I wasn't quite sure if I was going to enjoy this CD because I had never heard of Jim Lauderdale. I saw him in Bluegrass Unlimited and purchased the CD and I have enjoyed listening to it many times over.

Twangy, with more than a nod to Buck Owens and the Bakersfield Sound this offering really tries to stretch beyond it's boxed-in label. The trouble is it's from an Americana troubador mascarading as a bluegrass traditionalist. And while the Grammy nod was somewhat deserving, there are better artists in the genre that were just plain overlooked... King Wilke and Randy Korhs come to mind. The CD is very well produced almost slick in it's delivery, and while most of the tunes work they definatley do not push the envelope or give us anything new. The truth is, there were better bluegrass efforts last year and unless you are a died in the wool Jim Lauderdale fan you can avoid this one and not feel like you have missed anything. The title of this effort hints that you are going to be let in on a secret, and that's plainly not so.

Playing Time - 35:51 -- Choosing bluegrass as his genre of choice to document his written record of experiences and thoughts, Grammy award-winner Jim Lauderdale continues to shake things up. It's not the first time Jim's made strong bluegrass statements. While the diverse Nashville-based musician is equally comfortable with country and other kinds of singer/songwriter material, he's a guy who clearly has bluegrass in his blood. Arriving in Nashville in the late-1970s, Jim had hoped to pursue a bluegrass career but he was just "Looking for a Good Place to Land." He moved into mainstream country and has appeared on the Grand Ol' Opry. The prolific songwriter has penned hits for artists like Vince Gill, Patty Loveless, Mark Chesnutt, Kathy Mattea, and George Strait. Jim's major nod to bluegrass came in 1997 when he featured Ralph Stanley and the Clinch Mountain Boys on his album, "Whisper." Lauderdale then was a guest on Stanley's "Clinch Mountain Country" project, and he is now an honorary Clinch Mountain Boy. Building on the chemistry between Jim and Ralph, they collaborated on an album of their own, the Grammy-nominated and highly recommended "I Feel Like Singing Today." In 2002, his Grammy-winning "Lost in the Lonesome Pines" release featured both himself and Ralph Stanley singing his own self-penned songs. Those projects had the backing of the Rebel and Dualtone record labels. In 2006, his "Bluegrass" debut on YepRoc Records showed us that his fresh, new bluegrass reflected the power, sentiments and emotions of traditional music. Produced by resophonic guitarist Randy Kohrs, "The Bluegrass Diaries" sticks with the winning recipe for beefy original material, forceful vocals, and lively instrumental accompaniment.

"The Bluegrass Diairies" features eleven originals, three of which were solely penned by Jim. His other eight songs include some heavy hitting songwriting collaborators (Melba Montgomery, Odie Blackmon, Shawn Camp, Paul Craft, J.D. Souther, Candace Randolph). Jim's songs have an affinity for love-related themes, but a driving song like "One Blue Mule" has the kind of humorous bluegrass hook that will give you a chuckle. Randy Kohrs' soaring harmony vocals are ever present. If you like recalling a time when the Louvin Brothers were in their prime, a new song like "Are You Having Second Thoughts" (sung with Ashley Brown) is a real treasure. Dave Evans, a rootsy lead vocalist in his own right, is an interesting, unique choice for harmony vocalist on two numbers "Can We Find Forgiveness" and "It's Such A Long Journey Home." Cia Cherryholmes makes a silky appearance in "I Wanted to Believe." The instrumental icing on the cake comes from Randy Kohrs (Dobro), Jesse Cobb (mandolin), Richard Bailey (banjo), Aaron Till (fiddle), Jay Weaver (bass), and Cody Kilby, Clay Hess or Shawn Camp (guitar).

The North Carolina native and son of a minister/choir director is very proud of his bluegrass roots, and his diaries have plenty of deliberations that convey the bluegrass propulsion and drive. He tips his hat to his bluegrass buds when the disc ends with an instrumental reprise to the closing number after Jim asks, "Y'all wanna run some more? Alright ...." Thanks Jim for making public the great musical reflections of your bluegrass diaries. (Joe Ross, staff writer, Bluegrass Now)

Jim Lauderdale has two musical personalities; he writes hook laden country western hits that have been recorded heavily by popular artists, like George Strait and Patty Loveless. He performs these songs in a quirky, traditional style that shows his bluegrass roots. He also writes and performs bluegrass music with beautifully worded contemporary lyrics. From the title it is obvious that this album is in the latter genre. This album was produced by Dobro player Randy Kohrs, and the sound is outstanding. Every song on this album is a gem. I particularly like the opening "This is the Last Time I'm ever Gonna Hurt" and the gospel tinged "Can we Find Forgiveness."

Jim Lauderdale has mostly a cult following and is known as a writers writer. It's a shame he doesn't get wider recognition as a performer because he is a true American treasure.