To deal with the leprosy problem in the Hawaiian Islands in 1872, sufferers were relentlessly exiled to Molokai, a barren isle off the coast. There they lived in miserable surroundings, abandoned by the outside world. To alleviate their fate, Father Damien was the first priest to go to Molokai. His bishop's last words were that "he must not touch anyone."

Little by little, Damien earned the trust of the lepers, and eventually, his appeals for nuns and supplies resonated throughout the world, much to the displeasure of his superiors.

Even when Damien got sick himself, his energy did not abate, and he carried on working for the well-being of his "fellow lepers" to the end. When he crumbled during Mass, he was taken to his own hospital to die. All the residents gathered at the entrance to pray for their Father...

DVD FEATURES:
Languages: English
Subtitles: English **NO SPANISH AVAILABLE**
Viewing Format: Fullscreen
Sound:
Bonus Material:
Chapter titles for easy scene access
-Theatrical trailer and "The Making of Molokai"
-Biographical information on leading actors

This biography of Father Damien, the Catholic priest who in 1873 volunteered for service on the eponymous Hawaiian leper colony, doesn't hesitate to idolize its subject, and why should it? For 15 years Damien ministered almost single-handedly to the quarantined community, supplying what medication he could procure while struggling against the red tape from organizations (religious and governmental) that would rather have forgotten all about the hundreds of people slowly dying in primitive conditions. He won some battles and lost others, finally succumbing to the disease himself in 1888. The film can't overcome the inherent weaknesses of projects such as this: high officials given to improbable speeches recapping the relevant historical events for us, a certain formlessness generated by skipping through the years and only hitting the high points, stock bureaucratic villains whose motives are never fairly explored. On the other hand, screenwriter John Briley has an Oscar on his shelf for Gandhi, so he knows how to string the lessons together and make them go down smoothly.

The earnestness of the project no doubt led to the who's-who supporting cast (Sam Neill, Derek Jacobi, Peter O'Toole, Leo McKern) (oh yes, and Kris Kristofferson), but it is David Wenham who must carry the film as Damien, which he does well enough--not spectacularly but with a touching humility not above a tetchy self-righteousness. Director Paul Cox was an inspired choice, however, bringing to the project his patient fascination with emotions at their most subtle and restrained; as a result, Molokai's low-key sense of conflict, often a fatal flaw in similar movies, becomes the film's saving grace, a manifestation of its subject's quiet, persistent faith. --Bruce Reid