Amazon.com Customer Reviews
Quintessential, adamantine, monolithic Stones - Review written on July 06, 2008
Rating: 5 out of 5
1 customer found this review helpful, 1 did not.
To extract the essence of the golden age of music (60s to early 80s), you need only spend time on about 10 groups/artists, the top 5 of which must include Bob Dylan, Jimi Hendrix, Led Zeppelin, Pink Floyd and, of course, The Rolling Stones.
Marrow lies in the center, right inside the bones, and for the Stones that marrow is fittingly to be found in that middle period which includes 'Exile on Main Street', 'Get Yer Ya Yas Out', 'Let it Bleed' and 'Sticky Fingers'.
And of that marrow, the marrow is Sticky Fingers - without a doubt. While the other albums are all masterpieces, Sticky Fingers is so great that it is worth sending out into space to show alien life what the highest of Homo sapiens can create.
And it gets better - the marrow of this album is none other than 'Can't you hear me knocking', a masterful mini-rock-symphony that showcases brilliant composition, a solid, ever advancing and overwhelming avalanche of virtuosity that incorporates pulsating latin-jazz sounds that make even Santana's masterpiece 'Abraxas' seem temporarily lame.
This album is The One. Get it now, or you'll regret it forever.
it don't get no better! - Review written on April 26, 2008
Rating: 5 out of 5
2 customers found this review helpful.
If you are looking for a real stones album, not just hits, you won't regret this one. An album like this one assures stones fans as to why the stones have made it through all the years and lackluster albums. There is one reason more than any other that I reccomend this. Yes, wild horses is on here. And for any person wether or not you like, love, hate the stones, a person cannot deny wild horses, it is one of the few songs in this world that can always bring about feeling within, no matter how many times you hear it. There arn't many songs that can do that, personally I think it's magic can only compare to that of say....Van Morrison's "sweet thing". But if you have heard either one of those songs too many times, and want to feel what it was like to hear one of those songs for the first time..........all one has to do is listen to 'Moonlight Mile"...and you will listen to it over and over. It is a masterwork of a song. And if all of that's not your thing....."you gotta move" is a great song and the kind of song that makes you think and hope that with all the years behind them, the stones would just say....enough with the R.S. image, lets go make a really great blues album, go out on a high note and let everone remember us for being artists and not celebrites. I always hope that a new stones album means a throwback to the sound of "you gotta move", but it never does.
Another classic from the Rolling Stones at their peak - Review written on February 23, 2008
Rating: 5 out of 5
3 customers found this review helpful.
What a streak for the Rolling Stones. Over a few years, they had five classic albums in a row, "Beggar's Banquet," "Let It Bleed," the live "Get Yer Ya-Yas Out," "Exile on Main Street"--and "Sticky Fingers." Those of us who have been around awhile might recall what is missing from the CD--Andy Warhol's concept of the zipper on the album cover. Oh, well. Anyhow, this is another classic Rolling Stones' work. The sound is different from "Beggar's Banquet" and "Let It Bleed"; it seems closer to "Exile" in its sound (at least to me).
The CD starts off with one of the Stones' finest songs, "Brown Sugar." Just another salacious song or social commentary? Or both? The guitars open this off with a fine riff and chunky guitar licks (acoustic and electric). Bobby Keyes on sax also plays well on this cut. These words start off the song:
"Gold Coast slave she bound for cotton fields,
Sold in a market down in New Orleans."
A great rock and roll song.
"You Gotta Move" was one of blues artist Fred McDowell's best known works. The Stones provide a blues sensibility in this version, although their later live version is more compelling--and better blues. Nonetheless this version isn't bad. It's interesting to compare the Stones' version with McDowell's. Key lines:
"You may be high,
You may be low.
You may be rich,
You may be poor.
But when the Lord gets ready,
You gotta move."
"Sister Morphine" is a slower song, featuring spare (but effective) guitar work. This is rather poignantly sung by Mick Jagger. One line that always catches my attention:
"The scream of ambulance
Is sounding in my ears."
On this cut, Billy Preston plays organ, Keyes is on sax, and Price on trumpet. Nice sound.
The album closes with "Moonlight Mile," a slow, almost dreamlike and hypnotic song. An interesting tune indeed!
Other fine tunes abound, such as "Sway," "Wild Horses," and "Dead Flowers."
One of the terrific albums in the "winning streak" put out by the Stones at their peak in playing and creating music. Well worth listening to.
SEX, DRUGS AND ROCK N' ROLL ! (Sticky Fingers is the quintessential Rolling Stones album) - Review written on January 29, 2008
Rating: 5 out of 5
1 customer found this review helpful.
Let's party! The Rolling Stones' Sticky Fingers (1971) epitomizes the phrase "Sex, drugs and rock n' roll" probably more than any other studio album in the history of rock music. Nearly every song references sex and/or drugs, and it's all terrific rock n' roll. Classics abound, and this was right in the middle of that 1969-72 period that was the band's finest hour. It opens with the lusty and rockin' Brown Sugar, and what a take they got on this! Rarely does a band cook like this in the studio, but Brown Sugar is a perfect example of rock n' roll making magic. And you gotta love that great sax solo! The rock-star-in-heat anthem B*tch rocks as hard as anything The Stones have ever done, and Wild Horses is their greatest and most eloquent ballad. As you listen, you can almost feel the sorrow and regret sadly mixed with absolute devotion.
