It is with lyrics that the 24 year old excels in the most. Subjects of death among others are dealt with humour and sensitivity, "....we both found heaven right then, you just chose not to come back...." in 'La Petite Mort' a country number with bluegrass roots, and touches on the topics of cocaine and roses in the poignant 'The Little Cowboy' where McKeown reaches Joni Mitchell levels of diva dizziness. The slim production of the record successfully brings out McKeown's ability to use an instrument both rhythmically and sonically. As a result of this the songs sound resolute and bright, with the result that the quieter moments on this record are at times the memorable and striking moments, especially on the quieter times on 'Daisy and Prudence' and the yearning 'Love In 2 Parts' which shows her songwriting to be strong and her delivery impeccable. Swing is also an obvious influence, and provides the jollier moments with a cover of Rodger and Hart's 'You mustn't kick it around' and the quirky 'Didn't They?'. Each song is intricate despite its simplicity, overflowing with invention and sentiment, and is sure to win the hearts of those who cross her path. With 'Distillation' Erin McKeown has proved that less is indeed much, much more.

Ricky

Mrs McKeown in her songs achieves the goal of both being distinctly modern, living up to her post-Bjork and Moby comparisons and at the same time old fashioned brining swinging 1920's jazz onto such songs as "Blackbirds". Erin grew up in Virginia and it was at Brown University that she found her unique gift for combining music old and new into her own hybrid style. Very difficult to pigeonhole in one genre toying with everything from modern pop, swing jazz and cabaret. She showcases here all her past influences and love of music and movies. While it's easy to get caught up with the comparisons it must also be said that this is unlike anything else before it, Erin is the first of her kind and it's easier to imagine that in the future people will compare artists to her, instead of visa versa which is a view shared by many writers like Dar Williams, "Don't let anybody tell you that Erin McKeown is the 'next' anyone. She's the very first Erin McKeown, and she's great."

Another extraordinary thing is the production, or lack of it. All of this record is self financed and instead of confining her sound to a soulless generic recording studio Erin and producer David Chalfant relocated to a farmhouse out in Massachusetts. All of the tracks were recorded here and very few have any processed electronic tinkering on them .The songs are refreshingly real sounding and gritty without the usual re-mastering that occurs. What you get is what happened and this, for use of a better word makes it sound real and fresh. The whole thing from the recording to promotion (self promoted from word of mouth and her website) is all very down to earth and grassroots.

Plucky guitar opener "Queen of Quiet" the shortest of the songs offered here, introduces unusual and enchanting vocal stylings not to dissimilar to US singers Kd Lang, but more energetic and uplifting. It also showcases her brilliant song writing with lyrics confessing her to be "The kind of lover that won't run for cover, what kind of lover am I?". Then "Blackbirds", a jazzy, blues style number is so catchy and infectious with it's danceable blues guitar sounds and lovable lyrics harking back in many ways to the children's rhyme with the birds of the same name. If you don't get the urge to dance to this, then check for a pulse. All the songs have smart lyrics from an artist who is offering us everything she is and while some of the best are partly collages of other influences as used on "Blackbirds" she really comes into herself with the more coherent songs like "The Little Cowboy" with the haunting images of roses and cocaine. While we've had ladies giving us distinct and original vocals before, Alanis Morrisette or Ani Difranco for instance, it's the combination her of striking singing and skilful playing of whatever instrument she picks up be it a banjo or a guitar. Smart and very cool.

To the slow emotional "How to open my heart in 4 easy steps". Erin flexing her songwritting muscles again and asking kindly to "Untie these strings, from around my heart" and sadly confessing herself as "undone". That description is appropriate for this and many songs that are so open and overflowing with ideas and emotion. The perfect almost-a-love songs to complete the amazingly eclectic collection of songs.

So cheerful and instantly likable, so diverse that everyone will find something here to there taste. Fans of eclectic musicians like Badly Drawn Boy and the increasingly famous Polyphonic Spree will embrace this album openly. Buy this and then buy her previous albums on re-release soon.