I am an advanced HTML hand-coder, but I hadn't mastered CSS fully because existing references were not intuitive and did not illustrate how to use CSS in any practical sense.
I give this book my highest recommendation.
"There was such positive response to 'Eric Meyer on CSS' that New Riders and I decided it would be fun to create a sequel. Both books share the same project-oriented, practical philosophy, which is what people really seemed to like - that and the full color printing! The hope is that the book will help more designers get to know and love CSS, and inspire them to take the concepts presented and do something really awesome."
Eric Meyer and Jeffrey Zeldman actually make standards sexy. Yes, by converting to CSS-based techniques you make your designs more flexible, accessible, and gracefully degrade, but you also lose wait, and gain pizzazz. Chapter 6 "CSS-Driven Drop-Down Menus," where Meyer shows how to create JavaScript-free nested pull-down menus, is worth the price of the book alone.
As you progress from project 1 through 10 Meyer takes you through more difficult CSS conversions. The first two chapters show you how to use CSS layout to convert conventional table-based designs into CSS-based layouts. Tables still have their uses however, and Meyer is not above styling table-based financial reports with CSS in project 3. Chapter 4 shows how to create translucency with positioned backgrounds. While the technique does a nice job of simulating the problematic semi-opaque PNG, Meyer points out the additional graphic overhead required for this technique.
Chapters 5 through 7 are the heart of the book, styling lists to create rollover, drop-down, and tab-based menus. Some of these techniques you may have seen before, documented by foreword writer Douglas Bowman and the aforementioned Zeldman. Meyer is the first to gather them all into one place and update them for CSS 2.1 and modern browsers (most version 5+ browsers). He takes you step by step through transforming simple unordered lists into line-straddling rollover menus, lightweight CSS-only drop-down menus, and variants of Bowman's "sliding doors" technique to create rounded tabs.
Chapters 8 through 10 take it up a notch, styling a weblog, a home page with weblog, and the CSS Zen Garden site. The Zen Garden project actually uses a PNG file that works with a full alpha channel in IE6/Win as well as IE5/Mac, Mozilla, Safari, and Opera. Chapter 10 in particular will be of interest to graphic artists who convert graphics comps into XHTML and CSS.
Starting with purely structural XHTML, Meyer shows you how to gradually build up your style sheets, adding effects with each iteration. Full color screenshots, notes, warnings, and websites annotate each tutorial with alternative methods, browser workarounds, and further reading. The net effect is like having a CSS master look over your shoulder as you convert existing web sites. You can take many of these techniques directly from the book and companion site (more.ericmeyeroncss.com) and put them directly into your sites, with some minor caveats.
Eric Meyer has arguably done more than anyone to help promote the use of CSS, and for that we applaud him. CSS is not just for styling text anymore.
The gravy starts with Project 4 and continues through the rest of the book. Meyer leads us through some of the cutting-edge uses of CSS today and makes them work across today's popular browsers. When there is a problem rendering an effect in a particular browser, Meyer explains the pros and cons of using the technique.
This book is rated Intermediate-Advanced (same as the first book). Take that to heart. The projects in this book are harder than the corresponding project in the original. Neither teaches the basics. They make a great 1-2 punch and reading them in succession is a great idea. Make sure you follow along at the computer and do the projects - just reading them is helpful, but practice, practice, practice is absolutely necessary to really "get it".
Meyer again mentions that if you have read his previous books and don't like his writing tone, pass on this book. I find his writing style engaging. If you don't, consider getting the book anyhow - what you will learn from it should exceed any cringing you do at the style.