by Warner Home Video
| Average Rating: |
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| Sales Rank: | 40930 (lower is better) |
| Price Used: | $9.99 |
| Shipping: | Free Shipping on most orders over $25* |
| Availability: | Usually ships in 24 hours |
| Director: | Clint Eastwood |
| Release Date: | 2008-07-22 |
| Label: | Warner Home Video |
| UPC: | 883929008650 |
| Binding: | DVD |
| Published By: | Warner Home Video |
| ASIN: | B0016OM3TA |
| Category: | DVD |
Actors and Actresses
Editorial Reviews and Product Descriptions
Description
The year: 1946. The event: Oakland's "Jazz at the Philharmonic." The music streaked into the unknown, daring listeners to grab hold and fly there, too. On stage was the creator of those new sounds: Charles "Yardbird" Parker. In the crowd was the 16-year-old who would someday bring Parker's extraordinary story to the screen: Clint Eastwood. "Americans don't have any original art except Western movies and jazz," observes Eastwood. Movie fans, of course, know that few heroes sit as tall in the saddles as Eastwood. Now the legendary America icon, whose Dirty Harry films have been praised for their jazz scores, ventures deeper into that other original American art. Eastwood produces and directs Bird, a film burnished with the magic of that 1946 concert encounter between legend and future legend and honored with an Academy Award for Best Sound in its spellbinding recreation of a man and his music. Like jazz itself, Bird rings with counterpoints and embellishments. Past and future overlap as the film explores Yardbird's soaring skill and destructive excesses.
Amazon.com essential video
Clint Eastwood's moody, evocative direction and Forest Whitaker's strong, sensitive performance are the chief proponents to recommend an otherwise muted biopic of '40s jazz legend Charlie Parker, who fell victim to his chemical excesses and convinced the doctor who pronounced him dead that he was a good four decades older than he actually was. The film doesn't try to assign clear blame for Parker's demons, though the era's racism is addressed unflinchingly. Clearly a labor of love, Eastwood's movie structurally attempts to ape the angular music of bebop itself (there are flashbacks within flashbacks, which gets a little confusing), but doesn't quite capture the smolder of the period. Diane Venora registers strongly as Bird's wife, Chan, the woman who can't rescue Bird from the abyss into which he peers. --David Kronke
Customer Reviews
Messy and over-thought; a film that suffers from lack of direction... - Reviewed on 2008-10-31
2 customers found this review helpful.
I didn't know that much about Charlie Parker walking into `Bird', and sadly, I still don't know that much about him. The film attempts to shed some light (figuratively) on the man that was Charlie Parker, but through poor construction and overwrought delivery the film fails at almost every attempt. True, both Whitaker and Venora are nearly flawless in this film, but their superb acting cannot in the end elevate what Clint Eastwood has done to this picture.
Charlie Parker became famous in the 40's for his brilliant mastery of the saxophone. At least that is what I gather. He met and fell in love with the feisty Chad. At least that is what I gather. They had some kids together. He had a drug and alcohol addiction problem. He died young. I gathered all of this, but this is just a simple and rather bland synopsis of a man who Eastwood tries to paint as extraordinary, as memorable or important. I never really gathered that. I never really understood why Eastwood was so fascinated with this man.
Sure, he could play the saxophone, but what made him stand out from other musicians with hard lives who died young?
I think that the story is here, it is just muddled down by Eastwood's poor production decisions. The pacing is horrible, applying flashback overtop of flashback with no distinction between the two. I was consistently confused as to when and what was going on. Was this before he was married, was this after the kids were born, was this before he tried to commit suicide, was this after he was hospitalized. Eastwood never truly gets a grasp at what he is trying to tell us. One minute Parker is collapsing on the floor, the next he is playing at a club, the next he is meeting Chad for the first time, the next he is fighting with her about their children. Possibly he was trying to create something profound, but he over-thought the construction and it comes off feeling like he randomly selected the scenes he thought looked the best and then strung them all together in no particular order. But then again, how could Eastwood know what scenes looked the best when it is so hard to see the scenes to begin with. The film is so dark that I felt as if I was watching a black screen with a few scattered shadows for most of the films running time. I understand that the darkness may have added to the feel and mood of the era, but there is such a thing as improvised lighting, you know, making the objects visible to the audience. I don't like straining to see what I am trying to enjoy.
The film is a muddled mess overall, but the performances by the two leads are outstanding to say the least. Whitaker is a tad overrated in my book, but aside from his outstanding `Last King of Scotland' performance this is truly his finest. He really gets into Parker's head and delivers a heartbreaking portrayal of a lost soul. It's just a shame that he works harder than Eastwood. The true standout here is Diane Venora though. Her portrayal of Chad is not diminished by Eastwood's unsteady hand, for her character is not as central as Whitaker's. What I mean is that all of Eastwood's horrid decisions take away from the man that was Charlie Parker, but because of the fact that Chad is a supporting player she isn't damaged as much as Parker because she is allowed to develop a strong supporting performance. Venora does just that, evoking raw and believable emotions with each scene. She wants to save her husband but she knows in her heart that that is impossible.
I really wish that `Bird' would have been handled better. It's really hard to appreciate how devastating or even moving Charlie Parker's life was when you watch this messy production. Whitaker and Venora deserve better than this. Charlie Parker deserves better than this.
Most of all, we, the audience, deserve better than this.
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Book Subjects
- Charlie Parker
- Drama
- Jazz
- Movie
- Musicals (Theatrical)