With passion and a voice that sings with beautiful detail and magic, Toni Morrison's third novel, published in 1977, is a powerful tale that follows the lives of a black family and their friends living in a Michigan city. In 1931, Macon Dead III, later nicknamed Milkman, is prematurely brought into the world, the first black child born in Mercy Hospital, just after his mother witnesses the brief flight of a man determined to fly from the cupola of the hospital. Although the novel revolves around Milkman, the stories spun out from him embrace a wide variety of characters and experiences. Morrison explores the lasting stamp of slavery through the name of Macon Dead; the intimate culture of women through Pilate, Reba, and Hagar; the hunger for property and respectability through Milkman's father; the idea of one's "people" through those in the South who have not forgotten connections; the violence of civil rights through Guitar; and many more issues facing blacks of the times and today. Despite the resonance of history, this novel is ultimately about its people and their eagerly lived lives. Morrison plunges her readers into their hearts with a humanity and skill too few novelists possess. The result is a remarkably emotional and intelligent story that will stay with you for a long time.

Readers should not be intimidated by Morrison's Nobel Prize Winner status, as this novel, like most of her others, is written in startling but accessible language. You don't need an advanced degree (or even a specific race or gender) to slip into her magical prose. Her characters are real and fully realized, and feel like friends, even when you might want to shake them to their senses. Although some readers will be puzzled by the end, wanting perhaps the next sentence that explains it all, Morrison has included by her omission the real meaning of her book. Visit with it for a few moments before closing the cover.

I highly recommend this book for a wide range of readers, from high school students to adults. Even though it was written in the 1970's, its themes and characters still have relevance today. Morrison is one of the world's literary gifts, and should not be missed. THE SONG OF SOLOMON is one of her best novels.

Filled with imagery and symbolism from the Bible, this landmark novel also draws on the epic tradition, tracing the roots of four generations of an African-American family as they fight a series of battles--against the legacy of slavery and racism, the loss of cultural values and roots, the trauma of injustice, and the self-centeredness which results from economic success. For all its elegance of development and seriousness of purpose, however, this 1977 novel by Toni Morrison is decidedly earthy, filled with unusual characters and exciting, often sensuous, stories about a family descended from Solomon, a freed slave who, according to legend, flew on his own wings back to Africa, leaving his wife and twenty-one children behind.

The male protagonist, Milkman Dead, is the arrogant son of a wealthy slumlord. His aunt Pilate, a poor woman whose life is filled with love, is so vibrant a contrast and so dominating a force in the family, however, that she becomes the fulcrum upon which the action turns. Milkman's selfishness vs. Pilate's compassion, his desire to escape from the family vs. her need to remember its stories and its past, his love-'em-and-leave-'em attitude toward women vs. her generosity of spirit ("If I'd-a knowed more people, I'd-a loved more," she says)--parallel the tensions which seize every generation of this family.

The novel develops impressionistically, not chronologically, as stories about characters from four generations unfold, seemingly at random. The relationships of all these characters, along with the time line in which they live, evolve only gradually. When Milkman's father, Macon Dead, Jr., tells him the story about how he, accompanied by his sister Pilate, killed a man in a cave and then discovered many bags of the man's gold, Milkman begins the journey which will lead to his discovery of who he is and what gives real meaning to life. In an effort to find the missing gold, he travels to the farm where earlier generations of the family lived, discovering, in the process, the missing links in the family's chain of memories.

Racism is a pervading theme, from the flight of Solomon to the execution of Macon Dead on his own land, and, in the 1960s, the formation of The Seven Days, a vigilante group that kills whites in direct proportion to the number of blacks killed and left unavenged. The novel is primarily about an arrogant young man's self-discovery, however, and the importance of being connected. Lyrical, richly descriptive, powerfully dramatic, and filled with symbols and motifs that connect Milkman in universal ways to the Bible and to the earliest epics, this is Toni Morrison at her best. Mary Whipple

A Mercy
Beloved
Jazz
Sula
Tar Baby

Although the book starts a little slow and dry, it lays the foundation for a beautifully written story about an African American family throughout American history. It is thought-provoking and heart-breaking at times. Morrison creates characters that are complex, ever-changing and realistic. Highly recommended.

I read this book on my own and had difficulty putting it down. Morrison weaves the supernatural, poetry, spirituality and love into a solid story about black men and relationships. You have to approach the story with an open mind, pay attention to the symbolism and metaphors and really understand the complexity of the story to "get it" in the end. I don't understand the previous review because the ending of the book goes along with a theme that persisted throughout the novel. So, basically, if you did OK in AP English, you should be able to appreciate this novel.

When this book was first published, I had to read it for a Master's Level English Literature Course. In class, I said that "I really liked the book until the last few pages. I thought the ending 'stunk'--jumping off a rock and flapping... this is what I mainly remember of the entire book-- and it lost me, and ruined the first part which I thought was good enough." Before class, in the hallway, some of my classmates said what I conveyed but in the classroom, the class members reminded me of "The Emperor's New Clothes", they went along saying it was wonderful to the professor.