Endless Wire

by Republic

$13.98
buy from amazon.com
Average Rating: * * * half star -
Sales Rank:27156 (lower is better)
Price Used:$4.39
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Availability:Usually ships in 24 hours
Release Date:2006-10-31
Label:Republic
UPC:602517091467
Binding:Audio CD
Published By:Republic
ASIN:B000IONLN6
Category:Music

Tracks on Endless Wire by Republic

  1. Fragments
  2. A Man In A Purple Dress
  3. Mike Post Theme
  4. In The Ether
  5. Black Widow's Eyes
  6. Two Thousand Years
  7. God Speaks, of Marty Robbins
  8. It's Not Enough
  9. You Stand By Me
  10. Sound Round
  11. Pick Up the Peace
  12. Unholy Trinity
  13. Trilby's Piano
  14. Endless Wire
  15. Fragments Of Fragments
  16. We Got A Hit
  17. They Make My Dream Come True
  18. Mirror Door
  19. Tea & Theatre
  20. We Got A Hit - Extended Version
  21. Endless Wire - Extended Version
  22. Intro
  23. Can't Explain
  24. Behind Blue Eyes
  25. Mike Post Theme
  26. Baba O'Riley
  27. Won't Get Fooled Again

Editorial Reviews and Product Descriptions

Album Description

The Bonus DVD is 28:17 in length and features the following tracks:

Mike Post Theme (from the new album Endless Wire)

And 4 classic hits: Won't Get Fooled Again Baba O Reily Behind Blue Eyes Who Are You

Amazon.com

Nearly a quarter-century (and bassist John Entwistle) passed between what had been considered the Who's career-capping album, It's Hard, and this 19-song epic, which at its best has the band of two pining for the days of Who's Next. Built from the triumph of the mini-opera Wire & Glass EP (included here in its entirety), Endless Wire mixes metaphors of music, war, and religion, while showcasing Roger Daltrey's ageless vocal cords and Pete Townshend at his windmilling best. Launching with a "Baba O'Riley"-like synth break in "Fragments," Daltrey asks "Are we breathing out or breathing in?" and Townshend answers with a thrashing, crashing Gibson. When the volume is turned up, there are echoes of three decades ago. "It's Not Enough" and "Mike Post Theme" conjure images of Entwistle and Keith Moon--the latter song, with its quiet verse and thunderous chorus, recalls "Going Mobile" and longs for Moon to whack it into shape. But the linchpin remains Townshend's songwriting, whether he's questioning faith ("Man in a Purple Dress"), showing gratitude for support ("You Stand By Me"), or dreaming of entertaining immortals into eternity ("Out on an Endless Wire"). By the time it wraps up, Endless Wire tells two things. No, it does not rank with the band's best work. But yes, as long as Pete Townshend and Roger Daltrey walk the earth in tandem, the Who live on. --Scott Holter

More Who

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A Quick One (Happy Jack)

The Who Sell Out

Tommy

Live at Leeds

Who's Next

Quadrophenia

The Kids Are Alright

The Ultimate Collection

Customer Reviews

Awful - Reviewed on 2008-10-25
*
2 customers found this review helpful, 1 did not.

I have just about every Who album ever recorded and have been a fan since I was knee-high to a grasshopper. I saw the Who in 1976 at Madison Square Garden.

I was suckered into buying this CD when it came out because of all the phony hype that surrounded its release.

This CD just plain *sucks*. It's so bad, it's cringe-inducing. If you buy this, you will regret it, like I did. And you won't be able to sell it used because no one will buy it. Why do you think there are so many used copies for sale on Amazon?
A TRUE COMEBACK ALBUM - Reviewed on 2008-10-21
* * * *

I bought this CD sometime ago and I never get tired of hearing it. It's classic "Who" sound thru and thru. The songs are great this album reminds me of there early 70s albums. In some songs Roger's voice doesn't sound that great but for the most part it's good. This is a good addition to any "Who" fans CD collection.
Shameless - Reviewed on 2008-10-12
*

This CD is an absolute train wreck; disrespecting the Who's legacy in every regard. Don't be fooled into thinking that you might hear something that even faintly resembles the power of Townsend and Co's earlier work. Instead, what you get after waiting 20+ years is recycled, derivative music coupled with nearly incomprehensible lyrics that hint at things I, for one, wish to know nothing about -- "man in a purple dress", "meet me in the ether", etc. This CD is a sad, sad way to waste your money.
The Who I loved is gone - Reviewed on 2008-10-05
*

I'm so sorry to have to say this, but this album honestly makes me very very sad. Even worse is the live DVD included in the edition I bought. They were still so vital and fun when I saw them in 2000; how could they have decayed so much in the few years that passed before this CD/DVD? I guess John was a bigger part of what made The Who The Who than I had previously appreciated. This is exactly what it sounds like, a shockingly bad Pete Townshend solo album, with a few vocals by a very tired and raggedy sounding Roger Daltry. I hope Roger will concentrate now more on his acting career, as he has a lot to offer there, still. And Pete? What else can a broken down old musical genius do? Produce, of course, or maybe take another stab at writing novels (the paper kind).
It's not The Who - Reviewed on 2008-09-21
* * *

I find this release intriguing, at best. I have only listened to it a few times, but my initial response is the same as my feeling about Face Dances and It's Hard: it isn't a Who album. This is a Pete Townshend solo work, that just happens to have Roger Daltrey singing on it. Townshend admits as much in his liner notes, when he said he had to "make this record on my own, in my own way...." He gave it over to The Who -- such as they are -- only when he is satisfied.

What a far cry from earlier Who efforts, where the contributions of Entwhistle and Moon made The Who what they were. This was a rhythm section that couldn't just be replaced: they were the driving force behind the music; they freed Townshend to develop his unique guitar style that depends heavily upon chords, and not single note flashy solos.

In like fashion, I certainly hope that no one bought this limited edition for the DVD. It only shows how old the band is. Daltrey's singing has certainly matured, and his voice is in good form. Though he cannot hit the high notes anymore, his phrasing is impeccable.

Townshend just looks p***ed off the entire show. The only time he displays any real animation is during Won't Get Fooled Again; most of the rest of the time he looks bored and angry, as if Daltrey made him do this show, and they argued about prior to the performance. Given the limitations of the back-up band, he needed to stretch out on guitar more, and failed to do so.

Don't misunderstand my criticism: I was not expecting an athletic Who performance like I saw in 1976. But perhaps a more engaged band than appeared at this show.
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