| Average Rating: |
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| Sales Rank: | 229209 (lower is better) |
| Price Used: | $21.59 |
| Shipping: | Free Shipping on most orders over $25* |
| Availability: | Usually ships in 24 hours |
| Release Date: | 1997-02-10 |
| Label: | Polygram UK |
| UPC: | 731454066228 |
| Binding: | Audio CD |
| Published By: | Polygram UK |
| ASIN: | B000006TKB |
| Category: | Music |
However, you should be aware that if you buy this title through MusicExpress of Germany (as I did - way cheaper!), one of Amazon's 3rd-party vendor partners, you will probably receive the European (UK) version of Halcyon Days, which differs greatly from the advertised US version on Amazon.ca. I hasten to add that the service from MusicExpress was exemplary. Also, the UK version is terrific.
The UK version (clearly compiled for the Euro market) contains great liner notes and gems rarely heard in North America such as "Will Ye Go" (a revamped Celtic trad tune done in the pub-thumping style of "Part of the Union" (also included)-- "Will Ye Go" is easily the equal of the early Byrds' version of the same song, which thay called "Wild Mountain Thyme"), "Ciggy Barlust" (a kind of spoof of Bowie's Ziggy Stardust phase), a few really good non-Strawbs Hudson-Ford tunes, and about a dozen others (including B-sides) not on the US version. Although it does contain much of the same material, some key tracks from the US version are missing, e.g., "Autumn," Tears and Pavan," "Lemon Pie," "Glimpse of Heaven," "Heavy Disguise," "Hanging in the Gallery" and quite a few others.
Short of buying the individual A&M albums (which remain ludicrously expensive), "A Choice Selection of Strawbs" (also ludicrously expensive), in combination with the UK Halcyon Days, appears to be the best alternative, minimizing duplication and overall cost. Be aware, however, that "Choice" (which I haven't heard) has not been recently remastered and may not sound as good as Halcyon or the original albums, which have been. Oh, well..... perhaps A&M should consider a combo version triple set ("The Compleat Halcyon Days"?), combining all tracks from both versions.
In the meantime, Amazon should be more diligent in ensuring that their 3rd-party partners have the same version as advertised, or make it clear that differing versions exist (Amazon seemed to have no problem with the US vs. UK versions of the Stones' "Aftermath," "Between The Buttons," and "Out Of Our Heads," for example). I do realize how hard it must be to keep up with all the various differing versions of albums out there, but there's really no excuse.
Still, although I give "Halcyon Days (UK) 5 stars for content, subtract two stars for Amazon's ambiguous product information and/or faulty communication with their third-party vendors.
Although this collection does include several tracks by Richard Hudson and John Ford, I have to profess that I have always preferred the work of Dave Lambert with the group a bit more, even though I readily admit that his work does mesh as well with the songs of Dave Cousins, who has always been the heart and the soul of the Strawbs. I also like the keyboard work of John Hawken over Blue Weaver. Even if neither of them is Rick Wakeman, the group certainly thrived without having a virtuoso on keyboards. Consequently, the second disc in this collection gets a lot more play than the first at my house, although "The Hangman and The Papist," "Benedictus" and "New World" certainly capture the variety and quality of the group during their first period.
Hudson and Ford contributed their best work right before leaving the group, writing "Lady Fuschia," "Part of the Union," and co-writing "Tears and Pavan" with Cousins on the 1973 "Bursting at the Seams" album. One special treat of this collection is that "The River" proceeds "Down By the Sea" (the opposite order of how they appear on the original album). When I saw the group in concert those were the two songs they played in their encore, using the former to set up what was then their signature piece in performance. It was that song, played by a DJ at a FM station in Albuquerque that persuaded me to go see the Strawbs in concert when I did not have any of their albums. Of course, that all changed the week after the show.
"Hero & Heroine," the 1973 concept album usually considered the group's best album, is well represented in this collection as is the 1974 "Ghosts." Each album began with a trio of songs combined into seamless set pieces, "Autumn" and "Ghosts" respectively. This was the most ambitious creative period for Cousins, who I always thought sounded like Cat Stevens with a more aggressive sense of soul. I also like the choices of Cousins' "Hanging In the Gallery" and Lambert's "The Promised Land" to end the collection. This seems quite appropriate to me.
The Strawbs are pretty much forgotten. When I was staging a high school production of Christopher Fry's "The Lady's Not for Burning," I used music from "Tears and Pavan" and "Hero and Heroine" for the show. Everyone thought the music appropriate and effective but none of them had ever heard of the Strawbs. For those of us who followed them in the 1970s, I have to believe they are one of our more memorable groups.