Indeed, why not?

There's a small but vocal Cuban Jewish community, with their own Jewish traditions and sensibilities, who've come in contact with and slyly incorporated into their own musical understandings the expansive music of the African diaspora, as experienced in Middle-Passage Cuba.

As far as I know, El Danzon de Moises represents the first-ever disc seeking to capture this unique music.

And what a disc it is!

Featuring the usual Downtown suspects--such brilliant players as Mark Feldman (viola), Craig Taborn (piano), Ted Reichman (accordion), Marcus Rojas (tuba), Matt Darriau (clarinet, trompeta China), Peter Apfelbaum (soprano sax), and the great Susie Ibarra (percussion)--this discs cooks with an easy swinging groove, effortlessly linking two disparate but remarkably similar musical traditions: Afro-Cuban and Klezmer.

It's entirely amazing to me how easily and naturally these two traditons match up. It's almost as if they were meant to combine (as perhaps they were!). What astounds about this music is its insane naturalness, almost to the point of duh: Jewish swing melding seamlessly with African sensibilities.

My own view is that some of the most exciting music is happening at the fringes of traditional musics--musicians like Omar Sosa, Adam Rudolf, Dhaffer Youssef, Claude Chalhoub, Royal Hartigan, Cyro Baptista--and R. J. Rodriguez. Anyone at all interested in further exploration of the frontiers of jazz and world music should not hesitate to pick this up.