by Warner Home Video
| Average Rating: |
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| Sales Rank: | 17148 (lower is better) |
| Price Used: | $0.35 |
| Shipping: | Free Shipping on most orders over $25* |
| Availability: | Usually ships in 24 hours |
| Director: | Edward Zwick |
| Release Date: | 2004-05-04 |
| Label: | Warner Home Video |
| UPC: | 853928382266 |
| Binding: | DVD |
| Published By: | Warner Home Video |
| ASIN: | B0001JXOUS |
| Category: | DVD |
Actors and Actresses
Editorial Reviews and Product Descriptions
Description
Epic Action Drama. Set in Japan during the 1870s, The Last Samurai tells the story of Capt. Nathan Algren (Tom Cruise), a respected American military officer hired by the Emperor of Japan to train the country's first army in the art of modern warfare. As the Emperor attempts to eradicate the ancient Imperial Samurai warriors in preparation for more Westernized and trade-friendly government policies, Algren finds himself unexpectedly impressed and influenced by his encounters with the Samurai, which places him at the center of a struggle between two eras and two worlds, with only his own sense of honor to guide him.
DVD Features:
Audio Commentary:Commentary by Edward Zwick
DVD ROM Features
Deleted Scenes:The Beheading (Behind the Beheading) Algren and Katsumoto
Documentaries:History vs. Hollywood: The Last Samurai {History Channel Documentary)
Featurette:Tom Cruise: A Warrior's Journey Edward Zwick: Director's Video Journal {Behind-the-scenes production journal - narrated by Ed Zwick and Tom Cruise A World of Detail: Production Design with Lilly Kilvert Silk and Armor: Costume Design with Ngila Dickson Imperial Army Basic Training: From Soldier to Samurai: The Weapons
Interviews:Making an Epic: A Conversation with Edward Zwick
Other:Japan Premieres {Tokyo & Kyoto red carpet)
Amazon.com
While Japan undergoes tumultuous transition to a more Westernized society in 1876-77, The Last Samurai gives epic sweep to an intimate story of cultures at a crossroads. In America, tormented Civil War veteran Capt. Nathan Algren (Tom Cruise) is coerced by a mercenary officer (Tony Goldwyn) to train the Japanese Emperor's troops in the use of modern weaponry. Opposing this "progress" is a rebellion of samurai warriors, holding fast to their traditions of honor despite strategic disadvantage. As a captive of the samurai leader (Ken Watanabe), Algren learns, appreciates, and adopts the samurai code, switching sides for a climactic battle that will put everyone's honor to the ultimate test. All of which makes director Edward Zwick's noble epic eminently worthwhile, even if its Hollywood trappings (including an all-too-conventional ending) prevent it from being the masterpiece that Zwick and screenwriter John Logan clearly wanted it to be. Instead, The Last Samurai is an elegant mainstream adventure, impressive in all aspects of its production. It may not engage the emotions as effectively as Logan's script for Gladiator, but like Cruise's character, it finds its own quality of honor. --Jeff Shannon
Customer Reviews
Arrogant, presumptive, historically/culturally inaccurate - Reviewed on 2008-11-21
This movie is TERRIBLE. Anyone who's actually sat down and STUDIED this time period cannot watch this film without criticizing it. Yeah, sure, rural peasants who are so poor they live in the mountains eat fluffy rich-people white rice. Uh huh. And Japanese is SUCH an easy language to learn. If you want to make a film about Saigo Takamori and the Satsuma Rebellion, please do. It's a fascinating moment in history. But this exoticized, orientalist, American-centric pastiche masquerading as a historical drama is just made of fail. Also, has no one ever heard of the Inequal Treaties? The Treaty of Amity and Commerce? Most Favored Nation status?
Also, the treatment of samurai as a class is embarrassingly ham-handed. Most samurai at this point were underemployed government bureaucrats. Maybe they were policemen. These samurai would have been farmers. They were in a position of privilege, at least theoretically. Also, people did not bow to samurai in the streets. Haha, no.
The many (many many many many) historical inaccuracies and snafus, as well as the utter arrogance of the premise that we need a white man to be the main character in order to enjoy a historical drama, have been detailed and remarked on other sites and in professional reviews.
Ugh. I cannot suspend my disbelief for this film. Too many logic/history problems. Occasionally it'll do something true to the time period, or at least "true enough," so I'll give it a two, but really, don't waste your time with this one. It's nothing but a stereotyped oversimplification of Japanese history and culture.
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Book Subjects
- Action
- Adventure
- Americans Abroad
- Color
- Drama
- English
- Feature
- Feature Film-drama
- Graphic Violence
- Historical Epic
- Japanese
- Journey of Self-Discovery
- Lavish
- Movie
- Ninjas
- Period Film
- Rousing
- Samurai Film
- Stirring
- Switching Sides