Japanese pressing of the 18th album in this Rock and Roll Hall of Famer's remarkable career features the earliest release. It's her first album ever to bear the credit Produced by Bonnie Raitt. The album features sounds ranging from the swampy groove and electronic loops of 'Deep Water' to the crystalline lament 'I Don't Want Anything to Change'. Throughout, Raitt's unparalleled slide guitar playing is pushed to sizzling new heights. Songs like 'The Bed I Made' and the edgy, angular 'Crooked Crown' address complex emotions-thorny, adult themes. The first single lifted from the album is 'I Will Not Be Broken'. EMI. 2005.

After almost 35 years of recording, Bonnie Raitt knows exactly who she is and what she wants, as Souls Alike, the first self-produced album of her career, attests. Though Raitt wrote none of the material, the selection bears her imprint and highlights both her strengths and her range. The album's opening "I Will Not Be Broken" provides the sort of signature, stick-to-your-guns affirmation for Raitt that "My Way" did for Frank Sinatra and "I Won't Back Down" did for Tom Petty. Two songs written by pianist Jon Cleary, "Love on One Condition" and "Unnecessary Mercenary," reflect the Little Feat-in-New Orleans side to Raitt's music, while the reggae underpinnings of "God Was in the Water," the electro-worldbeat of "Deep Water," and the slide-guitar funk of "Trinkets" find her settling naturally into a variety of grooves. Though she makes a sharp left turn into the sonic surrealism of "Crooked Crown," she returns to the reflective balladry that has marked her musical maturity with "So Close," "I Don't Want Anything to Change," and the jazzy sophistication of the closing "The Bed I Made." While there are few surprises here, the album ranks with the most soul-satisfying of Raitt's career. --Don McLeese

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