| Average Rating: |
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| Sales Rank: | 4456 (lower is better) |
| Price Used: | $6.99 |
| Shipping: | Free Shipping on most orders over $25* |
| Availability: | Usually ships in 24 hours |
| Release Date: | 2006-11-07 |
| Label: | Warner Bros / Wea |
| UPC: | 093624325925 |
| Binding: | Audio CD |
| Published By: | Warner Bros / Wea |
| ASIN: | B000J3FBVG |
| Category: | Music |
Tracks on The Departed by Warner Bros / Wea
- Let It Loose - The Rolling Stones
- Comfortably Numb - Rogers Waters feat. Van Morrison & The Band
- Sail On, Sailor - The Beach Boys
- Sweet Dreams - Roy Buchanan
- One Way Out - The Allman Brothers Band
- Baby Blue - Badfinger
- I'm Shipping Up To Boston - Dropkick Murphys
- Nobody But Me - The Human Beinz
- Tweedle Dee - LaVern Baker
- Sweet Dreams (Of You) - Patsy Cline
- The Departed Tango - Howard Shore Featuring Marc Ribot (dobro) and
- Beacon Hill - Howard Shore Performed by Sharon Isbin
Editorial Reviews and Product Descriptions
Album Description
The Departed has been hailed as director Martin Scorsese's most powerful film since Goodfellas. With critical acclaim, major stars and all the punch of an explosive crime drama, The Departed is set to be a box-office smash. The soundtrack album features songs from all-time greats The Rolling Stones, The Beach Boys, The Allman Brothers Band, Roy Buchanan and Badfinger along with a collaboration between Pink Floyd's Roger Waters, Van Morrison, and The Band. Add cult faves The Human Beinz, current South Boston punkers Dropkick Murphys, an R&B gem from LaVern Baker, a country- pop selection from the immortal Patsy Cline, and a pair of selections from Grammy® Award-winning score composer Howard Shore and The Departed's soundtrack album promises to be as widely popular as the film.
Amazon.com
With Goodfellas, Martin Scorsese completely reinvented the way popular songs--instead of a made-to-measure score--can be used all the way through a movie to emphasize mood and action. He continues in that vein for The Departed, whose soundtrack is full of tunes by classic acts. If a theme emerges, it's great guitar work: on Pink Floyd's "Comfortably Numb," on the Allman Brothers' "One Way Out," on Badfinger's "Baby Blue," and on Roy Buchanan's "Sweet Dreams." (Even the two selections from Howard Shore's score highlight that approach, with performances by Marc Ribot and Larry Saltzman on "The Departed Tango" and by Sharon Isbin on "Beacon Hill.") A couple of numbers also deliver slight twists: the version of Pink Floyd's "Comfortably Numb" is the live one from 1990, when it was performed with Van Morrison and the Band; and the Beach Boys' obscure 1972 song "Sail On, Sailor" isn’t sung by its cowriter Brian Wilson. Thankfully, LaVern Baker and Patsy Cline help offset a very white, very male, very classic-rock selection. While it looks as if Scorsese stopped listening to music sometime around 1975, Beantown's Dropkick Murphys do contribute "I'm Shipping Up to Boston," a nod to the movie's setting. --Elisabeth Vincentelli
Customer Reviews
It's all about The Murphys - Reviewed on 2007-10-02
9 customers found this review helpful, 2 did not.
Ah, the movie soundtrack. What a consumer dilemma. If I love a movie this much, and it is directed by the Christopher Columbus of the use of popular songs in movies (instead of just a written score ), won't I love the soundtrack as well? Unfortuantely, very rarely. When great directors follow Scorcese's lead and use pop songs to move their films along we are often much more attracted to those soundtracks. Who wants to listen to 50 minutes of a written score when we can listen to The Rolling Stones and The Beach Boys? What cannot be overlooked is that the filmmakers use only snippets of songs. The best example seems to be in "Goodfellas" when Martin Scorcese uses Clapton to actually follow the movement of his camera on a tracking shot focusing on the pink Cadillac with a dead mobster and his dead wife. Maybe the 2nd best use by Scorcese is the blast of the Dropkick Murphys at the beginning of "The Departed" to set the stage for Irish/Boston violence. The thing is, most of the other songs on this soundtrack, and others, are rarely needed to listen to in their entirety. "Boobie Nights' is even a better example. How brilliant the disco music moves the porn stars in the coke-fueled nightclubs. Listen to the entirety of the tracks at home, though , and we are reminded of why we yelled "Disco sucks" when we were Rock n roll teenagers. So, buy the bands who you like best on these soundtracks. Buy Dropkick Murphys' Warriors Code, for instance. Soundtracks just never seem to make me relive a great movie. And I keep trying over and over again. Must be obsessive compulsive.
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Book Subjects
- Album Rock
- Film Music
- Nashville Sound/Countrypolitan
- Pop
- R&B
- Rock/Pop
- Soundtracks
- Soundtracks & Film Scores
- Soundtracks & Scores