from the library rather than actually buying it. No compilation defines "false advertising" the way this one does. If you're gonna put alternate versions of songs on a compilation, LET PEOPLE KNOW! There are a lot of good Neil compilations out there - this just isn't one of them.
Pretty good, but way overloaded by the concert performances - Review written on October 06, 2004
Rating: 3 out of 5
7 customers found this review helpful, 1 did not.
This is actually one of the very best Neil Diamond collections out there. But unfortunately his very best hits are done on concert performance only. Most of the performances are pretty good. But they're still concert performances and not the real songs.
And only most of them are done pretty good. There's a couple of exceptions; most notably, the classic "Red, Red Wine," in which Neil actually raps
Red Red Wine make me feel so good
Even if the words aren't understood
Everybody get to have some fun
With UB40 - We Be Number One!
I'm sorry but white, aging crooners with scratchy voices from Brooklyn are not supposed to rap! I wish I could find an extensive Neil Diamond collection which contained both the original songs and some of the really great concert performances (minus, of course, the "Red, Red Wine" butchering).
This CD does not completely disappoint. (Notice the three stars instead of one.) But it is not for those who wish to hear the clean and original recordings of Neil's best work.