Kelly and Donen forced MGM to let them shoot on location in New York for the exteriors of On the Town (1949), the movie that took musicals into the open air (and remained Kelly's favorite of his films). The spirited dancing and the wisecracking Comden-Green script make this an ebullient tale of three sailors on a 24-hour leave. The choreography plays multiple variations on the triangular team of Kelly, Jules Munshin, and a still-gawky Frank Sinatra. Finally, Gene Kelly: Anatomy of a Dancer (2002) is a terrific American Masters documentary, with oodles of superbly chosen (mint condition) film clips and interviews with many of Kelly's friends and colleagues. The emphasis is on how Kelly changed the image of the male dancer, complementing the aristocratic Fred Astaire with a more blue-collar, regular-Joe approach. It's an unblinking portrait, acknowledging the taskmaster behind the pearly grin. Those revelations make perfect sense when you see the astonishing dances: how could anyone this great not be a perfectionist? --Robert Horton