by MGM (Video & DVD)
| Average Rating: |
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| Sales Rank: | 8788 (lower is better) |
| Price Used: | $2.98 |
| Shipping: | Free Shipping on most orders over $25* |
| Availability: | Usually ships in 24 hours |
| Director: | Jonathan Demme |
| Release Date: | 2004-08-24 |
| Label: | MGM (Video & DVD) |
| UPC: | 027616909091 |
| Binding: | DVD |
| Published By: | MGM (Video & DVD) |
| ASIN: | B00026L7OK |
| Category: | DVD |
Actors and Actresses
Editorial Reviews and Product Descriptions
Description
A psychopath nicknamed Buffalo Bill is murdering women across the Midwest. Believing it takes one to know one, the FBI sends Agent Clarice Starling (Foster) to interview a demented prisoner who may provide clues to the killer's actions. That prisoner is psychiatrist Dr. Hannibal Lecter (Hopkins), a brilliant, diabolical cannibal who agrees to help Starling only if she'll feed his morbid curiosity with details of her own complicated life. As their relationship develops, Starling is forced to confront not only her own hidden demons, but also an evil so powerful that she may not have the courage or strength to stop it!
Amazon.com essential video
Based on Thomas Harris's novel, this terrifying film by Jonathan Demme really only contains a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat), and he hasn't forgotten the significance of tone, atmosphere, and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh
Amazon.com essential video
Based on Thomas Harris's novel, this terrifying film by Jonathan Demme really only contains a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat), and he hasn't forgotten the significance of tone, atmosphere, and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh
Customer Reviews
A PSYCH-HORROR BON BON - Reviewed on 2008-12-14
SILENCE OF THE LAMBS is, as far as I'm concerned, the greatest horror thriller in the history of cinema, despite the fact that there is relatively little gore in it compared to most of the hack-and-slash junk that seems to appeal to the computer-game-congested brains of the movie-going crowd in today's market. Anthony Hopkins created a character of such stunning, malignant intensity, in the 12 minutes he was on screen ( in the theatrical version ), that no one ( with the possible exception of Christopher Walken in PROPHECY ) has been able to equal it- or even come close to doing so. It is almost as if Thomas Harris envisioned him in the part when he wrote RED DRAGON ( though Brian Cox was quite effective in MANHUNTER, the Michael Mann TV version of that particular book ). A monster needs to feed, however, to be relevant on screen, and FBI agent Starling ( as portrayed so deftly by Jodie Foster ) provides a sweet, vulnerability, that is irresistable to the evil doctor.
The cinematography, and the spare and stark photography by Lak Fujimoto helped to intensify the pschological bleakness of the film. The wonderful score by Howard Shore captured the mood beautifully.
Jason, Michael, and Freddie all had to have weapons to wreak havoc, Hannibal only needed his voice.
Ugh - Reviewed on 2008-11-14
5 customers found this review not to be helpful.
I'm surprised that most of the negative reviews on the Silence of the Lambs aim mostly at how boring and overdone of a film it is. I may give it a one star, but only because I think the way movies have become is heinous. Cinematically, this movie is very well done. It may not be like other horror movies and that's what makes it so effective. It doesn't use cheap thrills, or excess of guts and gore. It has all the atmosphere and psychological scare I've seen in a long time. There really isn't that many shocking scenes in the movie, but when it decides to go out on a limb--it's downright disturbing. The images stay in your head for awhile, and that's part of why I hate this movie.
Some people won't be as affected by this as I am, but I don't like watching movies I simply can't enjoy. If there's nothing about the movie I want to remember, then it's simply not worth seeing. People are beautiful in my eyes, and when they're mutilated in disgusting ways-- there are no words for the anger inside for the people who inflict this pain. The movie makes a point to personalize the victims and, even the people you don't know very much about, you still know they are good people being treated the worst injustices in the world. Over the years, villains from any movie become this icon to society and I don't understand how people can look up to somebody they would hate and fear if they ever encountered somebody of the like, in real life.
People somehow don't understand that when some sick people see movies like this, they become copy cats of Hannibal Lecter and Buffalo Bill. I despise the movie industry nowadays because it contributes to our already violent society, and it's always trying to outdo itself with the latest technology, the newest and scariest tacttics, and it's all for the sake of making some big bucks. I can't laugh at anything about this movie because there's nothing hilarious about six beautiful young and talented women being imprisoned in a well, skinned, and dumped at a river.
Movies like this, no matter how well made, are full of crap.
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Book Subjects
- Adult Language
- Adult Situations
- Brief Nudity
- Color
- Creepy
- Crime
- Detective Film
- Disturbing
- Downbeat
- Drama
- English
- Feature
- Feature Film-drama
- Graphic Violence
- Gruesome
- Haunted By the Past
- High Artistic Quality
- Horror / Sci-Fi / Fantasy
- Menacing
- Mind Games