| Average Rating: |
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| Sales Rank: | 24461 (lower is better) |
| Price Used: | $4.93 |
| Shipping: | Free Shipping on most orders over $25* |
| Availability: | Usually ships in 24 hours |
| Release Date: | 2006-09-19 |
| Label: | Beautiful Bomb |
| UPC: | 822491000099 |
| Binding: | Audio CD |
| Published By: | Beautiful Bomb |
| ASIN: | B000HKDEKG |
| Category: | Music |
Tracks on Summer Girl by Beautiful Bomb
- The Crawl
- Everyday Superhero
- So Insane
- Girl Like You
- Getaway Car
- Story Of My Life
- Right Side, Wrong Bed
- Summer Girl
- Hey L.A.
- Quality Control
- Beautiful Bomb
Editorial Reviews and Product Descriptions
Amazon.com
After scoring one of the most infectious chart hits of the '90s with their debut's "Walkin' in the Sun," San Jose's Smash Mouth further refined their retrograde cocktail of ska/surf/rock/pop influences via the follow-up hit "All Star" and a raft of mainstream soundtrack appearances that virtually guaranteed them a critical backlash. But on this, their first album on their own Beautiful Bomb label, SM apologize for none it. If anything, they've further burnished their pop sheen, expanding the back-to-the-future philosophy that's the cornerstone of their sound a bit in the bargain. Penned by frontman Steve Harwell, the single "The Story of My Life" injects some Rock of the '80s jitters into the mix, while the band variously evokes Merseybeat innocence on "Girl Like You" and suffuses "So Insane" with some greasy, melodic funk. If the B-52s echoes of "Getaway Car" underscore SM's penchant for sometimes pushing their pop-cloning gambit too far, songs like the bouncy title track and the bittersweet ballad "Right Side, Wrong Bed" argue that they're content to forge inviting, party-ready rock confections-- a feat they've accomplished again here with typically insouciant charm. --Jerry McCulley
Customer Reviews
Smash Mouth's true comeback. Don't hit the beach without it. - Reviewed on 2007-05-13
2 customers found this review helpful, 1 did not.
A more honest title for Smash Mouth's first album in their return to unsigned status may be "Hey, Major Labels, if You're Going to Pigeonhole Us, Do It Right". Because a title like "Summer Girl" just gives the impression Greg Camp continued to ride the hollow sunny vibe that washed out their 2003 release "Get the Picture?" into obscurity and eventually oblivion with another set of cranked-out too-calm-to-be-rock-but-too-peppy-for-ambiance numbers. This is not the case, because Smash Mouth knows that there's more to being a "summer band" than making a soundtrack for sunbathing. There's barbecues, campfires, partying, and--this can not be overstated enough--macking on potential summer flings.
So that's the M.O. for Greg, Steve, Paul and newcomer Jason Sutter this time out (although former drummer Michael Urbano leaves his fingerprints on some of the beats and production work here). While any lesser band would backpedal and try to regain some rock-group-cred by pretending Astro Lounge and its successors never happened. Smash Mouth, however, are well aware they already betrayed the hipsters beyond apology, and instead simply pick up where their fans' expectations for that album left off: a varied--but positively rockin'--collection of songs that sound good anywhere... but reach their full potential behind a pair of cool-looking shades between May and August with a cool drink in one hand and the sunblock in the other. So rarely does a band recognize where they are and, concurrently, where they've been. Even rarer is a band that can fit it all into one coherent sound. This album's got the grit of Fush Yu Mang, the variety and songcraft of Astro Lounge, the poppy charm of their self-titled and the feel-good summer vibe of Picture--the main difference is now it's got substance courtesy of the previous three elements. Take the title track, with its lazy-beach-days organ riff, but when the hook comes in with all its self-assuredly charming naiveté, you realize you can stop holding your breath; Smash Mouth's found their footing once again. Quality Control--the surprising but essential middle finger to Clear Channel--feels like a walk through the dilapidated Astro Lounge with the quasi-creepy space-rock that ran wild on that album and remained an undercurrent. And then there's Right Side, Wrong Bed, the first acoustic tune since I Just Wanna See that doesn't feel obligatory (despite its being the only one here).
What's the most surprising is how well Smash Mouth--formerly a common example of the kind of band that gets funding as a result of the laziness and greed of record execs with their frequent soundtrack contributions and by-the-numbers covers--make the transition to a full-fledged indie band, selling this record off of their own "Beautiful Bomb" label. In fact, the only element of this process they don't have down yet is the timing; they couldn't possibly have meant to release this sunny record in September. But it's an easily forgivable offense, mainly just because it's a big relief to have Smash Mouth back doing what they do best: pop that's so much fun it seems other bands are afraid to make it.
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Book Subjects
- Alternative Pop/Rock
- Pop
- Pop/Rock
- Pop/Rock Music
- Rock
- Rock/Pop
- United States of America