I 1st saw this movie in 1980 and its hilarious john belushi gives a greatest performance, i liked it

I was so excited when this special edition came out, I bought it right away. As I did with many other old faves. I might as well have been sitting in the theatre, wasting all of my popcorn and soda on the commercials and previews. By the time the main feature finally comes on, I am out of snacks and I have to pee. I will always love this movie, and the extra "where are they now" was cool. But you can find out where they are now by going online. Seriously, as another reviewer suggested, buy the original cut if you don't own this movie yet.

I love this movie and so will you. All though my college life was nothing like this, it makes me long for toga parties, food fights and road trips. There are so many memorable scenes that you only have to watch the movie several times before you can qoute all the characters.
If you have any sort of sense of humor and enjoy older movies than I insist that you buy Animal House you will not regret it.

...the forced previews and trailers before the movie are annoying. I couldn't believe that I couldn't skip through that crap... I also must note that there was no use of the pause button while the movie was playing. If I wanted to pause the film to go to the kitchen, I had to stop the DVD.

But seriously...
THIS IS ANIMAL HOUSE!
Who really cares about the five minutes of previews and the inconvenience of not being able to pause the movie?
It's Animal House!
It's a classic!

5 stars.
Sit through the previews. Take that time to run to the kitchen. Come back and enjoy one of the all time great American comedies.

Part of what made NATIONAL LAMPOON'S ANIMAL HOUSE so beloved when it came out in 1978 was its spirit of anarchy, embodied by John Belushi as the frat house hero Bluto Blutarsky; people who have heard about the film who watch it for the first time may be surprised how few lines he actually has in it (still, he seems to preside). The film's climax, which involves the title fraternity of Delta House wreaking utter havoc on a parade in their college's small town is nothing more than a celebration of the pleasures of pure chaos, and the film is at its funniest when it shows the rules of society utterly breaking down. The plot mechanism, which has been celebrated countless times since, is that the more the evil Dean Wormer (John Vernon, having a grand old time with a scenery-chewing performance) imposes restrictions on Delta House, the more wild their counterresponse. The film's popularity centered upon the beer bashes, food fights, toga parties, and roadtrips that get completely out of hand.

Yet watching it again, it is amazing that despite the film's celebration of anarchy the two central figures are really the two smug frathouses smoothies, Otter and Boon (Tim Matheson and Peter Riegert) who smirk and ooze their way through the plot and are responsible for most of the story's machinations. They're not very funny, and are the direct ancestors of such similarly insufferable entitled rich boys from film comedy as Ferris Bueller and Van Wilder. Certainly Otter and Boon are better than their despicable counterparts in the Omega fraternity (who enjoy mocking fat pledges and scheming with the Dean); the film constantly sets it up spatially (particularly in the student court's hearing scene) as if these are the only two possible choices in life: you're either a Delta, or you're an Omega. This seems to belie the spirit of social anarchy the film elsewhere so happily and rudely celebrates. The likable and funny two actors who begin the film, Tom Hulce and Steven Furst, as Pinto and Flounder, skate right past this uncomfortableness, as does the wonderful comic actress Martha Smith as a Southern-belle co-ed (she has some of the film's funniest moments).