Forty Hour Train Back to Penn

by Drive-Thru

$12.98
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Average Rating: * * * * half star
Sales Rank:173589 (lower is better)
Price as of:11/25/2008 8:13:06 AM MST
Price Used:$1.97
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Availability:
Release Date:2003-02-25
Label:Drive-Thru
UPC:044006009223
Binding:Audio CD
Published By:Drive-Thru
ASIN:B00008BNUI
Category:Music

Tracks on Forty Hour Train Back to Penn by Drive-Thru

  1. Face Or Kneecaps
  2. Jamestown
  3. Spanaway
  4. Kelly
  5. Taking It Out and Chopping It Up
  6. Scary
  7. Hey
  8. Jamaica Next
  9. It's Something
  10. Keep Never Changing
  11. Ship to Shore

Editorial Reviews and Product Descriptions

Album Description

Bonus CD includes an unreleased acoustic song, "Sailor Tattoos", as well as songs from Drive-Thru Records artists The Starting Line, Home Grown, Allister, Rx Bandits, The Early November, Steel Train and Senses Fail.
Amazon.com

New York's the Movielife cut their teeth as spiky hardcore upstarts, but with Forty Hour Train Back to Penn, they've evolved into a quality pop-punk band. Crushing tight emo intensity, shout-along choruses, and post-hardcore dynamics into a polished package, they provide a fine example of label Drive-Thru Records' skill at nailing the brightly populist side of modern punk. "Jamestown" displays the kind of heartfelt emo fury that At the Drive-In specialized in; the song chronicles a recent van crash that left frontman Vinnie Carusa "bruised and broken" and gives the album its name. Elsewhere, emotional pain drives Carusa's lyrics. "Face and Kneecaps" deals with a relationship nearing the end, while "Kelly’s Song" strikes a strong chord with the line: "When Kelly cries / The makeup runs from her eyes / Spilling the truth / Of how she feels inside." This is a band that plays to its strengths. --Louis Pattison

Customer Reviews

great punk rawk - Reviewed on 2007-07-18
* * * * *

these guys were awesome, its too bad the band broke up. the lyrics were awesome
Oh how I miss the M-life - Reviewed on 2005-05-05
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1 customer found this review helpful, 1 did not.

Man I just love the movielife, more than any other band I think. I don't know just what it is I love about, they aren't the most incredably innovative band out there, they definatly weren't a critic favorite (but who really cares about that) and they never got the recognition they deserved. I think the thing I love about the movielife the most is the passion, to me I think Vinnie is one of the nicest and most passionate singer in music. I'm not kidding you, I'm not the kinda guy to talk to bands, you know you always see it after a show there is always some individual who is just dying to talk to the band for some reason. What's up with that? You always notice it too as some sort of prideful thing when your buddy is all like "oh the singer told me..." and so on, oh so you guys are homies now or something, right? So I'm not one to go talk to the band, I just don't like praising people or feeding other people's ego. I mean a band might have done an incredable job, but unless I know a person in the band I'm probably not going to go and give them that little ego boost. But when I saw the Movielife about a year before they broke up, I just couldn't resist telling Vinnie how good the show was. Not only is he a champ, he actually stood around to talk to fans (imagine that!) after his set, but he actually complemented me too! He noticed that I sang to ever song they played and told me "thanks for singing and sh*t." I think that is amazing, really I do. It meant a lot to me and it still does. Anyways yeah that was the only time I've ever talked to the "band" but in a way I felt like I kind of knew Vinnie (surely I didn't really KNOW him I had never met him), not in a stalker way but just through his lyrics and his on-stage persona, there was something inviting and non-inpersonal about it. And that was what was great about the Movielife, there was no pretension, there was just honesty and many bands these days are dishonest and have inflated egos. I can just tell when I hear the music, the passion and honesty just isn't there, it's as if they are going through the motion. The Movielife played what they liked, sang how they felt and didn't give a rip about what was hip and what was popular which obviously meant that they wouldn't be getting as much attention as all these other pretensious flash-in-the-pan groups. Not to say that the Movielife was some no name, obscure band (they were the only good band on Drive-thru) but I just don't think they will ever get the recognition they deserved for the great music they made. You either got them or you didn't and that was the best part about the Movielife. As for this album? I think it wasn't as good as "this time..." or "It's Go Time" but it was a great album and it was diffrent than the other albums. I think it's a decent album though, really I lost my copy and I just haven't come around to replacing it, but it's still killer my brother.
very different- not your average power punk band - Reviewed on 2005-02-12
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2 customers found this review helpful, 1 did not.

The Movielife's newest album gives us something more to talk about, being halfway between Allister and Strike Anywhere, it breaks all burriers between punk and pop. This band knows how to drop a sweet guitar riff and make a slow melody into an ubpeat madness. I love this band and so should you. Nice work Drive-Thru.
Actually 3 and a half.. - Reviewed on 2004-05-02
* * *
2 customers found this review helpful, 1 did not.

This is a pretty decent album. Nothing too overly original, but its special in its own right. Not alot of bands can harness the energy and sincerity that The Movielife display with this great collection of emotional songs. My two favourites are "Kelly" and "Its Something" but all of them are pretty great. If you want a high-energy emo outing, check this out.
40 Hour Train Back to the Penn - Reviewed on 2004-04-23
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2 customers found this review not to be helpful.
The Movielife, along with The Early November and Something Corporate are the only highlights for Drive-Thru Records. Don't, be scared away if you hate bands like NFG and TSL, because the Movielife has put together a great cd here.
Highlights:
It starts off with the catchy and energetic Face or Kneecaps, which is a great opening track. The 2nd track, Jamestown bleeds with emotion all the way through and is one of the standout tracks. The 4th track Kelly's Song is such a great commercial song, with great lyrics and a catchy chorus. Track 6, Scary, is another great song. Ship to Shore, the last track is another standout track.

The rest of the songs are above-average but have flaws. ie. 'Its Something' is a great song with the best lead in on the cd, but i hate the chorus. Seriously, buy this cd. It has its ups and downs but overall, is the best Movielife effort so far, and one of the best albums of '03.

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