Description
All hail the domestic goddess! In this top-rated third season, Roseanne Conner and family continue to push the sitcom envelope as they deliver one of the most acclaimed and daring shows in television history. Relive all the classic hilarity as Roseanne explains the facts of life to Darlene, Dan endures PMS, Becky moves in with Jackie, D.J. turns weird, Nana Mary visits, Valentine’s Day gets forgotten, curfews are broken, surprise weddings and pregnancies rock the house and much more! Season Three of Roseanne includes appearances by Tom Arnold, Ned Beatty, Leonardo DiCaprio, Brad Garrett, Judy Gold, Alyson Hannigan, Tobey Maguire, Martin Mull, Estelle Parsons, Natalie West, and Shelley Winters
Nice packaging, good content - Reviewed on 2008-06-02
First off, the packaging: the DVDs are set up to get out of the way and let you watch the episodes, which is great. They're not really fancy, but one of the things that annoys me is when you have to wade through previews, or several layers of menus, just to watch the episodes. It'd be nice to have a "Play All" option, but not necessary.
As for the content of this season, I was surprised to see how well the show held up. I remembered liking the show, and after buying the first season as a trial, I liked it enough to get the second and third. The characters develop well and storylines carry over from one episode to another. The writing was particularly sharp at this point in the run, with great interplay between the characters and a lot of real-life issues for the family to deal with. It's still very much a sitcom, where problems get resolved within half an hour, but at least the resolutions feel plausible, often stretched in the framework of the show to cover several days of time. The hook of this show was always the gritty realism, and that holds up over time.
And the best sitcom in TV history is.... - Reviewed on 2008-03-24
1 customer found this review helpful.
Ahh Roseanne, quite easily the greatest sitcom in TV history (sorry Seinfeld [overrated and repetitive] and move over MASH). For a great many Americans, Roseanne was the ONLY sitcom depicting house life that even remotely approached ringing true. My wife and I are both such big fans that we periodically watch the show from beginning to end (yes, all the episodes), something made easy by the fact that we never watch TV, only DVDs (greater freedom, no commercials). As I do in many of my reviews I will try to offer a few observations that other reviews haven't already made.
The show was serendipitously blessed by its cast, the best any sitcom has ever enjoyed. The comic timing between Roseanne and John Goodman was not only flawless, but their chemistry rang so true that they really did seem like they were married. The show was lucky to cast both Goodman and Metcalf, two actors whose performances really raised the entire show up another level.
The show starts off wonderfully, portraying a blue-collar family that not only seems real, but is real funny (and that says a lot--most sitcoms are not actually all that funny, and, believe it or not, studies show that people are not actually laughing at the jokes [which suck] but because they hear the sound of other people laughing). This in-and-of-itself had a lot to do with the show's immediate appeal: finally here was a family most Americans could actually relate to. Forget the Cosby family (the No. 1 show at the time).
Though the scenes at the plastic factory are pretty flat (which Roseanne was aware of--she joked that the set was built over a burial ground and cursed), the rest of season one is dynamite. In season two the show peters out with a few episodes that are actually quite boring and stupid. Many people say the show got worse in later seasons, I actually think (excepting the last season) that some of season two's episodes are the worst the show ever saw. In fact, in my opinion, the season two episode Sweet Dreams is the worst episode in the entire show's run. Other than this it's still excellent. Seasons three, four, and five are all great, maintaining the show's high standard. At times more episodes focus on incidences outside the Conner residence, which to me is unfortunate as the shows staying inside the house (especially the kitchen) and focusing on the whole family together are the ones that really shine. Thus, when a season focused too much on Roseanne at work (such as endlessly boring scenes of Roseanne at the beauty salon or in the mall's café) it really detracted from the humor.
With season six Sarah Chalke was devastatingly miscast as Becky. It really didn't matter that she didn't at all look like Lecy Goranson, the problem was that the performance she turned in was of an entirely different character (and it was quite a bad performance at that). Sure, other characters changed as the show progressed, but this was ridiculous. Roseanne, for instance, becomes more sarcastic and bitchy as the show progresses, but as my wife pointed out to me, if you revisit season one you'll see that she didn't at all start out that way (in fact she was quite the loving mother at first). And yes, her appearance constantly changed as she lost weight, tanned and had surgeries. Jackie's character changes too, dramatically, as many others have noted here. Many here say that season seven or eight is the beginning of the end of the show. I however think that the beginning of the end was Roseanne's real-life marriage to show producer Tom Arnold. After that fiasco, if I recall, Roseanne went kind of nuts in real life, becoming all new agey and crap, and it started to show in the show. Though the show's very last episode tried to bring things home a little bit, the debacle that was season nine needs a lot of explaining. How did they EVER think that having the Conners win the lottery was in ANY WAY a good idea? Was Roseanne trying to give a comic blue-collar commentary on the wealthy? I don't know, but that simply didn't work.
Some trivia and observations (and feel free to discuss some of this by leaving comments, and by all means, explain the reasoning behind season nine): Lanford Illinois does not really exist. The footage is from Evansville Indiana. Most if not all of Dan's comic mannerisms John Goodman seems to have borrowed from Curly (The Three Stooges), which he justified by making the character of Dan a big fan. When the Conners are watching TV, from the sound of it they are usually watching old movies, especially old B horror movies, sci fi and westerns. The coffee table is almost always covered with comic books. Season one disappointingly does not have a Halloween episode, but Nightmare on Oak Street kind of counts, starting off with a great Halloween feel to it. There are, throughout the first three or four seasons, a great many references to corn and creamed corn (can somebody please explain the significance of this in-joke?) In the pilot Dan tries to make a giant can of corn for dinner. In other episodes Roseanne is called the corn goddess, we see decorative corn hanging on the wall, Dan jokes that he's afraid that aliens are after their creamed corn, and, in the worst episode in the history of Roseanne, Dan's method of execution is to be boiled in creamed corn.
On a side note, it's amusing that Anchor Bay's disclaimer of the "Roseanne trivia" that laces the inside of every jacket reads that they in no way guarantee the accuracy of the information provided. It's a good thing too, because quite a few of their answers are wrong! Examples: In the fourth Halloween episode Roseanne does not dress up as "the goddess of gore," but as the Statue of Liberty. It's not Roseanne who refuses to serve Loretta Lynn, but Darlene.