| Average Rating: |
|
| Sales Rank: | 32391 (lower is better) |
| Price Used: | $7.99 |
| Shipping: | Free Shipping on most orders over $25* |
| Availability: | |
| Release Date: | 1991-07-01 |
| Label: | Ojc |
| UPC: | 025218602624 |
| Binding: | Audio CD |
| Published By: | Ojc |
| ASIN: | B000000Y1H |
| Category: | Music |
Tracks on Brilliant Corners by Ojc
- Brilliant Corners
- Ba-Lue Bolivar Ba-Lues-Are
- Pannonica
- I Surrender, Dear - Thelonious Monk, Clifford, Gordon
- Bemsha Swing
Editorial Reviews and Product Descriptions
Album Description
Digitally remastered using K2 bit technology, this is a Japanese reissue of the great pianist's 1956 album for the Prestige label in a miniaturized LP sleeve limited to the initial pressing only. Five tracks. The All-Music Guide gave the album four & a ha
Amazon.com essential recording
Few composers or improvisers can match the originality of pianist Thelonious Monk. Quirky yet rigorously logical, Monk's playful but always purposeful choice of skewed melodies and interrupted rhythm patterns gave the bebop movement, and jazz in total, a new sound that was totally modern. Although he created a surprisingly limited body of compositions, his impact on the vocabulary and canon of jazz is second to none, including such prolific giants as Duke Ellington. Brilliant Corners is a triumph of both performance and conception: the two small-group sessions, anchored by Monk, drummer Max Roach, and the bass work of either Oscar Pettiford or Paul Chambers, feature superb front-line performances by saxophonists Sonny Rollins and the tragically under-recorded Ernie Henry, as well as trumpeter Clark Terry. The title track, which centers the collection, is one of Monk's most unconventional pieces, skirting whole-tone, chromatic and Lydian scales; a version of "Pannonica" finds Monk doubling on celeste, while the band stretches out on "Bemsha Swing" and the blues "Ba-lue Bolivar Ba-lues-are." --Fred Goodman
Customer Reviews
A Musical Feast - Reviewed on 2008-03-18
Brilliant Corners is probably my favorite Monk CD. That's saying alot, because I have more than 10 of them. For me, the first 3 selections are intoxicating. As great as Monk is throughout, the horn men keep me coming back to this CD time after time.
Alto saxophonist Ernie Henry excels on Bolivar Blues with a straight-forward, effective solo. One can only imagine what he could have accomplished had he not died so prematurely in 1958-less than 2 years after this album was released.
A familiar observation about Monk's music is that it is exceedingly difficult to play. While I can't confirm or deny this with any kind of intellectual depth, I do hear what sounds to me like hesitation in some parts of the tenor sax solos, esp. on Bolivar Blues. Nevertheless, tenor man Sonny Rollins is a revelation here. He seems to play most freely on Brilliant Corners; while his work on Bolivar Blues is motivational; and on Pannonica, he is stunningly poignant. The overall musical beauty of Pannonica is all the more pronounced when one considers that Monk wrote it for the Baroness Pannonica de Koeningswarter-the legendary patron and close friend to so many jazz musicians, including Monk and Charlie Parker. It also doesn't hurt that Monk and Rollins enjoyed a rare musical and personal rapport.
Those with far more musical training than I can debate the difficulty of Monk's music. But one thing is clear: as difficult as it may be to play, it is NOT hard to listen to. Hearing the collective brilliance of Monk, Rollins, Henry, Max Roach Oscar Pettiford and Clark Terry on this CD makes me a stand a bit straighter, walk a bit taller, and appreciate jazz all the more.
(4.5 stars) Monk does it again! - Reviewed on 2007-09-01
For all intents and purposes, this is Monk's debut album as a leader: he had issued several 78s and an album of Ellington covers under his own name beforehand, but this was his first recording of all originals. Even for Monk, this is some weird stuff, especially "Ba-Lue Bolivar Ba-Lues-Are" (or just "Bolivar Blues", as it was later retitled) - it's amazing how he twists a genre as familiar as blues to sound totally foreign, thanks to his bizarre melody. Always the compositional virtuoso, Monk threw a curveball at everyone with the winding title track, which was too hard for any of the musicians in question: it was composed by splicing several takes together. There's also an odd beauty on the rarely heard "Pannonica", where Monk plays a Celeste. A couple of these tracks became classics, such as the joyful "Bemsha Swing" (which I believe was held over from the Blue Note years) and "Bolivar Blues". The only weak track is a dry recording of the boring chestnut "I Surrender Dear" - for whatever reason, I've never been into Monk's solo piano recordings, even though he's a great piano player. Why? I have no clue. I'm just weird like that, okay?
* - See Amazon
Product Page for shipping and pricing details.
Book Subjects
- Bop
- Hard Bop
- Jazz
- Jazz Music
- Piano
- Pop
- United States of America