Musically, Redding proves himself over and over to be perhaps the greatest soul singer of all time (though Ray Charles during his Atlantic period might give him a run for the money). The eleven tracks on this disc (about 32 minutes) find Redding reaching to the depths of his emotions for vocals that no one else could ever rival. Everything his vocal chords touch becomes *his*. Covers of hits that are unforgettable in their original version (e.g., Sam Cooke's "Chain Gang", Wilson Pickett's "634-5789") become something entirely different when Redding turns his attentions to them.

The band (including Booker T., Isaac Hayes, Steve Cropper, Donald "Duck" Dunn, Al Jackson Jr., Sammy Coleman, Wayne Jackson, Bowlegs Miller, Andrew Love, Charles "Packy" Axton and Floyd Newman) provides some really incredible backing. Booker T's organ and Steve Cropper's guitar, in particular, create an incredible atmosphere, punctuated beautifully by the horn section. There is a cohesiveness between Redding's vocals and the musical background that is not evident in lesser soul recordings. There is a sort of empathy between the players and the vocalist that is jazz-like and rare.

From the slower, soulful ballads such as "Just One More Day", the wrenching "Cigarettes and Coffee", and "Good To Me" through the medium paced blues of "Scratch My Back" through upbeat pieces like "It's Growing", Redding never misses a beat. His vocals are a revelation every time you listen to the disc.