Amazon.com Customer Reviews
A course in phony nostalgia and phony morality - Review written on September 29, 2007
Rating: 2 out of 5
1 customer found this review helpful, 9 did not.
I was greatly surprised to see how many stars this film recieved by viewers, it certainly does not deserve such applause. "A bronx tale" is basically a tale about a typical Italian american boy growing up in the 60's ,who is mentored by a mobster. This underworld figure demonstrates a set of morals and he cares deeply for "calogero", who later in his teenage years falls in love with a black girl. His mentor, played by Palimentieri, teaches him that true love is all that counts. The plot means well, but the acting is awful and the message is not believeable.
Never, ever, in the 1960's would a large number of whites, regardless of how they earned a living, demonstrate such understanding. The film has an agenda and the role of the mobsters are incidental to the central point, which is calogeros' eventual love for the girl. Lilo Brancato and the characters of his friends display an incredible lack for acting. The writing is bad and the characters stiff. It is known that Robert deniro only dates women of color, and although there is certainly nothing wrong with that, his desire and predilection seem to dictate the direction of this movie. It is not moving, but rather offensive. Italian americans are overwhelmingly portrayed as dopey , all of them having a cross dangling from their necks. No, I did not like this movie. I grew up in Queens during the 70's. I am an Italian american who grew up in an Italian neighborhood.I found this film reeking from steriotypical ideas of what New Yorkers were like. The writing was awful and I cant stress how bad the acting is. I also do not believe the movie was completely based on the play, it was rewritten to fit personal profiles. The movie was insulting and false. A figment of Deniros idea of entertainment. He should have stuck to playing roles where he does what he does best, curse and swear.
I Love This Movie - Review written on September 15, 2007
Rating: 5 out of 5
1 customer found this review helpful.
My daughter and I watch A Bronx Tale at least twice a week. I have loved this movie every since I first saw it on AMC. Chazz Palaminteri and Robert De Niro both did great jobs, as well as all of the other actors. Robert De Niro plays a bus driver named Lorenzo Anello. He and his wife Rosini and their nine year-old son, Calogero are living in the bronx. Calogero is fascinated by mobster, Sonny, who is a fixture in their neighborhood. Lorenzo is trying to keep his son away from people like Sonny, but the young boy ignores his dad and befriends Sonny. Calogero witnesses Sonny doing something that he refuses to admit to the police. A bond is thereby created between the young boy and the mobster.
I like how Sonny teaches his young friend, Calogero, who he gives the nick-name of "C" to not try and live the same life that he is living. He tells him to stay in school, stay away from bad company, and know who your real friends are. Calogero loves his father, who is also teaching him to be respectful and hardworking, but he also looks up to Sonny, and picks up a lot of "street smarts" along the way.
DeNiro's directorial debut makes for a GREAT slow burn... - Review written on May 03, 2007
Rating: 4 out of 5
It's a little slow, a bit methodical, and quite purposeful in its story-telling, and I LOVED EVERY MINUTE OF IT... This is Robert DeNiro's directorial debut, and its a winner! I credit a strong assist to Chazz Palminteris touching screenplay.
For me, the charm of this movie was watching DeNiro play AGAINST type as a regular-guy, a working-class dad trying to protect his son from the lure of local mob-boss Chazz Palminteri. And, so soon after seeing him in Goodfellas as mob hitman Jimmy Conway.
The winning formula here is making Palminteris Sonny LoSpecchio easy to root for. He doesn't encourage DeNiro's son (Lillo Brancato-- now grown up with his own real-life problems) to follow his lead; he really tries to steer him clear of the life he leads, but does teach him some heart-warming lessons along the way. DeNiro's Lorenzo fears he is losing his son, but the more he fights for him, the more he risks pushing him away... I file this under A slow burn.
It takes death to learn how to live - Review written on July 15, 2005
Rating: 5 out of 5
2 customers found this review helpful, 1 did not.
