As young dancers, they were best friends and fierce rivals. Deedee (Shirley MacLaine) left the stage for marriage and motherhood, while Emma (Anne Bancroft) would become an international ballet icon. But when Deedee’s teenage daughter (Leslie Browne in her film debut) is invited to join Emma’s dance company and begins an affair with a young Russian star (Mikhail Baryshnikov in his film debut), the two women are forced to confront the choices they’ve made, the resentments they’ve hidden, and the emotional truths they must face at THE TURNING POINT.

Tom Skerritt, Anthony Zerbe and the artists of The American Ballet Theatre co-star in this Oscar®-nominated classic written by Arthur Laurents (THE WAY WE WERE, WEST SIDE STORY) and directed by Herbert Ross (STEEL MAGNOLIAS, FOOTLOOSE) that became one of the most acclaimed dramas of the decade and remains among the most stunning dance films of all time.

Mikhail Baryshnikov made his film debut in this lightweight but entertaining drama about the relationship between a renowned ballerina (Anne Bancroft) and the woman (Shirley MacLaine) who had trained with her but had given up dance to become a wife, mother, and teacher. Between MacLaine's envy over her friend's career and the attention her own ballerina daughter (Leslie Browne) is getting, MacLaine's character goes through a complicated crisis. The two actresses carry the story very well and probably camouflage its thinness; they even make a somewhat condescending climax involving a catfight seem like a good idea. A subplot involving a developing romance between the virginal Browne and Baryshnikov's womanizer makes for pretty window dressing. More memorable are dance sequences featuring each in splendid performance. Baryshnikov's leaps are something to behold. --Tom Keogh