I know I dreamed you a sin and a lie
I have my freedom, but I don't have much time
Faith has been broken, tears must be cried
Let's do some living after we die
It's an extraordinary song, and a perfectly rendered performance. Can't You Hear Me Knocking is a cocaine buzzed, street prowling rocker with extended guitar and sax solos, and it sounds fantastic. The guys pick up the acoustic guitars for the blues You Gotta Move and the minor-key withdraw nightmare Sister Morphine (which includes some fine slide guitar by Ry Cooder). The Stones go needle-and-spoon country rock in Dead Flowers, and get bluesy again with the aching I Got The Blues. Sticky Fingers is a classic, one of the band's best, and probably the most pure and intense Rolling Stones album there is.
The Stones' finest hour - Review written on November 21, 2007
Rating: 5 out of 5
2 customers found this review helpful.
Sticky Fingers, 1971: the Stones at the peak of their powers, and an album that only gains in urgency and humanity with every listen. It may be THE definitive rock album.
It was a period when the Stones could record tracks over several years (the earliest is the Ry Cooder-assisted "Sister Morphine" from March '69) and make them cohere into an authoritative vision. The core of the album are three songs secretly cut from Dec 3-5,'69, in Muscle Shoals, Alabama, away from the knowledge of thieving manager Allen Klein, and only hours before the tragic concert at Altamont: "Brown Sugar" (actually originally a riff Jagger devised while filming "Ned Kelly," and first played in concert at Altamont), the Fred Macdowell standard "You Gotta Move," and the timeless "Wild Horses," a conflation of Mick and Keith's feelings over their estranged loves.
The rest were summer of '70 tunes, each as pungent with their own rock/country swagger: "Bitch" (pulsing, hornet's nest Chuck Berry lines from Keith), "I Got The Blues" (excellent Mick vocal), "Dead Flowers" ('needle and spoon' hilarity), and "Moonlight Mile" (oriental stoned poetry). Mick's aching howl on the call and response verses of "Can't You Hear Me Knocking" and the brutish "Sway" is unparalleled. If you don't own this, get it. No one comes close to this kind of genius anymore.
Superb Album - Review written on August 13, 2007
Rating: 5 out of 5
3 customers found this review helpful.
I have mixed feelings about the Stones, but this album is just great, all the way through. The second half of "Can't You Hear Me Knocking" could be mistaken for Santana. "Sister Morphine" is poetic and plain spooky, and "Moonlight Mile" is gorgeous. Sticky Fingers catches the band at their apex, well before they started to seem like a parody of themselves, but happily removed from the early stuff like "Ruby Tuesday" -- they seem to be right where they want to be, playing around with the sounds they love the most: country, blues, latin, Otis Redding-style soul ("I've Got the Blues"). If not their "best" (Let it Bleed?), still one of the great albums of that time. Any time, really.
Good Stones album..but the best? - Review written on April 19, 2007
Rating: 4 out of 5
3 customers found this review helpful, 4 did not.
"Sticky Fingers" isnt just a great Stones album, but a great classic rock album as well. The only thing that I have to debate about this album is that I dont think its the best Stones record. The honor would have to go to "Let it Bleed" Now, I am in no way comparing this to "Let it Bleed" because that just wouldn't be fair, since every song on "Let it Bleed" is excellent, which makes it an easy five star effort. The reason I give this only four stars is that is falls just a bit short from perfect. I feel when you are reviewing Stones albums from this time frame, that you have to be a little more judgemental, since the late 60's/ all 70's time frame was the best for the band. They even had some early 80's solid albums, but no where near the musical effort as the earlier stuff. "Sticky Fingers" seems to fall a bit short with "You gotta move", and "Dead Flowers" which in my opinion seem to be blues songs that are forced, instead of the blues infused "Sister Morphine" , and "Moonlight Mile" which the band seems to flow more gracefully. I am sure there will be some that love those songs, but I feel that they are just a bit overdone, and they just arent very solid songs, if that makes any sense. Its still a great record from the Stones, but I feel that it just isn't pefect, but that doesn't mean that it shouldn't be in everyone's CD collection. ENJOY!
Sticky Fingers: One of my favorite, all time, albums. - Review written on February 01, 2007
Rating: 5 out of 5
2 customers found this review helpful.
I'm going to keep this short. Everyone should listen to this album, sometime in their lifetime. This album changed the way I looked at the Stones, and music in general. Okay, I'm twetny-five, pretty young for a Stones fan, and honestly this is the first of their albums I listened to, all the way through. From start to finish, it's a gritty, down-to-Earth rock 'n roll album, much like it's immediate predecessor, Let It Bleed. It's full of classics, and like I said, it changed the way I look at music. Because of this album, I gave the Stones a serious chance and soon discovered Beggars Banquet, which is now my favorite album of all time, (So far) and Let It Bleed, (mentioned above) which is another excellent Stones album. Buy it, soak it in and let it consume you.
--Peace
Got me in its sway; it'll get you too. - Review written on September 29, 2006
Rating: 5 out of 5
6 customers found this review helpful, 1 did not.
Obviously one of the greatest Stones albums. Although their greatness has been known to be exagerrated, this album is a must.
Some highlights, song by song: Its hard to hear Brown Sugar or Wild Horses anymore, as they have been so overplayed over the years, but there is no denying that they are great songs. Bitch rocks hard; its the horns that take it over the top. The murky, monster guitar of Sway makes it one of the most powerful Stones songs anywhere. The song benefits from the slow tempo, which really adds a menacing bite to it. Charlie's drumming is particularly strong on Sway, because he has space to throw in fills all over the place. Sister Morphine seems a little overly decadent, or just overwraught, now, but I loved it 25 years ago.
In any event, the album is strictly canonical, you pretty much gotta buy it if you care about the history of rock. This was the Stones before they finally chose to settle for self-parody and hackdom. Highly recommended.