Robert de Niro dared to mix several layers of universal myth and he served it on the rocks. Romeo and Juliet with an Italian, what's more white, who falls in love with a black girl who lives not nextdoor but rather next-neighborhood, with an unspecified and unsignaled no-trespassing line between the two neighborhoods. West Side Story with a bar in its center and bands of young rogues, whites on one side and blacks on the other side. The Godfather too is not very far, even if it is on a smaller scale. A Sicilian protects his neighborhood against dangerous outsiders and looks after daily problems to keep the police out of them. He is going to be the unofficial godfather of a young boy who does not tell the police what he knows about a murder that happened just under his nose. And there we have the famous situation for a boy to be divided between his real father and his godfather. Divided allegiances. The voice of your blood versus the voice of your mind or your soul. What happens when the son gets entangled in some silly situation and gets redressed by both his real father and his godfather, especially when his real father wants to confront the godfather for the hard redressing he just gave his son, and this godfather refuses the confrontation, and he is on his way to salvage the son, like some piece of expensive property, from a doomed adventure that has absolutely no common sense in it. Hard when the real father is rather against a black girl friend and the godfather is rather for it if it is love and nothing but love, and he gives him some advice how to check if it is a real love affair. But nothing is eternal and the past always catches up with a vengeance. How can you speak the truth when it is too late and you never had the courage to speak it before the lethal accident ? It's hard to speak to a corpse but if he is your godfather, speaking to him will necessarily bring something good, because this godfather is very close to God at this very moment, bargaining some favor for his godson in exchange of some years in Purgatory or even in Hell. Only godfathers know we can bargain with God. This vision of society cannot work if you do not have in your mind the concept of a protector of some type, the protector of the neighborhood, the protector of the child, the protector of life, the protector against any kind of danger coming from outside (be sure Hell's Angels are not exactly welcome on this block), etc. Some will say this is feudal or medieval, but it sure is comfortable and reassuring to know their is a strong tree against which you can lean.
Dr Jacques COULARDEAU
Ethical Mobsters - not the best mob movie - no turkey either - Review written on March 04, 2005
Rating: 4 out of 5
3 customers found this review helpful, 2 did not.
De Niro directs this. It is not perfect, but it is old and the budget is some restrained considering. It is nowhere near anything like Goodfellas, but works like Carlito's way. This film has smarts but it is old, independent and the film transfer is not perfect. Not everybody in this film is a professional actor, including some of the leads, making it a mixed bag at times, but none the less has its moments, and all these mobster movies are about those moments, and to be honest this can stand along side something like Casino from Scorsese no problem because of that.
Chazz Palminteri who you know from The Usual Suspects, wrote the story about a boy who grows up between his straight family and the crooked mafia, learning the ropes from both, it is all about choices and consequences, and as others have rightly noted, whole heaps of morality minutes, as killer gangsters try to tell a kid how to hit on a girl, there are some background stories to this plot that work out quite well, not as soppy as let's say Steven Spielberg started tugging your heat strings with John Williams standing in the background with a violin, but it ain't as if Joe Pesci's Tommy would be teaching us how to dance if he didn't have a gun.
It is worthy of any collection, but just don't go breaking out this DVD as the best mob movie ever. It is a long shot away from the classics but isn't as garbage as say Sly Stallone trying to do the mobster thing. Now there is 1, 2, 3 star territory.
Mob tale of a different kind - Review written on November 26, 2004
Rating: 5 out of 5
3 customers found this review helpful.
If you're used to seeing Robert Deniro as the tough guy gangster then get ready for a change. In this film Deniro is just a working stiff trying to raise his kid the right way. His son however, is fascinated by one of the local mob bosses (Chazz Palminteri). In this story set in the Bronx (circa 1960's) Lorenzo Anello (De Niro) desparately tries to keep his son Calogero on the straight and narrow. He tries to explain that the guy who gets up and goes to work every morning is the tough guy, not the guy who takes what others have by force.
Lillo Brancato who plays the 17 year old son is quite the find here. This was his acting debut and he has gone on to do other films since. Originally, this was a one man play written by Palminteri and the story is based on the events of his youth.
Eventually, the mob boss, who can't afford to trust anyone, turns on Calogero even though he loves the boy like a son. It is then that the teenager understands that his father told him the truth. Later in the film though, Calogero's life is saved because of the mobster. When Calogero goes to find his friend and thank him, things take a turn for the worse.
This is Deniro's directorial debut. Who knows better how to direct a gangster film then someone that's been in some of the best crime dramas of all time. Yes, he still has much to learn but still and all, it's a fine effort. Deniro made excellent use of the music of the day. Especially memorable is the bar scene where the gansters beat up a motorcycle gang and during the fight you can hear "The 10 Commandments of Love" playing over the visuals.
As with most gangster films, there is a lot of foul language and violence here but no nudity or sex.
This should be part of your collection if you are a fan of the genre.